Gloria Vanderbilt brought the family name out of the Gilded Age and into the Digital Age, reinventing herself over and over along the way. Hers is a story of charisma, glamour, and heartbreaking loss. The illustrations include portraits of Vanderbilt and her extraordinary homes.

An elegant, witty, frank, touching, and deeply personal account of the loves both great and fleeting in the life of one of America's most celebrated and fabled women. Born to great wealth yet kept a virtual prisoner by the custody battle that raged between her proper aunt and her self-absorbed, beautiful mother, Gloria Vanderbilt grew up in a special world. Stunningly beautiful herself, yet insecure and with a touch of wildness, she set out at a very early age to find romance. And find it she did. There were love affairs with Howard Hughes, Bill Paley, and Frank Sinatra, to name a few, and one-night stands, which she writes about with delicacy and humor, including one with the young Marlon Brando. There were marriages to men as diverse as Pat De Cicco, who abused her; the legendary conductor Leopold Stokowski, who kept his innermost secrets from her; film director Sidney Lumet; and finally writer Wyatt Cooper, the love of her life. Now, in an irresistible memoir that is at once ruthlessly forthright, supremely stylish, full of fascinating details, and deeply touching, Gloria Vanderbilt writes at last about the subject on which she has hitherto been silent: the men in her life, why she loved them, and what each affair or marriage meant to her. This is the candid and captivating account of a life that has kept gossip writers speculating for years, as well as Gloria's own intimate description of growing up, living, marrying, and loving in the glare of the limelight and becoming, despite a family as famous and wealthy as America has ever produced, not only her own person but an artist, a designer, a businesswoman, and a writer of rare distinction.

#1 New York Times Bestseller A touching and intimate correspondence between Anderson Cooper and his mother, Gloria Vanderbilt, offering timeless wisdom and a revealing glimpse into their lives The Rainbow Comes and Goes is a charming, intimate and fascinating collection of correspondence between broadcaster and #1 New York Times bestselling author Anderson Cooper and his mother, the celebrated Gloria Vanderbilt. Anderson Cooper’s intensely busy career as a journalist for CNN and CBS’ 60 Minutes affords him little time to spend with his ninety-one year old mother. After she briefly fell ill, he and Gloria began a conversation through e-mail unlike any they had ever had before —a correspondence of surprising honesty and depth in which they discussed their lives, the things that matter to them and what they still want to learn about each other. Both a son’s love letter to his mother in her final years and an unconventional mother’s life lessons for her grown son, The Rainbow Comes and Goes offers a rare window into their close relationship and fascinating lives. In these often hilarious and touching exchanges, they share their most private thoughts and the hard-earned truths they’ve learned along the way. Throughout, their distinctive personalities shine through—Anderson’s darker outlook on the world is a brilliant contrast to his mother’s idealism and unwavering optimism. An appealing blend of memoir and inspirational advice, The Rainbow Comes and Goes is a beautiful and affectionate celebration of the profound and universal bond between a parent and child, and, like Tuesdays with Morrie, a thoughtful reflection on life and love, reminding us of the precious knowledge and insight that remains to be shared, no matter what age we are.

Looking back on her own traumatic childhood and the early death of her husband, the author discusses her anguish over the suicide of her twenty-four-year-old son and her struggle to cope with the pain and grief over the death of her child

New York Times bestselling author and journalist Anderson Cooper teams with New York Times bestselling historian and novelist Katherine Howe to chronicle the rise and fall of a legendary American dynasty—his mother’s family, the Vanderbilts. One of the Washington Post's Notable Works of Nonfiction of 2021 When eleven-year-old Cornelius Vanderbilt began to work on his father’s small boat ferrying supplies in New York Harbor at the beginning of the nineteenth century, no one could have imagined that one day he would, through ruthlessness, cunning, and a pathological desire for money, build two empires—one in shipping and another in railroads—that would make him the richest man in America. His staggering fortune was fought over by his heirs after his death in 1877, sowing familial discord that would never fully heal. Though his son Billy doubled the money left by “the Commodore,” subsequent generations competed to find new and ever more extraordinary ways of spending it. By 2018, when the last Vanderbilt was forced out of The Breakers—the seventy-room summer estate in Newport, Rhode Island, that Cornelius’s grandson and namesake had built—the family would have been unrecognizable to the tycoon who started it all. Now, the Commodore’s great-great-great-grandson Anderson Cooper, joins with historian Katherine Howe to explore the story of his legendary family and their outsized influence. Cooper and Howe breathe life into the ancestors who built the family’s empire, basked in the Commodore’s wealth, hosted lavish galas, and became synonymous with unfettered American capitalism and high society. Moving from the hardscrabble wharves of old Manhattan to the lavish drawing rooms of Gilded Age Fifth Avenue, from the ornate summer palaces of Newport to the courts of Europe, and all the way to modern-day New York, Cooper and Howe wryly recount the triumphs and tragedies of an American dynasty unlike any other. Written with a unique insider’s viewpoint, this is a rollicking, quintessentially American history as remarkable as the family it so vividly captures.

The celebrity artist and designer recreates the glamour and terror of her childhood when she became a legend as the "poor little rich girl" during a notorious custody trial and vividly depicting the adult who loved and battle over her.