Running from May 15 until July 14, 2002, the Biennale of Sydney explores the way artists use narratives, models, fictions and fabrications to challenge and to change our interpretations of the world.

Look no further for than this compendium of the biggest, oldest, most amazing artworks throughout history. All over the world, since Prehistoric times, human beings have been creating works of art that defy the imagination. Join countless painters, sculptors, and other artistic innovators in their quest for grandeur and beauty, and embark on a global journey to discover their most awe-inspiring, jaw-dropping masterpieces. Amazing Art Records is an original and fun way to explore the history of art and human creative expression.

Did you know that 110 silkworms shook their heads 300,000 times each to produce the silk for a Shabbos tie? In the hands of Rabbi Avrohom Katz (Tuvia Cohen), science is not dry. It is interesting often amusing and he uses it as a window on the wisdom of the Creator. The author is a humorist, a scientist, and an excellent writer. He looks at our everyday world and sees the most unlikely things. Chapter after chapter, the author opens our eyes to a fresh view of the universe.

Hello reader! In this book is a world. A world created by two awkward guys who share their lives on the internet! We are Dan and Phil and we invite you on a journey inside our minds! From the stories of our actual births, to exploring Phil’s teenage diary and all the reasons why Dan’s a fail. Learn how to draw the perfect cat whiskers, get advice on how to make YouTube videos and discover which of our dining chairs represents you emotionally. With everything from what we text each other, to the time we met One Direction and what really happened in Vegas... This is The Amazing Book Is Not On Fire!

A fascinating journey through the world’s musical cultures. Every culture on Earth has music. Every culture that’s ever existed has had it, but we don’t exactly know why. Music is not like food, shelter, or having opposable thumbs. We don’t need it to live, and yet we can’t seem to live without it. Glenn Dixon travels the globe exploring how and why people make music. From a tour of Bob Marley’s house to sitar lessons in India, he experiences music around the world and infuses the stories with the latest in brain research, genetics, and evolutionary psychology. Why does music give us chills down the backs of our necks? What exactly are the whales singing about and why does some music stick in our minds like chewing gum? Through his adventures, Dixon uncovers the real reasons why music has such a powerful hold on us – and the answers just might surprise you.

Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”