Transcend Your Fear of Negative Cards Make every reading positive and empowering with this beginner-friendly guide to the Rider-Waite-Smith tarot. Using his engaging and easy-going style, Elliot Adam teaches you how to move through the shadows and into the light no matter what card you pull. We’ve all been there: hoping for the best as we draw a card...but oh no, it's the Devil! Fearless Tarot shows you that worry won't prevail—every card can become something positive. Elliot helps you find the courage to tackle any reading by also explaining both upright and reversed meanings in a constructive way. His approach features unique spreads and interpretations, and he encourages you to use inner wisdom to start an uplifting dialogue with your deck. This book provides everything you need to confidently read tarot. Includes a foreword by Theresa Reed, author of Tarot: No Questions Asked

Italian heartthrob Nicola Agosto was Memphis' most eligible bad boy seven years ago, but after falling in love with local college beauty queen, Ivy Winters, he settled down and started a beautiful family. Now as a father of four and a loving husband, he has ascended up the ranks of the Memphis Police Department and positioned himself as a dependable and trustworthy top cop. However, he is known for protecting his officers and not taking anything off criminals, a trait that will not bode well for him in the near future. When four children are found raped and murdered, Nicola is the first person assigned to the high profile case, tapped personally by the brass. Partnered with a new age bad boy, Luke Johnson, and determined to solve the case, he stumbles on a conspiracy so big until the men responsible have no choice but to set him up and get him out of the picture. Caught on camera beating a black suspect who threatens his family with the same fate as the four dead children, Nicola goes from Memphis' most beloved police officer to public enemy number one. He's accused of being a racist and charged with abusing his power. Put on suspension pending an investigation, he is faced with losing the only job that he's ever known as well as his freedom. Realizing that even without a badge, Nicola could be a problem, The Three Wise Men, the conspirers behind the elaborate plot, now want more than Nicola's badge; they also want his life. With nowhere to turn and bound by promises he refuses to break, Nicola turns to his sworn enemy, Russian crime boss Dmitry Medlov. And it's just time to save him and his family from being brutally murdered. A favor for a favor grants Nicola the man and firepower he needs finally solve the case, but it also forces him to go against everything that he's ever stood for. Read interracial romance author Latrivia Nelson's latest bestselling crime novel about one man's journey through grit, grime, pain and sacrifice to protect the only people he will ever love in Ivy's Twisted Vine's sequel, The World in Reverse.

The collaboration between the Textile Department of the University of Minho and the Brazilian Association of Studies and Research (ABEPEM) has led to an international platform for the exchange of research in the field of Fashion and Design: CIMODE. This platform is designed as a biennial congress that takes place in different European and Latin American countries with the co-organization of another university in each location. The current edition was jointly organized by the University of Minho and the Centro Superior de Diseño de Moda (CSDMM) - Universidad Politécnica de Madrid. CIMODE's mission is to explore fashion and design from a social, cultural, psychological and communication perspective, and to bring together different approaches and perceptions of practice, education and the culture of design and fashion. Through an interdisciplinary dialogue and intercultural perspective, CIMODE wants to generate and present new scenarios about the present and future of fashion and design. ‘DISEÑO AL REVÉS’ (‘BACKWARD DESIGN’) was the central theme of the 4th CIMODE (Madrid, Spain, 21-23 May 2018), which produced a highly topical and relevant number of academic publications presented in this book.

Religious ritual is often seen as a way of bringing divine influences down into the material world. In this profound and stimulating work, Rudolf Steiner and Friedrich Benesch introduce the idea of "reverse ritual"--a way that each of us can raise our souls to the spiritual realm. In this process, the everyday world becomes a portal through which we can enter the dimension of the sacred. Here, each of us can be a "priest," and each of our actions can be a cosmic, ritual act. This stimulating collection of writings on spiritual communion of humanity includes two further lectures by Steiner that show how this process can engage our social lives. Also included are two additional essays as appendices: "Sacramental and Spiritual Communion" by Dietrich Asten and "Human Encounters and Karma" by Athys Floride. The introduction by Christopher Schaefer brings these ideas into focus for modern seekers. Contents: Part One: "The Spiritual Communion of Humanity" (5 lectures from GA 219) Part Two: "Preparing for the Sixth Epoch" Part Three: Commentaries by Friedrich Benesch Appendices: Selections from Dietrich Asten: "Spiritual and Sacramental Communion" & Athys Floride: "Human Encounters and Karma."

A study of the impact of Cuban music on Senegalese music and modernity Roots in Reverse explores how Latin music contributed to the formation of the négritude movement in the 1930s. Taking Senegal and Cuba as its primary research areas, this work uses oral histories, participant observation, and archival research to examine the ways Afro-Cuban music has influenced Senegalese debates about cultural and political citizenship and modernity. Shain argues that the trajectory of Afro-Cuban music in twentieth century Senegal illuminates many dimensions of that nation's cultural history such as gender relations, generational competition and conflict, debates over cosmopolitanism and hybridity, the role of nostalgia in Senegalese national culture and diasporic identities. More than just a new form of musical enjoyment, Afro-Cuban music provided listeners with a tool for creating a public sphere free from European and North American cultural hegemony.

Reverse colonization narratives are stories like H. G. Wells’s War of the Worlds, in which technologically superior Martians invade and colonize England. They ask Western audiences to imagine what it’s like to be the colonized rather than the colonizers. David Higgins argues that although some reverse colonization stories are thoughtful and provocative, reverse colonization fantasy has also led to the prevalence of a very dangerous kind of science fictional thinking in our current political culture. It has become popular among groups such as anti-feminists, white supremacists, and far-right reactionaries to appropriate a sense of righteous, anti-imperial victimhood—the sense that white men, in particular, are somehow colonized victims fighting an insurgent resistance against an oppressive establishment. Nothing could be timelier, as an armed far-right mob stormed the U.S. Capitol on January 6, 2021, in an effort to stop the presidential election from being “stolen from them.” Higgins shows that this reverse colonization stance depends upon a science fictional logic that achieved dominance within imperial fantasy during the 1960s and has continued to gain momentum ever since. By identifying with fantastic forms of victimhood, subjects who already enjoy social hegemony are able to justify economic inequality, expansions of police and military power, climatological devastation, new articulations of racism, and countless other forms of violence—all purportedly in the name of security, self-defense, and self-protection.

The Reverse Design series looks at all of the design decisions that went into classic video games. This is the fifth installment in the Reverse Design series, looking at Final Fantasy VII. Written in a readable format, it is broken down into eight sections examining some of the most important topics to the game: How latter-day critics have misunderstood the artistic goals of Final Fantasy VII How RPG history began to diverge significantly after 1981, allowing for the creation of specialized RPGs like Rogue, Pokemon, and especially Final Fantasy VII How Final Fantasy VII does not abandon complexity in its systems, but simply moves that complexity to the endgame to aid the narrative elements of the game Key Features Comprehensive definitions of key concepts and terms, introducing the reader to the basic knowledge about the study of RPG design Summary of historical context of Final Fantasy VII going all the way back to Dungeons & Dragons Extensive collections of data and data visualizations explaining how Final Fantasy VII’s systems work, how they are organized to prioritize exploration, and how they interlock in a positive feedback loop that peaks at the end of the game