A stunning novel about two women and two marriages--George Eliot at the end of her life, and another by a remarkably similar woman a century later--that confronts the eternal dilemma of how to find love and sustain it, without losing one's self and personal ambition in the process.

A “hauntingly original” psychological thriller about innocence, memory, and the effect of a moment of violence (O: The Oprah Magazine). In the girls’ bathroom, Diana and her best friend, Maureen, are stealing a moment from the routine drudgery of high school when a classmate enters holding a gun. Suddenly, Diana sees her life—past, present, and acutely imagined future—dance before her eyes. Through prose infused with the dramatically feminine sensuality of spring, readers will experience sixteen-year-old Diana’s uncertain steps into womanhood—her awkward, heated forays into sex; her fresh, fragile construction of an identity—and, in exhilarating detail, her life-not-lived as a doting mother and wife of forty. Together with the sights and sounds of renewal are the tasks of Diana’s adulthood: protecting her beloved daughter and holding on to her successful husband. This “poetic” novel encompasses both the truth of a teenager’s world and the transformations of midlife (Vanity Fair). Resonant and deeply stirring, The Life Before Her Eyes finds piercing beauty in the midst of a nightmare that echoes like a dirge beneath each new spring, in a story that “takes on deep matters of life and death; conscience and consciousness; family, love and friendship” (Los Angeles Times). “Evokes terror and redemption, shadows and light. Kasischke treads a delicate line with the precision and confidence of a tightrope walker. She reminds us to look hard at life, to notice its beauty and cruelty, even as it flashes before us and disappears.” —The New York Times “Mesmerizing.” —Chicago Tribune

Reproduction of the original: The World Before Them Volume 3 by Susanna Moodie

Carrying All Before Her recovers the stories of six eighteenth-century celebrity actresses who performed during pregnancy, melding public and private, persona and person, domestic and professional labor and helping to shape wider social, medical, and political conversations about gender, sexuality, pregnancy, and motherhood. Their stories deepen our understanding of celebrity, repertory, and theatre's connection to a wider social world, and challenge notions of women's agency and power in and beyond the professional theatre.