Scale -- Space and time -- Energy and matter -- The quantum world -- Thermodynamics and the arrow of time -- Unification -- The future of physics -- The usefulness of physics -- Thinking like a physicist.

This is a provocative account of the astounding new answers to the most basic philosophical question: Where did the universe come from and how will it end?

A book is about a new cosmology of perpetual existence that agrees with all astronomical observations. The missing dimension is of space and time; when space expands time also expands, making the second longer. The new scale dimension explains the origin of the universe (there is none) and what is causing the inertial force. It implies a revolution in physics.

Presenting the history of space-time physics, from Newton to Einstein, as a philosophical development DiSalle reflects our increasing understanding of the connections between ideas of space and time and our physical knowledge. He suggests that philosophy's greatest impact on physics has come about, less by the influence of philosophical hypotheses, than by the philosophical analysis of concepts of space, time and motion, and the roles they play in our assumptions about physical objects and physical measurements. This way of thinking leads to interpretations of the work of Newton and Einstein and the connections between them. It also offers ways of looking at old questions about a priori knowledge, the physical interpretation of mathematics, and the nature of conceptual change. Understanding Space-Time will interest readers in philosophy, history and philosophy of science, and physics, as well as readers interested in the relations between physics and philosophy.

Newton's Principia introduced conceptions of space and time that launched one of themost famous and sustained debates in the history of physics, a controversy that involves fundamentalconcerns in the foundations of physics, metaphysics, and scientific epistemology.This bookintroduces and clarifies the historical and philosophical development of the clash between Newton'sabsolute conception of space and Leibniz's relational one. It separates the issues and provides newperspectives on absolute relational accounts of motion and relational-substantival accounts of theontology of space time.Earman's sustained treatment and imaginative insights raise to a new levelthe debate on these important issues at the boundary of philosophy and physics. He surveys thehistory of the controversy from Newton to Einstein develops the mathematics and physics needed topose the issues in sharp form and provides a persuasive assessment of the philosophical problemsinvolved.Most importantly, Earman revitalizes the connection of the debate to contemporary science.He shows, for example, how concerns raised by Leibniz form the core of ongoing debate on thefoundations of general theory of relativity, moving the discussion into a new and vital arena andintroducing arguments that will be discussed for years to come.John Earman is Professor of Historyand Philosophy of Science at the University of Pittsburgh. A Bradford Book

This book contributes to the re-emerging field of theology through the arts by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of reverse perspective, which is especially characteristic of Byzantine and Byzantining art.Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.

INSTANT NEW YORK TIMES BESTSELLER “Most appealing... technical accuracy and lightness of tone... Impeccable.”—Wall Street Journal “A porthole into another world.”—Scientific American “Brings science dissemination to a new level.”—Science The most trusted explainer of the most mind-boggling concepts pulls back the veil of mystery that has too long cloaked the most valuable building blocks of modern science. Sean Carroll, with his genius for making complex notions entertaining, presents in his uniquely lucid voice the fundamental ideas informing the modern physics of reality. Physics offers deep insights into the workings of the universe but those insights come in the form of equations that often look like gobbledygook. Sean Carroll shows that they are really like meaningful poems that can help us fly over sierras to discover a miraculous multidimensional landscape alive with radiant giants, warped space-time, and bewilderingly powerful forces. High school calculus is itself a centuries-old marvel as worthy of our gaze as the Mona Lisa. And it may come as a surprise the extent to which all our most cutting-edge ideas about black holes are built on the math calculus enables. No one else could so smoothly guide readers toward grasping the very equation Einstein used to describe his theory of general relativity. In the tradition of the legendary Richard Feynman lectures presented sixty years ago, this book is an inspiring, dazzling introduction to a way of seeing that will resonate across cultural and generational boundaries for many years to come.