Examines themes of loss and mourning in the late work of Derrida. In this book, Kas Saghafi argues that the notion of “the end the world” in Derrida’s late work is not a theological or cosmological matter, but a meditation on mourning and the death of the other. He examines this and several other tightly knit motifs in Derrida’s work: mourning, survival, the phantasm, the event, and most significantly, the term salut, which in French means at once greeting and salvation. An underlying concern of The World after the End of the World is whether a discourse on salut (saving, being saved, and salvation) can be dissociated from discourse on religion. Saghafi compares Derrida’s thought along these lines with similar concerns of Jean-Luc Nancy’s. Combining analysis of these themes with reflections on personal loss, this book maintains that, for Derrida, salutation, greeting, and welcoming is resistant to the economy of salvation. This resistance calls for what Derrida refers to as a “spectro-poetics” devoted to and assigned to the other’s singularity. “Saghafi’s book makes a remarkable contribution as a coming-to-terms with interminable mourning.” — Peggy Kamuf, author of To Follow: The Wake of Jacques Derrida

After the End of the World by Jonathan L. Howard brings the H.P. Lovecraft mythos into the twenty-first century. The Unfolded World is a bitter and unfriendly place for Daniel Carter and Emily Lovecraft. In this world, the Cold War never happened because the Soviet Union ceased to exist in 1941. In this world the Nazi Großdeutschland is the premier superpower, and is not merely tolerated but indulged because, in this world, the Holocaust happened behind the ruins of the Iron Curtain and consumed only Bolsheviks, Communists, and others the West was glad to see gone. In this world, there are monsters, and not all of them are human. But even in the Unfolded World, there are still bills to pay and jobs to do. Carter finds himself working for the German secret security service to uncover the truth behind a major scientific joint project that is going suspiciously well. The trail takes Lovecraft and him to a distant, abandoned island, and a conspiracy that threatens everything. To fight it, Lovecraft must walk a perilously narrow path between forbidden knowledge and soul-destroying insanity. Fortunately, she also has a shotgun.

The survivors of the angel apocalypse begin to scrape back together what's left of the modern world. When a group of people capture Penryn's sister Paige, thinking she's a monster, the situation ends in a massacre. Paige disappears. Humans are terrified. Mom is heartbroken. Penryn drives through the streets of San Francisco looking for Paige. Why are the streets so empty? Where is everybody? Her search leads her into the heart of the angels' secret plans, where she catches a glimpse of their motivations, and learns the horrifying extent to which the angels are willing to go.

A new [Salaryman x JK] cohabitation romcom! My name is Sato Hiroshi, and I’m an ordinary salaryman. Every day I work until the last train, then I go home. I don’t have a girlfriend and spend my weekends alone. Living like this is just too depressing! So I decide to visit a soapland. It is a paradise for lonely men. Don’t judge me, okay? Life is really hard. Anyway, I meet a girl called Ayumi — a soapland girl who looks exactly like a JK. What happens at a soapland is a secret, right? Wrong. The next day, Ayumi shows up at my office as a part-timer. And she turns out to be a real JK?! We pretend to be strangers, but then I find Ayumi sleeping in the office at night. “Hey, you can’t sleep here.” “Then...in that case, let me stay with you, uncle.” My life with a troublesome JK begins! We live together like newlyweds — except we are not married. “Sato-san, it’s time for dinner.” “Let’s go on a date~” “I don’t mind doing it…if it’s with you.” But why was Ayumi at the soapland? What secrets is she hiding behind that wholesome smile

From author Jonathan L. Howard comes the start of a thrilling supernatural series that brings the H.P. Lovecraft mythos into the twenty-first century, optioned by Warner Bros TV. Daniel Carter used to be a homicide detective, but his last case -- the hunt for a serial killer -- went wrong in strange ways and soured the job for him. Now he's a private investigator trying to live a quiet life. Strangeness, however, has not finished with him. First he inherits a bookstore in Providence from someone he's never heard of, along with an indignant bookseller who doesn't want a new boss. She's Emily Lovecraft, the last known descendant of H.P. Lovecraft, the writer from Providence who told tales of the Great Old Ones and the Elder Gods, creatures and entities beyond the understanding of man. Then people start dying in impossible ways, and while Carter doesn't want to be involved, but he's beginning to suspect that someone else wants him to be. As he reluctantly investigates, he discovers that Lovecraft's tales were more than just fiction, and he must accept another unexpected, and far more unwanted inheritance.

Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This volume examines historical and imaginary scenarios of apocalypse, the depiction of its likely triggers, and imagined landscapes in the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley's Brave New World, George Orwell's Nineteen Eighty-Four and Margaret Atwood's Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and Invasion of the Body Snatchers. Lisboa also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinary study that provides profound insight into one of Western culture's most fascinating and enduring preoccupations.