A lively and engaging exploration of the many Christian themes in C.S. Lewis's widely-known and universally loved children's stories.

Former Archbishop of Canterbury Rowan Williams offers fascinating insight into The Chronicles of Narnia, the popular series of novels by one of the most influential Christian authors of the modern era, C. S. Lewis. Lewis once referred to certain kinds of book as a "mouthwash for the imagination." This is what he attempted to provide in the Narnia stories, argues Williams: an unfamiliar world in which we could rinse out what is stale in our thinking about Christianity--"which is almost everything," says Williams--and rediscover what it might mean to meet the holy. Indeed, Lewis's great achievement in the Narnia books is just that-he enables readers to encounter the Christian story "as if for the first time." How does Lewis makes fresh and strange the familiar themes of Christian doctrine? Williams points out that, for one, Narnia itself is a strange place: a parallel universe, if you like. There is no "church" in Narnia, no religion even. The interaction between Aslan as a "divine" figure and the inhabitants of this world is something that is worked out in the routines of life itself. Moreover, we are made to see humanity in a fresh perspective, the pride or arrogance of the human spirit is chastened by the revelation that, in Narnia, you may be on precisely the same spiritual level as a badger or a mouse. It is through these imaginative dislocations that Lewis is able to communicate--to a world that thinks it knows what faith is--the character, the feel, of a real experience of surrender in the face of absolute incarnate love. This lucid, learned, humane, and beautifully written book opens a new window onto Lewis's beloved stories, revealing the moral wisdom and passionate faith beneath their perennial appeal.

THE WORLD ACCORDING TO NARNIA is a journey further up and further into the imaginative world of C.S. Lewis. Along the way, Jonathan Rogers makes the case that this world-the one where we actually live-is a place no less wondrous than Narnia itself.Imagination is a serious business. It gives substance to our yearnings for something beyond ourselves. Imagination is what convinces us that there is more to the world than meets the eye. And isn t that the first principle of faith?"

The Chronicles of Narnia series has entertained millions of readers, both children and adults, since the appearance of the first book in 1950. Here, scholars turn the lens of philosophy on these timeless tales. Engagingly written for a lay audience, these essays consider a wealth of topics centered on the ethical, spiritual, mythic, and moral resonances in the adventures of Aslan, the Pevensie children, and the rest of the colorful cast. Do the spectacular events in Narnia give readers a simplistic view of human choice and decision making? Does Aslan offer a solution to the problem of evil? What does the character of Susan tell readers about Lewis’s view of gender? How does Lewis address the Nietzschean “master morality” embraced by most of the villains of the Chronicles? With these and a wide range of other questions, this provocative book takes a fresh view of the world of Narnia and expands readers’ experience of it.

These themes are displayed amid the experiences of several children, particularly Lucy, Edmund, Susan, and Peter Pevensie. Beginning with the first book of the series, The Lion, the Witch and the Wardrobe (1950), we follow the children as they magically enter the kingdom of Narnia for the first of many adventures there, including their meeting the memorable lion, Aslan. In the sequel, Prince Caspian, they help the prince and his army of Talking Beasts conquer the usurping Telemarines; the following novel, The Voyage of the "Dawn Treader," continues Caspian's story by recounting his voyage to the End of the World. The fourth book, The Silver Chair, returns to the theme of an evil witch, first explored in The Lion, while The Horse and His Boy details Narnia's near-invasion by the Calormenes. The Magician's Nephew accounts for the creation of Narnia, and the seventh tale, The Last Battle (1956), tells of Narnia's final days.

There are a thousand stories in the land of Narnia, and the first is about to be told in an extraordinary motion picture, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, from Walt Disney Pictures and Walden Media. In the never-ending war between good and evil, The Chronicles of Narnia set the stage for battles of epic proportions. Some take place in vast fields, where the forces of light and darkness clash. But other battles occur within the small chambers of the heart and are equally decisive. Journeys to the ends of the world, fantastic creatures, betrayals, heroic deeds and friendships won and lost -- all come together in an unforgettable world of magic. So take a voyage into the unknown. The fifth volume in The Chronicles of Narnia® The Voyage of the Dawn Treader Narnia ... where a dragon awakens ... where stars walk the earth ... where anything can happen. A king and some unexpected companions embark on a voyage that will take them beyond all known lands. As they sail farther and farther from charted waters, they discover that their quest is more than they imagined and that the world's end is only the beginning.

Step into the Wardrobe This peerless companion has served as an adventurer's passport to the land of Narnia for twenty-five years and was used by the cast and crew of the major motion picture The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe. From Aslan, the Great Lion, to Zardeenah, the mysterious lady of the night, this comprehensive, accessible book contains hundreds of alphabetically arranged and indexed entries covering all the characters, events, places, and themes that Lewis brilliantly wove into his timeless and magical world. For readers of all ages, this is the perfect guide for the enchanted world of C. S. Lewis's The Chronicles of Narnia.