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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

THE GOD AND THE OPAL TO THEOPHILE GAUTIER Gray caught he from the cloud, and green from earth, And from a human breast the fire he drew, And life and death were blended in one dew. A sunbeam golden with the morning's mirth, A wan, salt phantom from the sea, a girth Of silver from the moon, shot colour through The soul invisible, until it grew To fulness, and the Opal Song had birth. And then the god became the artisan. With rarest skill he made his gem to glow, Carving and shaping it to beauty such That down the cycles it shall gleam to man, And evermore man's wonderment shall know The perfect finish, the immortal touch. Agnes Lee."