Originally published in 1673, and first published as this Cambridge edition in 1932, this text covers a diverse range of topics relating to the Netherlands.

When Sir William Temple (1628–99) and Dorothy Osborne (1627–95) began their passionate love affair, civil war was raging in Britain, and their families—parliamentarians and royalists, respectively—did everything to keep them apart. Yet the couple went on to enjoy a marriage and a sophisticated partnership unique in its times. Surviving the political chaos of the era, the Black Plague, the Great Fire of London, and the deaths of all their nine children, William and Dorothy made a life together for more than forty years. Drawing upon extensive research and the Temples’ own extraordinary writings—including Dorothy’s dazzling letters, hailed by Virginia Woolf as one of the glories of English literature—Jane Dunn gives us an utterly captivating dual biography, the first to examine Dorothy’s life as an intellectual equal to her diplomat husband. While she has been known to posterity as the very symbol of upper-class seventeenth-century domestic English life, Dunn makes clear that Dorothy was a woman of great complexity, of passion and brilliance, noteworthy far beyond her role as a wife and mother. The remarkable story of William and Dorothy’s life together—illuminated here by the author’s insight and her vivid sense of place and time—offers a rare glimpse into the heart and spirit of one of the most turbulent and intriguing eras in British history.

Combining historical and biographical research with feminist theory, Carrie Hintz considers Osborne's vision of letter writing, her literary achievement, and her literary influences.

The early chapters are on the "quarrel of ancients and moderns," focusing on the views of William Temple and Charles Perrault on ancient and modern literature and art. Discusses the explanations of blood circulation by Michael Servetus, William Harvey and others (p. 211-216).

Sir William Temple, diplomat, statesman, and writer, retired to his garden in the 1680s and wrote what has become one of the key texts, not only of gardening, but also of the English aesthetic. It was he who introduced the idea of the charm of irregularity, and who gave it the allegedly Chinese name sharawaggi. The English style of landscape gardening can be traced in a direct line to this essay, which has not been in print for over 95 years.

Spine title: Temple's Analysis of Sidney.