From an original new voice in fiction comes this warm-hearted debut. Pasulka reimagines half a century of Polish history through the legacy of one couple's profound love affair.

In Rome one January afternoon in 1943, a young German woman is on her way to listen to a Bach concert at the Lutheran church. The war is for her little more than a daydream, until she realizes that her husband might never return. Portrait of the Mother as a Young Woman, winner of the prestigious Georg Büchner prize, is a mesmerizing psychological portrait of the human need to safeguard innocence and integrity at any cost—even at the risk of excluding reality. More than just the story of this single woman, it is a compelling and credible description of a typical young German woman during the Nazi era.

NEW YORK TIMES BESTSELLER • “A dusting of magic, the aroma of sugary cakes swirling through the breeze, and a girl who unwittingly brings change to a town of misfits make for a sweet summer story filled with hope and forgiveness.”—Beth Hoffman, author of Saving CeeCee Honeycutt Emily Benedict has come to Mullaby, North Carolina, hoping to solve at least some of the riddles surrounding her mother’s life. But the moment Emily enters the house where her mother grew up and meets the grandfather she never knew, she realizes that mysteries aren’t solved in Mullaby, they’re a way of life: Here are rooms where the wallpaper changes to suit your mood. Unexplained lights skip across the yard at midnight. And a neighbor, Julia Winterson, bakes hope in the form of cakes, not only wishing to satisfy the town’s sweet tooth but also dreaming of rekindling the love she fears might be lost forever. Can a hummingbird cake really bring back a lost love? Is there really a ghost dancing in Emily’s backyard? The answers are never what you expect. But in this town of lovable misfits, the unexpected fits right in.

J. M. Barrie has long been a controversial figure; as D. H. Lawrence observed in 1921, 'Barrie has a fatal touch for those he loves. They die'. The five nervous breakdowns, two suicides, one attempted suicide and numerous deaths that are associated with him blacken the reputation of a man adored by generations of children. However, what is less well known is that Barrie's malign influence grew out of his infatuation with the du Maurier family, particularly with the hypnotist, George du Maurier, creator of Svengali; with George's daughter and grandsons (models for the Darlings in Peter Pan); and with his enigmatic granddaughter, Daphne du Maurier, author of Rebecca and Barrie's final victim, whose life and work can never again be considered without reference to 'Unlce Jim'.

First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.