Within months of publishing Homeward Bound, James Fenimore Cooper continued that story in a second, stand-alone novel, Home as Found. One of the most important of his long career, Home as Found is a novel of manners in which Cooper satirized Wall Street speculation, jingoism, the penny press, and high society, writing boisterously and with a sharp but critical eye about a nation in transition. He revealed “follies and peculiarities” of the young nation, but did so with a hope that the advancing forces of democracy would not get turned aside by greed and insular nationalism. In drawing rooms, ballrooms, and Wall Street offices, Cooper sees clearly into the heart of the democratic experiment, dramatizing conflicts that we are still grappling with nearly two hundred years later. Stephen Carl Arch provides a historical introduction discussing Cooper’s composition of the novel and its politicized reception in journals and newspapers, along with detailed explanatory notes. This authoritative edition draws upon the first edition, a partial author’s manuscript, and a substantial (but not complete) amanuensis copy of the author’s manuscript; and provides a full scholarly apparatus discussing the editorial choices. It has been approved by the Committee on Scholarly Editions of the Modern Language Association. The Writings of James Fenimore Cooper The distinguished Cooper scholar James Franklin Beard (1919–1989) began organizing the Writings of James Fenimore Cooper in the late 1960s, as his work on publishing the monumental Letters and Journals of James Fenimore Cooper came to fulfillment. Beard’s intention was to provide readers with sound scholarly editions of Cooper’s major works, based wherever possible on authorial manuscripts. To date, the Writings of James Fenimore Cooper has made available texts of many of Cooper’s best-known novels, as well as some of his most important works of political and social commentary.

This eBook features the unabridged text of ‘Home as Found by James Fenimore Cooper - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of James Fenimore Cooper’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Cooper includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Home as Found by James Fenimore Cooper - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Cooper’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

Between 1820 and 1860 a set of established cultural values deemed the "Cult of Domesticity" sought to shape the private and public lives of individuals in a rapidly changing American society. Promoting the ideals of conformity in religious, domestic and personal development, the cult was particularly concerned with maintaining a status quo of piety, purity, obedience and domesticity in 19th century female behavior. While a number a female writers responded through literature to the social standards they were urged to emulate, the prominent male writer James Fenimore Cooper reacted as well, addressing the predominant cultural climate through texts that establish women as an integral part of the plot line. This book provides a comprehensive discussion of James Fenimore Cooper's view of family dynamics and explores his attempts to simultaneously present and critique the forces shaping the social development of the nation. The study places 10 relevant Cooper novels within the context of popular literary works by 19th century writers Lydia Maria Child, Catherine Maria Sedgwick, Susan Warner and Maria Cummins to demonstrate how Cooper approaches issues of Victorian domesticity and how his representations compare to those crafted by the contemporary women writers. Opening chapters discuss why Cooper chose the women's fiction genre as his vehicle and present an overview of the "Cult of Domesticity" in fiction and nonfiction, delineating the origins and effects of 19th century domestic life. Remaining chapters address the role of the mother, the father and the central daughter figure in domestic fiction.

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