Over a 60-year career, Graham Greene was a prolific writer. While his published works established him as one of the great writers of the twentieth century, much of his writing was never to see the light of day and has been gathered together in a number of archives across the UK, Ireland, USA and Canada The second volume of The Works of Graham Greene is a comprehensive guide to the archives of Greene's writing. The book details archival holdings of unpublished novels, short stories, plays, film scripts, journals, poetry, fragments of writing, and letters, as well as manuscripts and typescripts of published works. Analysing and contextualising the unpublished work, the book is fully cross-referenced throughout and includes a substantial index as well as practical guidance for students, scholars and researchers on accessing and making the most of each of the archives.

With exclusive access to Greene's letters, journals and dream-diaries, Norman Sherry has written a monumental tribute to one of the greatest English writers.

Written with Graham Greene

Mission and return to the West. The result is a remarkable, psychologically charged exploration of fear and crossed frontiers. Author and playwright Graham Greene (1904-91) is best known for his works Brighton Rock, The Power and the Glory, and The Heart of the Matter.

A “masterful . . . brilliantly constructed novel” of love and chaos in 1950s Vietnam (Zadie Smith, The Guardian). It’s 1955 and British journalist Thomas Fowler has been in Vietnam for two years covering the insurgency against French colonial rule. But it’s not just a political tangle that’s kept him tethered to the country. There’s also his lover, Phuong, a young Vietnamese woman who clings to Fowler for protection. Then comes Alden Pyle, an idealistic American working in service of the CIA. Devotedly, disastrously patriotic, he believes neither communism nor colonialism is what’s best for Southeast Asia, but rather a “Third Force”: American democracy by any means necessary. His ideas of conquest include Phuong, to whom he promises a sweet life in the states. But as Pyle’s blind moral conviction wreaks havoc upon innocent lives, it’s ultimately his romantic compulsions that will play a role in his own undoing. Although criticized upon publication as anti-American, Graham Greene’s “complex but compelling story of intrigue and counter-intrigue” would, in a few short years, prove prescient in its own condemnation of American interventionism (The New York Times).

Gathers Greene's film writings, and offers a brief introduction to the role of motion pictures in his life and career