A fresh look at the corporal and spiritual works of mercy. If you've wondered what the corporal and spiritual works of mercy are--or you want to incorporate them more authentically into your interactions with others--this book is for you. Shea's unique wit and wisdom permeate these pages, bringing the works of mercy alive in practical ways and dealing with the difficulties that arise when trying to apply them now. How, for instance, do we "ransom the captive" in our present day, much less think of it as a virtue and not as a capitulation to terrorists? In a civilization where the poor suffer from obesity, what do we do about the command to feed the hungry? What does it mean to forgive? This book tackles the works of mercy in a reverent way, with attention to the many puzzles and complications that arise for the faithful Catholic who tries to live out the works of mercy. The audio edition of this book can be downloaded via Audible.

The Works of Mercy introduces readers to the seven corporal and seven spiritual works of mercy, inviting readers to explore mercy in our everyday lives. James Keenan defines mercy as “the willingness to enter into the chaos of another,” and it is one of the central elements of the Christian faith. Over the centuries Christians have defined themselves by feeding the hungry, clothing the naked, and caring for the sick. The book explores the traditional works of mercy and also looks at how mercy enters into ordinary life, in the way we care for our families and the way we care for ourselves. The third edition features more inclusive language to resonate with readers of all backgrounds, new case studies and examples—from health care to the prison system, and new material on how Pope Francis and his papacy reflect mercy.

Being a Catholic means being merciful, 'the willingness to enter into the chaos of another.' This book explores the seven corporal and seven spiritual works of mercy and considers how we invoke mercy both in the church in the Eucharistic liturgy and in our homes, with family and friends. Interspersed are three meditations on mercy: on September 11, on being a priest in light of the scandal in Boston, on the world of HIV/AIDS.

This collection draws heavily from the core devotional strain in Miller’s poetry, offering what novelist Fenton Johnson described in his review of Iron Wheel as “the vision and experience of that place where dark merges seamlessly into light; the house and home of grace—unasked for and perhaps undeserved, but transformative all the same.” Framed by meditations on the beginnings and possible post-human ends of culture, the new poems reflect on the callings and limits of art in responding to desire, history, mortality, and injustice. Set in the American South, Wales, France, the Czech Republic, and Sudan, the poems address and invoke the divine.

When Jesus asked us to feed the hungry, give drink to the thirsty, and visit the imprisoned, he didn’t mean it literally, right? Kerry Weber, a modern, young, single woman in New York City sets out to see if she can practice the Corporal Works of Mercy in an authentic, personal, meaningful manner while maintaining a full, robust, regular life. Weber, a lay Catholic, explores the Works of Mercy in the real world, with a gut-level honesty and transparency that people of urban, country, and suburban locales alike can relate to. Mercy in the City is for anyone who is struggling to live in a meaningful, merciful way amid the pressures of “real life.” For those who feel they are already overscheduled and too busy, for those who assume that they are not “religious enough” to practice the Works of Mercy, for those who worry that they are alone in their efforts to live an authentic life, Mercy in the City proves that by living as people for others, we learn to connect as people of faith.

The 1980s and 1990s, the height of the AIDS crisis in the United States, was decades ago now, and many of the stories from this time remain hidden: A Catholic nun from a small Midwestern town packs up her life to move to New York City, where she throws herself into a community under assault from HIV and AIDS. A young priest sees himself in the many gay men dying from AIDS and grapples with how best to respond, eventually coming out as gay and putting his own career on the line. A gay Catholic with HIV loses his partner to AIDS and then flees the church, focusing his energy on his own health rather than fight an institution seemingly rejecting him. Set against the backdrop of the HIV and AIDS epidemic of the late twentieth century and the Catholic Church's crackdown on gay and lesbian activists, journalist Michael O'Loughlin searches out the untold stories of those who didn't look away, who at great personal cost chose compassion--even as he seeks insight for LGBTQ people of faith struggling to find a home in religious communities today. This is one journalist's--gay and Catholic himself--compelling picture of those quiet heroes who responded to human suffering when so much of society--and so much of the church--told them to look away. These pure acts of compassion and mercy offer us hope and inspiration as we continue to confront existential questions about what it means to be Americans, Christians, and human beings responding to those most in need.

A powerful tragedy distilled into a small masterpiece by the Nobel Prize-winning author of Beloved and, almost like a prelude to that story, set two centuries earlier. Jacob is an Anglo-Dutch trader in 1680s United States, when the slave trade is still in its infancy. Reluctantly he takes a small slave girl in part payment from a plantation owner for a bad debt. Feeling rejected by her slave mother, 14-year-old Florens can read and write and might be useful on his farm. Florens looks for love, first from Lina, an older servant woman at her new master's house, but later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives . . . At the novel's heart, like Beloved, it is the ambivalent, disturbing story of a mother and a daughter – a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.