Fahrenheit 451 meets The Giver in an award winning dystopian story about the dangers of censorship and how far we will go in the pursuit of freedom. What if you were only allowed to speak 500 words? The city of Ark is the last safe place on Earth: the polar ice caps have melted and flooded everything, leaving few survivors. To make sure humans do not make the same mistakes, Ark's leader John Noa decrees everyone in Ark must speak List, a language of only 500 words. Language is to blame for mankind's destruction, John Noa says, as politicians and governments hid the disastrous effects of global warming and environmental damage until it was too late. Everyone must speak List ... except Letta. As apprentice to the Wordsmith, Letta can read all the words that have ever existed. Forbidden words like freedom, music, and even pineapple tell her about a world she's never known. One day her master disappears. John Noa tells Letta she is the new Wordsmith, and must shorten List to fewer and fewer words. Then Letta meets a teenage boy who somehow knows all the words that have been banned. Letta's faced with a dangerous choice: sit idly by and watch language slowly slip away or follow a stranger on a path to freedom . . . or banishment. Letta chooses to fight for the very thing that keeps us human: language itself. The List: The perfect tool to discuss censorship and freedom of speech with young readers A gripping, fast-moving story that will appeal to 5th grade readers and above, especially 10 year old girls that will love the strong character of Letta A discussion starter on the importance of language and the power of expression, and what it means for society A 2018 Notable Children's Books Selection A 2018-19 Maine Student Book Award Winner A 2018 Bank Street College of Education Best Children's Book of the Year (Ages 12-14) A Junior Library Guild Selection

Here are 5 scintillating interviews that capture the magic and the mystery of the world of the contemporary Indian writer. U R Anantha Murthy, Bhupen Khakhar, Mahasweta Devi, Krishna Sobti and M T Vasudevan Nair offer insights into the art and craft of writing, share their hopes and fears and reveal that unique creative urge which makes their work what it is.

Leaders, business owners or people who want to get things done effectively need strong writing communications skills. This book offers useful insights into how to make your writing more persuasive and memorable. These are the tips, advice points, and examples of an expert communicator. Whether it''s persuading through newspaper "op-eds," speeches, or even during crisis communications, "A Wordsmith''s Work" will improve the success of your message and enhance the reputation of your chosen messenger. Author Mark Weaver has counseled thousands of clients all across America. He worked one-on-one with the Great Communicator himself, President Ronald Reagan. NBC News in Charlotte, North Carolina called Weaver "one of the nation''s foremost experts in crisis communications." His weapon of choice: powerful words. Words that persuade, inspire, and amuse. That''s why Mark Weaver is sought out by corporate leaders, university presidents, and public officials all across America for high-level counsel on how to communicate better. Weaver''s spot-on use of words that move people and change minds is on display throughout this book. Here are just a few examples: Describing his early work as a writer for hire: "The prose was workmanlike and passable for the tasks I was assigned. Some projects were fun to write. Others felt like ten miles of bad road." Pointing out the need to have a different viewpoint before writing an op-ed: "Op-eds advancing the conventional wisdom don''t offer anything interesting to the readers of newspapers. We all agree motherhood is a good thing. Everyone wants to thank our troops for their service. The duck-billed platypus is sadly misunderstood. Thus, op-eds about those topics are less likely to be published." Advising readers how to deal with an ambush interview from a TV news crew: "In old western movies, the good guy wore a white hat and the bad guy wore a black one. This basic narrative is in play during every ambush scenario. It''s important for the principal to remember that it''s not enough to be the good guy; it''s equally important to act like the good guy." Lamenting the difficulty of writing: "Each time a notion pesters me into action and I finally sit down to square off against a menacing blank screen and toothy keyboard, I boldly aspire yet again to the calling of wordsmith. This book chronicles those journeys of composition." When you read "A Wordsmith''s Work," you''ll be moved, persuaded, and you may even laugh out loud. If you''re interested in more effective speeches, news media relations, or communications, then this is the book for you. Perhaps this book and its author''s perspective is best summed up by U.S. Congressman Bill Johnson, who wrote the edition''s forward. Johnson''s key point: "There''s no more apt term to describe Mark Weaver than what''s reflected in the title of this book - he is truly a ''wordsmith.'' He''s a master at understanding the cultural, societal, and media influences of the day. He takes that knowledge and crafts a message that cuts through the confusion, so people see the clear truth." Praise for "A Wordsmith''s Work" National Fraternal Order of Police President Chuck Canterbury: "While Mark Weaver has used his considerable skills as a wordsmith to defend crime victims and law enforcement officers all across America, the tips and examples in this book can help everyone communicate better." U.S. Congressman Brad Wenstrup: "This collection of Mark Weaver''s work shows his innate ability to capture the art of messaging. By combining logic, facts, and, often, humor, Mark hits home with his audience." Former Ohio Attorney General Betty Montgomery: "Rich and thoughtful commentary on major issues of the last three decades, this book and its author reflect a depth of experience and thought that make it well worth reading!"

Togura Poulaan, a questing hero whether he liked it or not, is precipitated into a series of adventures in a world which includes dragons, sea serpents, war, wild tribes and the wizard Hostaja Sken-Pitilkin, lord of the island of Drum. A fast-paced fantasy novel published in the USA as two volumes, THE QUESTING HERO and THE HERO'S RETURN.

Wordsmiths and Warriors explores the heritage of English through the places in Britain that shaped it. It unites the warriors, whose invasions transformed the language, with the poets, scholars, reformers, and others who helped create its character. The book relates a real journey. David and Hilary Crystal drove thousands of miles to produce this fascinating combination of English-language history and travelogue, from locations in south-east Kent to the Scottish lowlands, and from south-west Wales to the East Anglian coast. David provides the descriptions and linguistic associations, Hilary the full-colour photographs. They include a guide for anyone wanting to follow in their footsteps but arrange the book to reflect the chronology of the language. This starts with the Anglo-Saxon arrivals in Kent and in the places that show the earliest evidence of English. It ends in London with the latest apps for grammar. In between are intimate encounters with the places associated with such writers as Chaucer, Shakespeare, and Wordsworth; the biblical Wycliffe and Tyndale; the dictionary compilers Cawdrey, Johnson, and Murray; dialect writers, elocutionists, and grammarians, and a host of other personalities. Among the book's many joys are the diverse places that allow warriors such as Byrhtnoth and King Alfred to share pages with wordsmiths like Robert Burns and Tim Bobbin, and the unexpected discoveries that enliven every stage of the authors' epic journey.

The Business of Words examines the practices of ‘high-end’ language workers or wordsmiths where we find words being professionally designed, institutionally managed, and, inevitably, objectified for status and profit. Aligned with existing work on language and political economy in critical sociolinguistics and discourse studies, the volume offers a novel, complementary insight into the relatively elite practices of language workers such as advertisers, dialect coaches, publishers, judges, translators, public relations officers, fine artists, journalists, and linguists themselves. In fact, the book considers what academics might learn about language from other wordsmiths, opening a space for ‘dialogue’ between those researching language and those who also stake a claim to linguistic expertise and a way with words. Bringing together an array of leading international scholars from the cognate fields of discourse studies, sociolinguistics, and linguistic anthropology, this book is an essential resource for researchers, advanced undergraduate, and postgraduate students of English language, linguistics and applied linguistics, communication and media studies, and anthropology.