A celebration of the remarkable poem vessels of Dave the Potter David Drake, also known as Dave the Potter, was born enslaved in Edgefield in the backcountry of South Carolina near the Savannah River. Despite laws prohibiting enslaved people from learning to read or write, David was literate and signed some of his pots. His practice was not only to add his name and a date but also to embellish his work with verse—a powerful statement of resistance. The Words and Wares of David Drake collects multifaceted scholarship about David and his craft. Building on the 1998 national traveling exhibit catalog, I Made This Jar: The Life and Works of Enslaved African-American Potter, Dave, and featuring more than one hundred beautiful images and six new essays, this authoritative volume presents the diverse perspectives of scholars, artists, and collectors. The Words and Wares of David Drake adds important depth and context to our understanding of both Edgefield pottery and the life of Dave. David's work is now so highly prized it is the cornerstone of the Metropolitan Museum of Art's traveling exhibit of nineteenth-century ceramic art from Edgefield. Metropolitan Museum of Art, New York (September 8, 2022–February 5, 2023) Museum of Fine Arts, Boston (March 6, 2023–July 9, 2023) University of Michigan Museum of Art, Ann Arbor (August 26, 2023–January 7, 2024) High Museum of Art, Atlanta (February 16, 2024–May 12, 2024)

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"He is known today, as he was then, only as Dave. His jugs and storage jars were everyday items, but because of their beauty and sometimes massive size they are now highly sought after by collectors. Born about 1801, Dave was taught to turn pots in Edgefield, South Carolina, the center of alkaline-glazed pottery production. He also learned to read and write, in spite of South Carolina's long-standing fear of slave literacy. Even when the state made it a crime to teach a slave to write, Dave signed his pots and inscribed many of them with poems. Though his verses spoke simply of his daily experience, they were nevertheless powerful statements. He countered the slavery system not by writing words of protest but by daring to write at all. We know of no other slave artist who put his name on his work." "When Leonard Todd discovered that his family had owned Dave, he moved from Manhattan to Edgefield, where his ancestors had established the first potteries in the area. Todd studied each of Dave's poems for biographical clues, which he pieced together with local records and family letters to create this moving and dramatic chronicle of Dave's life - a story of creative triumph in the midst of oppression. Many of Dave's astounding jars are found now in America's finest museums, including the Smithsonian Institution, the Charleston Museum, the Philadelphia Museum of Art, and the Museum of Fine Arts in Boston."--BOOK JACKET.

SIGNED LIMITED LEATHER BOUND EDITION. David Drake has left an indelible mark on the science fiction and fantasy genres. He is considered the Grand Master of Military Science Fiction. Now, top authors in the field pay tribute to the man and his work in this all-new collection of stories and essays. This edition, signed by David Drake, will be limited to 1,000 copies and is sure to sell out fast. An instant collector's item. SIGNED LIMITED EDITION David Drake has left an indelible mark on the science fiction and fantasy genres. Now, top authors in the science fiction and fantasy field pay tribute to the man and his work in this all-new collection of stories and essays. Best-selling author David Drake has been creating topnotch military science fiction, space opera, and fantasy novels and stories for decades. In this all-original collection that appears as Drake is a Special Guest of the 2015 World Fantasy Convention, a stellar line-up of writers pays tribute to Drake with stories as broad in range as his own fiction. Each one comes with an illuminating afterword explaining the connection of the story to Drake and his work. In Eric Flint’s “A Flat Affect” a king is no match for a pair of storytellers Gene Wolfe takes us to a strange and wondrous future in “Incubator” Larry Correia examines what it’s like to face Hammer’s Slammers from “The Losing Side” S.M. Stirling offers an insider’s view of “Working with Dave, or, Inmates in Bellevue” Mur Lafferty shows what happens when a fairy visitor receives an unexpected welcome in “The Crate Warrior, the Doppelganger, and the Idea Woman” The book also features two new pieces from Drake himself: “The Great Wizard, Cabbage,” a comic historical fantasy, and “Save What You Can,” the first new Hammer’s Slammers story in nearly a decade! With more stories from editor Mark L. Van Name, Cecelia Holland, T.C. McCarthy, Barry N. Malzberg, Sarah Hoyt, Tony Daniel, John Lambshead, Hank Davis, Eric S. Brown, and Sarah Van Name, as well as appreciations from Baen Publisher Toni Weisskopf and Tor founder and Publisher Tom Doherty, Onward, Drake! is a collection that fans of Drake’s fiction—and anyone who enjoys a good story—will not want to miss! About Onward, Drake!: "[R]uns the gamut from light-hearted, humorous pieces to touching tributes to the work’s star, focusing largely on his military service. . . . Each story in the work pays tribute to some aspect of Drake and each tribute celebrates the life and contributions of one of the field’s masters."—Publishers Weekly Praise for the work of David Drake: “[P]rose as cold and hard s the metal alloy of a tank…rivals Crane and Remarque…” –Chicago Sun-Times “Drake couldn’t write a bad action scene at gunpoint.” –Booklist “[R]ousing old-fashioned space opera.” –Publishers Weekly “The fun is in the telling, and Mr. Drake has a strong voice. I want more!” –Philadelphia Weekly Press “[S]pace opera is alive and well. This series is getting better as the author goes along…character development combined with first-rate action and memorable world designs.” –SFReader.com

Return to the the epic tale of the Lord of the Isles, David Drake's saga of magic and might. For the first time in a thousand years, the Kingdom of the Isles has a government and a real ruler: Prince Garric of Haft. The enemies joining against him intend to destroy not only the kingdom but humankind as well. The rebels gathering in the West outnumber the royal army and the magic they wield can strike into the heart of the palace itself, but far greater dangers lie behind those. On the far fringes of the Isles, ancient powers ready themselves for a titanic struggle in which human beings are mere pawns--or fodder! Reptilian and insect monsters from out of the ages march on the kingdom, commanded by wizards no longer human or never human at all. If unchecked, their ravening slaughter will sweep over the Isles as destructively as a flood of lava. Garric, ripped from his time and body, must make new allies if he and his kingdom are to survive. Watching them all from the blackness of a tomb walled off in time and space, the Mistress waits... And her fangs drip poison! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The work of black writers, editors, publishers, and librarians is deeply embedded in the history of American print culture, from slave narratives to digital databases. While the printed word can seem democratizing, it remains that the infrastructures of print and digital culture can be as limiting as they are enabling. Contributors to this volume explore the relationship between expression and such frameworks, analyzing how different mediums, library catalogs, and search engines shape the production and reception of written and visual culture. Topics include antebellum literature, the Harlem Renaissance, the Black Arts Movement; “post-Black” art, the role of black librarians, and how present-day technologies aid or hinder the discoverability of work by African Americans. Against a Sharp White Background covers elements of production, circulation, and reception of African American writing across a range of genres and contexts. This collection challenges mainstream book history and print culture to understand that race and racialization are inseparable from the study of texts and their technologies.

They say to keep your friends close and your enemies even closer. But what if you don't know which is which?