From the hard-boiled detective stories of Dashiell Hammett to the novels of Claude McKay, The Word on the Streets examines a group of writers whose experimentation with the vernacular argues for a rethinking of American modernism—one that cuts across traditional boundaries of class, race, and ethnicity. The dawn of the modernist era witnessed a transformation of popular writing that demonstrated an experimental practice rooted in the language of the streets. Emerging alongside more recognized strands of literary modernism, the vernacular modernism these writers exhibited lays bare the aesthetic experiments inherent in American working-class and ethnic language, forging an alternative pathway for American modernist practice. Brooks Hefner shows how writers across a variety of popular genres—from Gertrude Stein and William Faulkner to humorist Anita Loos and ethnic memoirist Anzia Yezierska—employed street slang to mount their own critique of genteel realism and its classist emphasis on dialect hierarchies, the result of which was a form of American experimental writing that resonated powerfully across the American cultural landscape of the 1910s and 1920s.

The definition of Street Ignorance: What You Know, What You Think You Know, and What You Don’t Know About the Streets By: Terry T. Ruffin When we hear of someone being called ignorant, it doesn't necessarily mean that the person is stupid; it may mean that the person is unaware or lacks the comprehension of the subject or things that are being specified. The definition of Street Ignorance is a compilation of writings on the reality checks of street life and the ignorant behavior that one may present while out in the streets, living lawless and displaying unconscious rational thinking errors through drug dealing, drug addiction, ignoring the true dangers of street life and the consequences that one will suffer if faced with street ignorance and unknown federal laws. Not only is The definition of Street Ignorance an eye-opening read, but it’s necessary. This book not only brings awareness but it also advocates a genuine interest in the lives of those who are exposed to negative lifestyles such as drug dealing, drug using, possessing firearms, gangs, and violence.

For those who have never read the Bible, and for those who've read it "too much" comes a fresh, urban paraphrased version, straight from the streets of the United Kingdom.

In the midst of a godless culture, Paul did what was necessary to reach the masses with the message of everlasting life: he reasoned about Jesus in the marketplace daily with those who happened to be there (Acts 17:17) and preached on Mars Hill, on the main route to the Parthenon in Athens. We too are living in the midst of a godless society, and those in the streets desperately need to hear Gods Word. If we are serious about reaching this dying world, let us emulate Jesus and the apostles and preach where sinners gather. In thirty minutes, a good open-air preacher can reach more unsaved people than the average church does in a year. If youre ready for something more exhilarating than skydiving, arguably more scary, and infinitely more productive, try preaching the gospel in public. For nearly fifty years Ray Comfort has preached the gospel in the open air and witnessed one-to-one to thousands. During those years he has learned certain biblical principles that make reaching the lost so much easier. In this publication you will find everything he learned and everything you need to know: Who should do it? Where should you go? How do you get started? What do you say? With this helpful guide, you too can follow in the footsteps of the Savior and preach the Word on the street. There is no higher calling.

WHAT HAPPENS WHEN TWO SEMINARY PROFESSORS LEAVE their classrooms and spend time among the homeless people and teach on city streets? In this unique collection of essays and sermons, Stanley P Saunders and Charles L. Campbell reflect on their encounters with the homeless folks in Atlanta and seek to discern the way of Jesus on the streets of the city. These passionate, often moving writings demonstrate the power of Scripture to shape the way we see the world, and they explore the significance of social location for exegesis, ethics, worship, and preaching. From the perspective of the street, central Christian practices such as baptism, Eucharist, and preaching come to life in new ways. Scripture takes on fresh meaning too, while ancient insights into the principalities and powers, the practice of scapegoating, and the organization of households become contemporary and immediate. Even theological themes--grace and discipleship, sin and forgiveness, crucifixion and resurrection--look different when take to the street. Accented by six powerful artworks from Christina Bray's exhibit Street Prayers/Spiritual Journeys, this book also sheds light on the problem of homelessness in America and calls the church to action. Through their reflection on personal experiences and their interpretation of biblical texts, Saunders and Campbell provide meaningful theological categories for addressing pressing social issues in the urban context, making The Word on the Street a helpful resource on the realities of poverty, race, and injustice.

A National Book Award Finalist with five starred reviews and multiple awards! A New York Times Notable Book * A Time Magazine Best YA Book Of All Time* Publishers Weekly Flying Start * Publishers Weekly Best Book of the Year * ALA Booklist Editors' Choice of 2017 (Top of the List winner) * School Library Journal Best Book of the Year * Kirkus Best Book of the Year * BookPage Best YA Book of the Year An evocative and powerful coming-of-age story perfect for fans of Nicola Yoon and Jason Reynolds In this stunning debut novel, Pushcart-nominated author Ibi Zoboi draws on her own experience as a young Haitian immigrant, infusing this lyrical exploration of America with magical realism and vodou culture. On the corner of American Street and Joy Road, Fabiola Toussaint thought she would finally find une belle vie—a good life. But after they leave Port-au-Prince, Haiti, Fabiola’s mother is detained by U.S. immigration, leaving Fabiola to navigate her loud American cousins, Chantal, Donna, and Princess; the grittiness of Detroit’s west side; a new school; and a surprising romance, all on her own. Just as she finds her footing in this strange new world, a dangerous proposition presents itself, and Fabiola soon realizes that freedom comes at a cost. Trapped at the crossroads of an impossible choice, will she pay the price for the American dream?