Normally we consider only one context to establish the sense of a word to which a dictionary applies more than one definition. The reader of poetry can consider many more contexts, such as those supplied by his or her familiarity with other works by the same author and with literary tradition. The theoretical basis of this study resides in an analysis of Ferdinand de Saussure's distinction between "langue" and "parole" and approaches to textual criticism predicated on this distinction, which is most clearly evident in the theoretical studies of the Russian Formalists. On the firm basis of an understanding of the difference between poetry and nonliterary prose this study unravels the issues which surround the prominence of words derived from the verbs "wandern" and "to wander" in German nd English respectively in such celebrated poems as "Wandrers Nachtlied," "I wandered lonely as a cloud" and William Blake's "London.:

Primarily for the student at the college level, a study of poetry within its genre, as critics have viewed it, and as an aesthetic satisfaction.

Byzantine poetry of the eleventh century is fascinating, yet underexplored terrain. It presents a lively view on contemporary society, is often permeated with wit and elegance, and is concerned with a wide variety of subjects. Only now are we beginning to perceive the possibilities that this poetry offers for our knowledge of Byzantine culture in general, for the intellectual history of Byzantium, and for the evolution of poetry itself. It is, moreover, sometimes in the most neglected texts that the most fascinating discoveries can be made. This book, the first collaborative book-length study on the topic, takes an important step to fill this gap. It brings together specialists of the period who delve into this poetry with different but complementary objectives in mind, covering the links between art and text, linguistic evolutions, social functionality, contemporary reading attitudes, and the like. The authors aim to give the production of 11th-century verse a place in the Byzantine genre system and in the historic evolution of Byzantine poetry and metrics. As a result, this book will, to use the expression of two important poets of the period, "offer a small taste" of what can be gained from the serious study of this period.

This volume of essays is intended to commemorate the eminent Latin scholar David West, best known for his work on Lucretius, Horace, Virgil and Shakespeare. The contributors – Francis Cairns, Ian Du Quesnay, Bruce Gibson, Alex Hardie, Stephen Harrison, John Moles and Tony Woodman – have aimed to produce close readings of classical texts, paying due attention to historical context and literary tradition in the manner adopted by David West himself. The authors covered are Empedocles, Antisthenes, Callimachus, Lutatius Catulus, Catullus, Horace (Epodes and Odes), Propertius, Virgil (Aeneid), Dio Chrysostom and Hildebert of Lavardin.

The title equates 'wandering' and 'poetry' just as great poets including Shakespeare, Milton and Johann Wolfgang v. Goethe did, not to mention William Wordsworth and the other Romantic poets.

Literary criticism produced by Indian scholars from the earliest times to the present age is represented in this book. These include Bharatamuni, Tholkappiyar, Anandavardhana, Abhinavagupta, Jnaneshwara, Amir Khusrau, Mirza Ghalib, Rabindranath Tagore, Sri Aurobindo, B.S. Mardhekar, Ananda Coomaraswamy, and A.K. Ramanujam and Sudhir Kakar among others. Their statements have been translated into English by specialists from Sanskrit, Persian and other languages.

Originally published in 1965, this book was written to provide 'a not too obtrusive guide' to German poetry from Luther's time up until Brecht's. For the most part, the text consists of poems followed by questions, whose purpose is not to provoke an interpretation or to test knowledge so much as to suggest possible starting-points from which lines of thought or of imagination may run. On the whole, the questions are not meant to be answered one by one, but rather to arouse a certain kind of interest and appreciation. A glossary and a guide for further reading are also included. This book will be of value to anyone with an interest in poetry and German literature.