The Wooing of Our Lord and the Wooing Group prayers occupy a key position in the history of English literature and the development of English religious devotion. Dating from the second quarter of the thirteenth century, they are among a group of texts written in English at a time when the language of literature and the court was Anglo-Norman French, and the language of church and state was Latin. The text for which this group is named, The Wooing of Our Lord is also a highly skilled composition, combining beautiful and poetic expression with a profound affective theology. Its first-person female narrator speaks directly to Christ, becoming the voice of the reader whom the text guides through a passionate meditation upon the magnitude of Christ’s love, his sufferings in his Passion, and the response of the individual soul. Catherine Innes-Parker’s graceful new translation is paired with the original Middle English dialect in a facing-page format.

The Wooing of Our Lord and the Wooing Group prayers occupy a key position in the history of English literature and the development of English religious devotion. Dating from the second quarter of the thirteenth century, they are among a group of texts written in English at a time when the language of literature and the court was Anglo-Norman French, and the language of church and state was Latin. The text for which this group is named, The Wooing of Our Lord is also a highly skilled composition, combining beautiful and poetic expression with a profound affective theology. Its first-person female narrator speaks directly to Christ, becoming the voice of the reader whom the text guides through a passionate meditation upon the magnitude of Christ’s love, his sufferings in his Passion, and the response of the individual soul. Catherine Innes-Parker’s graceful new translation is paired with the original Middle English dialect in a facing-page format.

Essays on women and devotional literature in the Middle Ages in commemoration and celebration of the respected feminist scholar Catherine Innes-Parker. Silence was a much-lauded concept in the Middle Ages, particularly in the context of religious literature directed at women. Based on the Pauline prescription that women should neither preach nor teach, and should at all times keep speech to a minimum, the concept of silence lay at the forefront of many devotional texts, particularly those associated with various forms of women's religious enclosure. Following the example of the Virgin Mary, religious women were exhorted to speak seldom, and then only seriously and devoutly. However, as this volume shows, such gendered exhortations to silence were often more rhetorical than literal. The contributions range widely: they consider the English 'Wooing Group' texts and female-authored visionary writings from the Saxon nunnery of Helfta in the thirteenth century; works by Richard Rolle and the Dutch mystic Jan van Ruusbroec in the fourteenth century; Anglo-French treatises, and books housed in the library of the English noblewoman Cecily Neville in the fifteenth century; and the resonant poetics of women from non-Christian cultures. But all demonstrate the ways in which silence, rather than being a mere absence of speech, frequently comprised a form of gendered articulation and proto-feminist point of resistance. They thus provide an apt commemoration and celebration of the deeply innovative work of Catherine Innes-Parker (1956-2019), the respected feminist scholar and a pioneer of this important field of study.

The book offers a new perspective on late medieval compiling activity. Additionally, it offers a more nuanced perspective on late medieval religious culture in England. Lastly, it examines three major, but understudied Middle English texts in depth: the Pore Caitif, The Tretyse of Love and A Talkyng of the Love of God.

The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. This volume occupies both a foundational and a revolutionary place. Its opening date--1100--marks the re-emergence of a vernacular poetic record in English after the political and cultural disruption of the Norman Conquest. By its end date--1400--English poetry had become an established, if still evolving, literary tradition. The period between these dates sees major innovations and developments in language, topics, poetic forms, and means of expression. Middle English poetry reflects the influence of multiple contexts--history, social institutions, manuscript production, old and new models of versification, medieval poetic theory, and the other literary languages of England. It thus emphasizes the aesthetic, imaginative treatment of new and received materials by medieval writers and the formal craft required for their verse. Individual chapters treat the representation of national history and mythology, contemporary issues, and the shared doctrine and learning provided by sacred and secular sources, including the Bible. Throughout the period, lyric and romance figure prominently as genres and poetic modes, while some works hover enticingly on the boundary of genre and discursive forms. The volume ends with chapters on the major writers of the late fourteenth-century (Langland, the Gawain-poet, Chaucer, and Gower) and with a look forward to the reception of something like a national literary tradition in fifteenth-century literary culture.

The Cambridge Companion to Erotic Literature offers an introduction to key debates in the study of erotic literature from antiquity to the present. It addresses one of the longest standing controversies in literary history: the boundary between acceptable and unacceptable treatments of human sexuality. Whether scurrilous Roman satire, irreverent Restoration drama, or bold Modernist novel, erotic literature pushes the boundaries of the acceptable and challenges the conventions of more mainstream literatures. In fifteen chapters that range from ancient Greece and Rome to twentieth-century American, English, French, and Dutch literature, experts in the field confront a variety of related topics, such as the definition and scope of erotic literature, the nature of textual pleasure, historical shifts in the understanding of the normal and the perverse, the relationship between gender and genre, sexual violence, homosexuality, sadomasochism, necrophilia, satire, pornography, etc. Students new to the scholarship are provided with a clear and useful introduction; those already familiar with the field are given an exciting glimpse into the most recent work.

The Katherine Group brings together for the first time newly edited and translated versions of three dynamic saints' lives, The Lives of Saints Katherine, Margaret and Juliana, a quirky but rhetorically persuasive guide to virginity, Hali Meidenhad, and a psychologically astute sermon, Sawles Warde ("The Guardianship of the Soul"). These works are important witnesses to the development of Middle English writing after the Conquest and to the rigorous anchoritic spiritual life pursued by female recluses in medieval England.