Celebrate the joys of working with wood in your own home studio or wood shop. The Woodworker’s Studio Handbook is a comprehensive guide to the artistry, design, and skills all woodworkers need to propel their hobby to the next level. Master woodworker Jim Whitman walks you through planning your work space, helps you select tools and the right wood for the right projects, and gets you comfortable with your tools so you feel at ease in the studio and ready to experiment…all with gentle instruction and reassuring humor. His 20 teaching projects make you feel like a seasoned craftsman from step one, regardless of your experience level. Learn about the importance of proper planning, measuring twice so you just have to cut once, and how to make the most of your wood. Above all, get ready to get your hands dirty: woodworking is about play just as much as precision! The Woodworker’s Studio Handbook: - Teaches joinery, lamination, routing, turning, carving, and finishing—core woodworking skills in full-color photographs, and complete with illustrated tool guides. - Illustrates the steps for 20 beautiful teaching projects for all skill levels, including a picture frame, a small cabinet, a carved pendant, turned bowls, and more. - Engages your creativity with reclaiming recycled wood, using green wood, or using a sketchbook and drafting tools to design original work.

Fast and easy woodworking projects, from toys to furniture, folk art to garden items.

Showcases 10 talented furniture makers who have taught at the Penland School of Crafts. Woodwork descriptions and photographs include the works of: Craig Nutt, Paul M. Sasso, Michael Puryear, Curtis Buchanan, Doug Sigler, Brent Skidmore, Jere Osgood, Jenna Goldberg, John Clark, Kurt Nielsen.

Exquisitely photographed and beautifully designed, this complementary catalog of America's finest studio furniture highlights 84 pieces from the Smithsonian's Renwick Gallery. Inside, the pages reveal the importance of wooden furniture in the modern American craft arena, and how first- and second-generation artists shaped the studio furniture movement. Artist statements accompany gorgeous photography of the Renwick collection and provide insight into the makers' training and professional experience, theories on art, artistic techniques, and even personal inspirations. Such artists include the patriarch of studio furniture, Wharton Esherick, and Wendle Castle, the maker of the most popular piece among gallery visitors-the infamous Ghost Clock. The treasures of the Renwick collection-Judy's McKee's Monkey Settee, Sam Maloof's Rocking Chair, John Cederquist's Ghost Boy, and George Nakashima's Conoid Bench-are also included among the many pieces from makers whose work is functional, artistic, and of the finest craftsmanship. About the Authors Dr. Oscar Fitzgerald earned his M.A. and Ph.D. in history from Georgetown University and served as director of the Navy Museum in Washington, D.C., until he decided to pursue full time his passion as a furniture historian and decorative arts consultant. He is currently on the faculty of the Smithsonian Institution/Corcoran School Master's Program in the Decorative Arts where he developed and teaches a core course on the studio furniture movement. His book, Four Centuries of American Furniture, which includes coverage of the studio furniture movement, is the standard reference work in the field. In 2004, he was awarded a prestigious James Renwick Research Fellowship, which funded research for an essay published in the 2005 issue of Furniture Studio. Paul Greenhalgh is a world-renowned scholar of the decorative arts and a leading figure in the international museum and academic world. He is currently director and president of the Corcoran Gallery of Art and the Corcoran College of Art and design, in Washington, D.C. His previous posts have included the presidency of NSCAL University, one of the leading Canadian institutions of art and design (2001-2006); head of research at the Victoria & Albert Museum (1992-94); deputy keeper of ceramics and glass at the V&A (1990-1992). Over the past two decades he has also written and edited a number of defining texts in the field of the crafts, decorative arts, and cultural history, including Ephemeral Vistas (1988), Modernism in Design (1990), Art Nouveau, 1890-1914 (2000) The Persistence of Craft (200), and The Modern Ideal (2005). He also curated the seminal exhibition Art Nouveau, 1890-1914 at the V&A in 2000.

• Attractive gift book for woodworkers. • A craftsman's companion that celebrates the elite artisans who have taken box-making to a higher level of aesthetic form. • Inspirational studio-quality photographs of spectacular boxes. • Oscar P. Fitzgerald is a nationally known historian, author, lecturer, and consultant.

MEET THIRTY-ONE CONTEMPORARY ARTISTS PUSHING THE BOUNDARIES OF A CLASSIC CRAFT.They are from different parts of the world but share a common passion: turning wood into sculptural forms of self-expression. You'll see each artist at work--in their studios, homes, and at the lathe--and discover why their stunning work is considered to be preeminent in the respective fields of woodtruning and modern art. A gallery of beautiful photographs is included. New Masters of Woodturning looks beyond the surface of the wood and into the vision and mind of the artist, providing insights that offer a captivating and important perspective of turn-of-the-century art and craft.

Woodworking is Timeless Things change, to be sure, and woodworking is no exception. New tools come on the market, older tools are upgraded and a number of new, finely made hand tools are now available. Regardless of the subtle changes, the basic principles used by woodworkers have remained constant. The novice woodworker can produce satisfactory work following these unchanging woodworking traditions and using just some basic tools. Once these lessons are learned, all woodworking tasks are only a short step away. Power tools can take much of the drudgery out of woodworking, hand tools bring you closer to your work to teach you the characteristics of wood and how to make the most of the material. This book offers all the knowledge needed to get started in woodworking. All of the joints, jigs, methods, techniques and processes that have stood the test of time are included (along with a number of basic projects to practice the techniques). Woodworking offers enough variety to satisfy the widest range of tastes and inclinations. Let this book be your guide for whatever direction you want your work to take.