Three plays from the Pulitzer Prize and Tony Award–winning author of Glengarry Glen Ross and American Buffalo. The Woods is a modern dramatic parable about, as Mamet put it, “why men and women have a hard time trying to get along with each other.” The story features a young man and woman spending a night in his family’s cabin where they experience passion, then disillusionment, but are in the end reconciled by mutual need. In Lakeboat, an Ivy League college student takes a summer job as a cook aboard a Great Lakes cargo ship where the crewmembers—men of all ages—share their wild fantasies about sex, gambling, and violence. Mamet also wrote the screenplay to the 2000 film starring Peter Falk and Denis Leary. In Edmond, a white-collar New York City man is set morally adrift after a visit to a fortune-teller. He soon leaves an unfulfilling marriage to find sex, adventure, companionship, and, ultimately, the meaning of his existence. Mamet also wrote the screenplay for the 2005 film starring William H. Macy. “[A] beautifully conceived love story.” —Chicago Daily News on The Woods “[Mamet’s] language has never been so precise, pure, and affecting.” —Richard Eder of The New York Times on The Woods “Richly overheard talk and loopy, funny construction.” —Michael Feingold in The Village Voice on Lakeboat “A riveting theatrical experience that illuminates the heart of darkness.” —Jack Kroll of Newsweek on Edmond

House of Games is a psychological thriller in which a young woman psychiatrist falls prey to an elaborate and ingenious con game by one of her patients who entraps her in a series of criminal escapades. Ties in with movie to be released in September. 8 pages of black-and-white photographs.

There is nothing. A white person. Can say to a black person. About Race . . . Race. Is the most incendiary topic in our history. And the moment it comes out, you cannot close the lid on that box. Sparks fly when three lawyers and a defendant clash over the issue of race and the American judicial system. As they prepare for a court case, they must face the fundamental questions that everyone fears to ask. What is race? What is guilt? What happens when the crimes of the past collide with the transgressions of the present? Drawing on one of the most highly-charged issues of American history, David Mamet forces us to confront deep-seated prejudices and barely-healed wounds in this unflinching examination of the lies we tell ourselves and the truths we unwillingly reveal to others. Race was first seen in New York at the Ethel Barrymore Theatre on December 6, 2009, directed by David Mamet. It receives its UK premiere at the Hampstead Theatre on 23 May 2013.

“Mamet’s intellectual rigor is evident on every page. There is not a wasted word” in this novel based on the wrongful murder conviction of a Jewish man (Time Out). In 1913, a young woman was found murdered in the National Pencil Factory in Atlanta. The investigation focused on the Jewish manager of the factory, Leo Frank, who was subsequently forced to stand trial for the crime he didn’t commit and railroaded to a life sentence in prison. Shortly after being incarcerated, he was abducted from his cell and lynched in front of a gleeful mob. In vividly re-imagining these horrifying events, Pulitzer Prize–winning author David Mamet inhabits the consciousness of the condemned man to create a novel whose every word seethes with anger over prejudice and injustice. The Old Religion is infused with the dynamic force and the remarkable ear that have made David Mamet one of the most acclaimed voices of our time. It stands beside To Kill a Mockingbird as a powerful exploration of justice, racism, and the “rush to judgment.” “Mamet’s philosophical intensity, concision, and unpredictable narrative strategies are at their full power.” —The Washington Post “In this historical novel, playwright, filmmaker, and novelist Mamet presents disturbing cameos of Jewish uncertainty in a Christian world.” —Library Journal “The horror of the story is beautifully countered by the unusual grace of Mamet’s prose.” —The Irish Times

David Mamet is arguably the most important living American playwright. This Guide provides an up-to-date study of the key criticism on the full range of Mamet's work. It engages with his work in film as well as in the theatre, offering a synoptic overview of, and critical commentary on, the scholarly criticism of each play, screenplay or film.