Originally published in 1952, Tom Lea’s The Wonderful Country opens as mejicano pistolero Martín Bredi is returning to El Puerto (El Paso) after a fourteen-year absence. Bredi carries a gun for the Chihuahuan warlord Cipriano Castro and is on Castro’s business in Texas. Fourteen years earlier—shortly after the end of the Civil War—when he was the boy Martin Brady, he killed the man who murdered his father and fled to Mexico where he became Martín Bredi. Back in Texas Brady breaks a leg; then he falls in love with a married woman while recuperating; and, finally, to right another wrong, he kills a man. When Brady/Bredi returns to Mexico, the Castros distrust him as an American. He becomes a man without a country. The Wonderful Country clearly depicts life along the Texas-Mexico border of a century-and-a-half ago, when Texas and Mexico were being settled and tamed.

"When Bill Magie began taking canoe trips in the wild country along the Minnesota-Ontario border, there were places where the lakes were so crowded with logs heading to the mill, that his group put their gear on a horse-drawn wagon to portage to a spot where they could paddle. There were other places where they could travel for two or three weeks and see no except an occasional Indian family. Bill's stories originate from the Canoe Country -- today's Boundary Waters Canoe Area Wilderness, Voyageur National Park, and Quetico Provincial Park. But they are not the dry facts of the past. (Some would argue that there are few facts to be found in these stories!) Instead, they are full of the elements that still draw us to this wilderness area today -- wolf howls, sparkling water, storms, solitude, stillness, adventurous undertakings, relics of bygone days, campfires and camaraderie. Take this book on your next canoe trip, and imagine Bill has joined you, spinning tales of lumberjacks and trappers, surveying the border, flying bush planes when flying at all was a novelty, camping before nylon and plastic and freeze-dried food, hunting and fishing when you succeeded or went hungry. Find stories about the places you visit: Curtain Falls, Prairie Portage, Granite River, Knife Lake, Basswood, Saganaga -- and so many more. And know that the spirit of those who have loved this place lives on as today's paddlers discover what a wonderful country this is"--Front flap.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"Tom Lea's The Wonderful Country opens as mejicano pistolero Martín Bredi is returning to El Puerto [El Paso] after a fourteen-year absence. Bredi carries a gun for the Chihuahuan warlord Cipriano Castro and is on Castro's business in Texas. Fourteen years earlier-shortly after the end of the Civil War-when he was the boy Martin Brady, he killed the man who murdered his father and fled to Mexico where he became Martín Bredi. Back in Texas Brady breaks a leg; then he falls in love with a married woman while recuperating; and, finally, to right another wrong, he kills a man. When Brady/Bredi returns to Mexico, the Castros distrust him as an American. He becomes a man without a country. The Wonderful Country clearly depicts life along the Texas-Mexico border of a century-and-a-half ago, when Texas and Mexico were being settled and tamed." -- Onix annotations.

A NEW YORK TIMES BEST SELLER • The moving story of an undocumented child living in poverty in the richest country in the world—an incandescent debut from an astonishing new talent • A TODAY SHOW #READWITHJENNA PICK In Chinese, the word for America, Mei Guo, translates directly to “beautiful country.” Yet when seven-year-old Qian arrives in New York City in 1994 full of curiosity, she is overwhelmed by crushing fear and scarcity. In China, Qian’s parents were professors; in America, her family is “illegal” and it will require all the determination and small joys they can muster to survive. In Chinatown, Qian’s parents labor in sweatshops. Instead of laughing at her jokes, they fight constantly, taking out the stress of their new life on one another. Shunned by her classmates and teachers for her limited English, Qian takes refuge in the library and masters the language through books, coming to think of The Berenstain Bears as her first American friends. And where there is delight to be found, Qian relishes it: her first bite of gloriously greasy pizza, weekly “shopping days,” when Qian finds small treasures in the trash lining Brooklyn’s streets, and a magical Christmas visit to Rockefeller Center—confirmation that the New York City she saw in movies does exist after all. But then Qian’s headstrong Ma Ma collapses, revealing an illness that she has kept secret for months for fear of the cost and scrutiny of a doctor’s visit. As Ba Ba retreats further inward, Qian has little to hold onto beyond his constant refrain: Whatever happens, say that you were born here, that you’ve always lived here. Inhabiting her childhood perspective with exquisite lyric clarity and unforgettable charm and strength, Qian Julie Wang has penned an essential American story about a family fracturing under the weight of invisibility, and a girl coming of age in the shadows, who never stops seeking the light.

Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.