‘Clever and gripping with an ending so tense I was holding my breath’ Claire Douglas, author of The Sisters

*LOSE YOURSELF THIS SUMMER IN THE NUMBER ONE BESTSELLER* 'One of my favourite authors' MARIAN KEYES Deira isn't the kind of woman to steal a car. Or drive to France alone with no plan. But then, Deira didn't expect to be single. Or to suddenly realise that the only way she can get the one thing she wants most is to start breaking every rule she lives by. Grace has been sent on a journey by her late husband, Ken. She doesn't really want to be on it but she's following his instructions, as always. She can only hope that the trip will help her to forgive him. And then - finally - she'll be able to let him go. Brought together by unexpected circumstances, Grace and Deira find that it's easier to share secrets with a stranger, especially in the shimmering sunny countryside of Spain and France. But they soon find that there's no escaping the truth, whether you're running away from it or racing towards it . . . *LOSE YOURSELF THIS SUMMER IN THE NUMBER ONE BESTSELLER* Praise for Sheila O'Flanagan's irresistible novels: 'Brilliantly written and with plot twists popping out like Prosecco corks' Woman and Home 'An exciting love story with a deliciously romantic denouement' Sunday Express 'A feel-good story told by a funny and down-to-earth heroine' Woman's Weekly 'If you're seeking an escape of your own, this sunny, evocative story is the perfect place to hide away' S Magazine A NO. 1 IRISH BESTSELLER (JULY 2020) A SUNDAY TIMES BESTSELLER (MARCH 2021)

The Woman Who Ran Away is a mystery of sorts. Jack Waldek, the protagonist, is a senior tax manager with an obscure public accounting firm in New Jersey. He meets Fran Zetzmann when she occupies the next seat to him on an O’Hare to LaGuardia flight. Fran presumably holds a regional sales management position with an advertising representative firm and impresses Jack as an independent traveling lady. They develop a relationship which blooms into a comfortable weekend lover arrangement at Jack’s country place in a Pocono Mountains gated community called Knight Estates. Fran is a runner. She runs every weekend morning a distance of 1.8 miles regardless of weather. She leaves one Saturday morning shortly after seven in the morning and does not return, Jack sets out to look for Fran, locates the rental car in the parking lot next to the running trail and her purse is in the back seat. There is no sign of Fran. A search of her purse produces an odd looking cell phone and a wallet without credit cards. He reports her absence the next day to the Knight Estates Public Safety Department and continues to search for Fran. Jack finds that the address on her business card is nothing more than a New York City mail drop, and that Fran’s company ceased to exist three years before. He continues to probe and suddenly becomes aware that Fran is not the first person to disappear from Knight Estates. Jack then learns that the woman he had known as Fran was an operative of a Middle East industrial intelligence firm called SHALIMAR. It appears that the woman called Fran was assigned to cultivate Jack to learn about his principal client, Gianni Companies. Jack Waldek, the charming tax manager, finds himself enmeshed in a web of threats, violence, imposters. loutish public safety officers, a corporate control fight, and professional assassins. Everything is linked to Fran, the woman who ran away. Dwight Foster’s previous books include the Shattered Covenants series, (Present & Past Imperfect, The Road to McKenzie Barber, The Consultant, The Chairman, The Partner, The House of Harwell, and Twilight & Endgame) and NEW YORK FOLKS. His writings have a strong business flavor nurtured during his lengthy executive search consulting career in addition to his current role as Chairman of Foster Partners Asia, a human capital consulting firm serving clients in China, Malaysia, and Viet Nam.

"In 1966, the world believed it was impossible for a woman to run the Boston Marathon. Bobbi Gibb was determined to prove them wrong"-- Jacket.

A new edition of a sports icon's memoir, coinciding with the 50th anniversary of Kathrine Switzer's historic running of the Boston Marathon as the first woman to run. In 1967, Kathrine Switzer was the first woman to officially run what was then the all-male Boston Marathon, infuriating one of the event's directors who attempted to violently eject her. In one of the most iconic sports moments, Switzer escaped and finished the race. She made history-and is poised to do it again on the fiftieth anniversary of that initial race, when she will run the 2017 Boston Marathon at age 70. Now a spokesperson for Reebok, Switzer is also the founder of 261 Fearless, a foundation dedicated to creating opportunities for women on all fronts, as this groundbreaking sports hero has done throughout her life. "Kathrine Switzer is the Susan B. Anthony of women's marathoning."-Joan Benoit Samuelson, first Olympic gold medalist in the women's marathon

"When Jean-Luc Godard, exemplary director of the French New Wave, wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Among the greatest cinematic innovations, Godard's films shift fluidly from fiction to documentary, from criticism to art. Similarly, his persona projects shifting images - cultural hero, impassioned loner, shrewd businessman. Hailed by filmmakers as a - if not the - key influence, Godard has entered the modern canon, a figure as mysterious as he is indispensable." "In Everything is Cinema, critic Richard Brody has amassed hundreds of interviews with friends, family, and collaborators to demystify the elusive director and paint the fullest picture yet of his life and work. Paying as much attention to Godard's revolutionary technical inventions as to the political and emotional forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless and Contempt, to the grand vision of his later years. He vividly depicts Godard's wealthy, conservative family, his fluid and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women."--Jacket.

This book on the history of Hollywood's high-flying career women during the studio era covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist.