She hadn't expected to like him. And yet Abby Rainveil -- a writer assigned to interview the strange man everyone calls Kumulous -- finds herself deeply drawn to his relaxed disposition, his erudition, the way he listens to her every word, his strength. Thus, increasingly mesmerized by the charged mystery of a man described by her boss as "Mephistophelean," she accepts his invitation to come with him back to his home. Shortly after that, the enigmas begin. This book contains four scenes of strong sexual content.

"People want me in max so my life will be hard but it really isn't. There are absolutely no responsibilities here. Everything is provided. We can spend the day sleeping, sun-tanning or doing whatever we want all day every day." --Karla Homolka in a letter to author Stephen Williams "Well, they say 'Never say never' and they're right," Karla wrote in her startling first letter to Stephen Williams. "Never in a million years did I think I would ever write a letter to someone from the media, let alone you who has condemned me so harshly." Thus began one of the most controversial correspondences in Canadian history. Karla picks up where Williams's first book on the case, Invisible Darkness, left her, painting her nails in her cell in solitary confinement in the gothic tower of Kingston's Prison for Women. After testifying against her ex-husband in 1995, Karla's life in prison was soon going to take a very different, dramatic turn. With a thriller's pace, Karla: A Pact with the Devil charts the inner life of the world's most notorious female prisoner. In Karla, Williams lets Karla and the other key players speak for themselves. And what they have to say will surprise, horrify and enlighten.

THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.

From the National Book Award-winning and National Book Critics Circle Award-winning author of The Gnostic Gospels comes a dramatic interpretation of Satan and his role on the Christian tradition. "Arresting...brilliant...this book illuminates the angels with which we must wrestle to come to the truth of our bedeviling spritual problems." —The Boston Globe With magisterial learning and the elan of a born storyteller, Pagels turns Satan’s story into an audacious exploration of Christianity’s shadow side, in which the gospel of love gives way to irrational hatreds that continue to haunt Christians and non-Christians alike.

What it means to be a man or a woman is questioned today like never before. While traditional gender roles have been eroding for decades, now the very categories of male and female are being discarded with reckless abandon. How does one act like a gentleman in such confusing times? The Catholic Gentleman is a solid and practical guide to virtuous manhood. It turns to the timeless wisdom of the Catholic Church to answer the important questions men are currently asking. In short, easy- to-read chapters, the author offers pithy insights on a variety of topics, including • How to know you are an authentic man • Why our bodies matter • The value of tradition • The purpose of courtesy • What real holiness is and how to achieve it • How to deal with failure in the spiritual life

Contemporary misogyny and antisemitism have their roots in the demonization of women and Jews in medieval Christendom. In church art and mass preaching, the construct of the devil as an outcast from heaven and the source of all evil was linked both to the conception of women as sensual and malicious figures betraying man's soul on its arduous journey to salvation and to the notion of Jews as treacherous dissidents in the Christian landscape. These stereotypes, widely disseminated for over three hundred years, persist today. The exemplum, or cautionary story incorporated into preachers' manuals and popular homilies, was an important mode of religious teaching for clerical and lay folk alike. Sermon narratives drawn from Hindu mythology, Arab storytelling, and secular folktales entertained all classes of medieval society while dispensing theological and cultural instruction. In Devils, Women, and Jews, the vital genre of the medieval sermon story is, for the first time, made accessible to specialists and nonspecialists alike. Rendered in modern English, the tales provide an invaluable primary resource for medievalists, anthropologists, psychologists, folklorists, and students of women's studies and Judaica. Critical introductions and explanatory headnotes contextualize the tales, and comprehensive endnotes and a bibliography allow readers to follow up analogue and subject studies in their own areas of interest.

The Penderyn 2020 Music Book Prize (UK edition) Living Blues Critics Choice Best Blues Book of 2019 Living Blues Readers Choice Best Blues Book of 2019 Certificate of Merit in the Best Historical Research in Recorded Blues, Soul, Gospel, or R&B category from ARSC (Association for Recorded Sound Collections) An essential story of blues lore, black culture, and American music history Robert Johnson's recordings, made in 1936 and 1937, have profoundly influenced generations of singers, guitarists, and songwriters. Yet until now, his short life—he was murdered at the age of 27—has been poorly documented. Gayle Dean Wardlow has been interviewing people who knew Johnson since the early 1960s, and he was the person who discovered Johnson's death certificate in 1967. Bruce Conforth began his study of Johnson's life and music in 1970 and made it his mission to fill in what was still unknown about him. In this definitive biography, the two authors relied on every interview, resource, and document, much of it material no one has seen before. This is the first book about Johnson that documents his lifelong relationship with family and friends in Memphis, details his trip to New York, uncovers where and when his wife Virginia died and the impact this had on him, fully portrays the other women Johnson was involved with and tells exactly how and why he died and who gave him the poison that killed him. Up Jumped the Devil will astonish blues fans worldwide by painting a living, breathing portrait of a man who was heretofore little more than a legend.