Award-winning author Laura Joh Rowland is back with the fourth in her critically acclaimed Victorian mysteries where the case of a mutilated "Sleeping Beauty" washes ashore in London. London, June 1890. Sarah Bain and her friends Lord Hugh Staunton and Mick O'Reilly are crime scene photographers for the Daily World newspaper. After solving a sensational murder, they're under pressure to deliver another big story. On a foggy summer night, they're called to the bank of the river Thames. The murder victim is an unidentified woman whose face has been slashed. But as Sarah takes photographs, she discovers that the woman is still alive. The case of "Sleeping Beauty" becomes a public sensation, and three parties quickly come forward to identify her: a rich, sinister artist who claims she's his wife; a mother and her two daughters who co-own a nursing home and claim she's their stepdaughter/sister; and a precocious little girl who claims Sleeping Beauty is her mother. Which party is Sleeping Beauty's rightful kin? Is someone among them her would-be killer? Then Sleeping Beauty awakens--with a severe case of amnesia. She's forgotten her name and everything else about herself. But she recognizes one of the people who've claimed her. Sarah is delighted to reunite a family and send Sleeping Beauty home--until one of the claimants is murdered. Suddenly, Sarah, her motley crew of friends, and her fiancé Detective Sergeant Barrett are on the wrong side of the law. Now they must identify the killer before they find themselves headed for the gallows.

Until now the bulk of the literature about the veil has been written by outsiders who do not themselves veil. This literature often assumes a condescending tone about veiled women, assuming that they are making uninformed decisions choices about veiling makes them subservient to a patriarchal culture and religion. “Rethinking Muslim Women and the Veil” offers an alternative viewpoint, based on the thoughts and experiences of Muslim women themselves. This is the first time a clear and concise book-length argument has been made for the compatibility between veiling and modernity. Katherine Bullock uncovers positive aspects of the veil that are frequently not perceived by outsiders. “Rethinking Muslim Women and the Veil” looks at the colonial roots of the negative Western stereotype of the veil. It presents interviews with Muslim women to discover their thoughts and experiences with the veil in Canada. The book also offers a positive theory of veiling. The author argues that in consumer capitalist cultures, women can find wearing the veil a liberation from the stifling beauty game that promotes unsafe and unhealthy ideal body images for women. This book also includes an extensive bibliography on topics related to Muslim women and the veil.

The author examines the role of women in Oman culture

Veiling is a globally polarizing issue, a locus for the struggle between Islam and the West and between contemporary and traditional interpretations of Islam. This book examines the vastly misunderstood and multi-layered world of the veil. It explores and analyzes the cultures, politics, and histories of veiling.

"Jaw-dropping . . . Inspiring . . . A haunting and beautifully composed book . . . It blew my mind." --Lisa Taddeo, #1 New York Times bestselling author of Three Women A fearless exposé of the secrets and lies of women's intimate lives, by the bestselling author of The Perfect Nanny, Adèle, and In the Country of Others "All those in positions of authority--politicians, parents, teachers--maintain the same line: 'Do what you like, but do it in private.' " Leila Slimani was in her native Morocco promoting her novel Adèle, about a woman addicted to sex, when she began meeting women who confided the dark secrets of their sexual lives. In Morocco, adultery, abortion, homosexuality, prostitution, and sex outside of marriage are all punishable by law, and women have only two choices: They can be wives or virgins. Sex and Lies combines vivid, often harrowing testimonies with Slimani's passionate and intelligent commentary to make a galvanizing case for a sexual revolution in the Arab world.

'I found the photograph album by chance when we were clearing out the old coach house. It must have been sitting on the garage shelf for years among all the other family rejects.' When a woman finds a lost photo album in a garage clearout, she is drawn to the images of her ancestors. But one image in particular stands out: a baby sitting in the lap of its mother, both draped from head to toe in a cotton lace curtain or something, completely enveloped and unrecognizable. Who are they and what has happened to them? In a story that moves between 2012 and 1850, the shocking secrets of one family are gradually revealed…

An unprecedented, sympathetic, and wide-ranging exploration of the mysterious world of Islamic women--the people behind the veils--is presented by female writers and Christian workers.