Lacy Johnson's rich and poetic memoir, The Other Side, chronicles her brutal kidnapping and imprisonment at the hands of an ex-boyfriend, her dramatic escape, and her hard-fought struggle to recover. Lacy Johnson bangs on the glass doors of a sleepy local police station in the middle of the night. Her feet are bare; her body is bruised and bloody; U-bolts dangle from her wrists. She has escaped, but not unscathed. The Other Side is the haunting account of a first passionate and then abusive relationship; the events leading to Johnson’s kidnapping, rape, and imprisonment; her dramatic escape; and her hard-fought struggle to recover. At once thrilling, terrifying, harrowing, and hopeful, The Other Side offers more than just a true crime record. In language both stark and poetic, Johnson weaves together a richly personal narrative with police and FBI reports, psychological records, and neurological experiments, delivering a raw and unforgettable story of trauma and transformation.

An ethereal fantasy from the editorial team behind the New York Times bestselling series The Ancient Magus’ Bride The Girl From the Other Side: Siúil, a Rún is an all-new manga series that pulls readers into a magical and enchanting tale about a young girl and her demonic guardian. A haunting story of love and fantastical creatures, The Girl From the Other Side: Siúil, a Rún is a gorgeously-illustrated manga series. Each volume in the series will be released with a beautifully-textured matte finish cover and will include at least one full-color insert.In a world split between the Inside and the Outside, those living in both realms are told never to cross over to the other side, lest they be cursed. A young girl named Shiva lives on the other side, in a vacant village with a demonic guardian known only as “Teacher.” Although the two are forbidden to touch, they seem to share a bond that transcends their disparate appearances. But when Shiva leaves Teacher’s care to seek out her grandmother, the secret behind her mysterious living arrangement comes to light.

This collection of short stories focuses on the lives of ordinary working-class people from Northern Ireland. It is set against the backdrop of the ‘Troubles’ and the province’s more recent history. Strong female characters often carry the narrative, and the story which gives its title to the collection is that of a Catholic woman from the South who marries a staunch Northern Protestant, and they settle in Belfast. The strife which ensues reflects the divided communities which the rest of the book can testify to. In their depiction of everyday violence and intimidation, the stories bring to light more latent themes of homosexuality, sexism, and prejudice. A strong focus on family bonds means that the collection provokes a profound resonance with a large number of us who have grown up in tight family circles. In many ways, the ‘Troubles’ serve to underline the tensions inherent in these bonds.

Did you come from Mexico? An Mexican-American defends Joaquin, a boyy frp, Mexico who came across the border. The Border Patrol is looking for him and his mother who are hiding. His newly found friend Prietita took him to the Herb Lady to help him with red welts.

WINNER, 2022 John Hope Franklin Prize, given by the American Studies Association HONORABLE MENTION, 2022 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association Reveals the troubling intimacy between Black women and the making of US global power The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.

This is an expanded and updated version of Nan Goldin's seminal book The Other Side, originally published in 1993. There will be a revised introduction by Goldin, and for the first time the voices of those whose stories are represented. Now being released at a time when the discourse around gender and sexual orientation is evolving, The Other Side traces some of the history that informs this new visibility. The first photographs in the book are from the 1970s, when Goldin lived in Boston with a group of drag queens and documented their glamour and vulnerability. In the early eighties, Goldin chronicled the lives of transgender friends in New York when AIDS began to decimate her community. In the nineties, she recorded the explosion of drag as a social phenomenon in New York, Berlin and Bangkok, photographing their public personas while showing their real lives backstage. Goldin's newest photographs are intimate portraits, imbued with tenderness, of some of her most beloved friends. The Other Side is her homage to the queens she's loved, many of whom she's lost, over the last four decades. The pictures in this book are not of people suffering gender dysphoria but rather expressing gender euphoria... - Nan Goldin