Marjorie Williams knew Washington from top to bottom. Beloved for her sharp analysis, elegant prose and exceptional ability to intuit character, Williams wrote political profiles for the Washington Post and Vanity Fair that came to be considered the final word on the capital's most powerful figures. Her accounts of playing ping-pong with Richard Darman, of Barbara Bush's stepmother quaking with fear at the mere thought of angering the First Lady, and of Bill Clinton angrily telling Al Gore why he failed to win the presidency -- to name just three treasures collected here -- open a window on a seldom-glimpsed human reality behind Washington's determinedly blank façe. Williams also penned a weekly column for the Post's op-ed page and epistolary book reviews for the online magazine Slate. Her essays for these and other publications tackled subjects ranging from politics to parenthood. During the last years of her life, she wrote about her own mortality as she battled liver cancer, using this harrowing experience to illuminate larger points about the nature of power and the randomness of life. Marjorie Williams was a woman in a man's town, an outsider reporting on the political elite. She was, like the narrator in Randall Jarrell's classic poem, "The Woman at the Washington Zoo," an observer of a strange and exotic culture. This splendid collection -- at once insightful, funny and sad -- digs into the psyche of the nation's capital, revealing not only the hidden selves of the people that run it, but the messy lives that the rest of us lead.

19 original poems and 12 translations, mostly of Rilke.

A Study Guide for Randall Jarrell's "The Woman at the Washington Zoo", excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Studentsfor all of your research needs.

A true story--as powerful as "Schindler's List"--in which the keepers of the Warsaw Zoo saved hundreds of people from Nazi hands.

Donald Ritchie offers a vibrant chronicle of news coverage in our nation's capital, from the early days of radio and print reporting and the heyday of the wire services to the brave new world of the Internet. Beginning with 1932, when a newly elected FDR energized the sleepy capital, Ritchie highlights the dramatic changes in journalism that have occurred in the last seven decades. We meet legendary columnists--including Walter Lippmann, Joseph Alsop, and Drew Pearson --as well as the great investigative reporters, from Paul Y. Anderson to the two green Washington Post reporters who launched the political story of the decade--Woodward and Bernstein. We read of the rise of radio news--fought tooth and nail by the print barons--and of such pioneers as Edward R. Murrow, H. V. Kaltenborn, and Elmer Davis. Ritchie also offers a vivid history of TV news, from the early days of Meet the Press, to Huntley and Brinkley and Walter Cronkite, to the cable revolution led by C-SPAN and CNN. In addition, he compares political news on the Internet to the alternative press of the '60s and '70s; describes how black reporters slowly broke into the white press corps (helped mightily by FDR's White House); discusses path-breaking woman reporters such as Sarah McClendon and Helen Thomas, and much more. From Walter Winchell to Matt Drudge, the people who cover Washington politics are among the most colorful and influential in American news. Reporting from Washington offers an unforgettable portrait of these figures as well as of the dramatic changes in American journalism in the twentieth century.

In 2005, The Woman at the Washington Zoo was published to major critical acclaim. The late Marjorie Williams possessed "a special voice, one capable not just of canny political observations but of tenderness and bracing intimacy," observed the New York Times Book Review. Now, in a collection of profiles with the richness of short fiction, Williams limns the personalities that dominated politics and the media during the final years of the twentieth century. In these pages, Clark Clifford grieves "in his laborious baritone" a bank scandal's blow to his re-pu-taaaaaay-shun. Lee Atwater likens himself to Ulysses and pleads, "Tah me to the mast!" Patricia Duff sheds "precipitous tears" over her divorce from Ronald Perelman, resembling afterwards "a garden refreshed by spring rain." Reputation illuminates our recent past through expertly drawn portraits of powerful -- and messily human -- figures.

A resonant true story of small-town politics and community perseverance and of decent people and questionable choices, Zoo Nebraska is a timely requiem for a rural America in the throes of extinction. Royal, Nebraska, population eighty-one--where the church, high school, and post office each stand abandoned, monuments to a Great Plains town that never flourished. But for nearly twenty years, they had a zoo, seven acres that rose from local peculiarity to key tourist attraction to devastating tragedy. And it all began with one man's outsize vision. When Dick Haskin's plans to assist primatologist Dian Fossey in Rwanda were cut short by her murder, Dick's devotion to primates didn't die with her. He returned to his hometown with Reuben, an adolescent chimp, in the bed of a pickup truck and transformed a trailer home into the Midwest Primate Center. As the tourist trade multiplied, so did the inhabitants of what would become Zoo Nebraska, the unlikeliest boon to Royal's economy in generations and, eventually, the source of a power struggle that would lead to the tragic implosion of Dick Haskin's dream.