A daring young woman risks everything to pursue a career as a doctor on the front lines in France during World War I, and learns the true meaning of hope, love, and resilience in the darkest of times. When Eleanor Atherton graduates from medical school near the top of her class in 1917, she dreams of going overseas to help the wounded, but her ambition is thwarted at every turn. Eleanor's parents insist she must give up medicine, marry a respectable man, and assume her proper place. While women might serve as ambulance drivers or nurses at the front, they cannot be physicians—that work is too dangerous and frightening. Nevertheless, Eleanor is determined to make more of a contribution than sitting at home knitting for the troops. When an unexpected twist of fate sends Eleanor to the battlefields of France as the private doctor of a British peer, she seizes the opportunity for what it is—the chance to finally prove herself. But there's a war on, and a casualty clearing station close to the front lines is an unforgiving place. Facing skeptical commanders who question her skills, scores of wounded men needing care, underhanded efforts by her family to bring her back home, and a blossoming romance, Eleanor must decide if she's brave enough to break the rules, face her darkest fears, and take the chance to win the career—and the love—she's always wanted.

In the 1970s the relationship between literature and the environment emerged as a topic of serious and widespread interest among writers and scholars. The ideas, debates, and texts that grew out of this period subsequently converged and consolidated into the field now known as ecocriticism. A Century of Early Ecocriticism looks behind these recent developments to a prior generation's ecocritical inclinations. Written between 1864 and 1964, these thirty-four selections include scholars writing about the “green” aspects of literature as well as nature writers reflecting on the genre. In his introduction, David Mazel argues that these early “ecocritics” played a crucial role in both the development of environmentalism and the academic study of American literature and culture. Filled with provocative, still timely ideas, A Century of Early Ecocriticism demonstrates that our concern with the natural world has long informed our approach to literature.

A daring young woman risks everything to pursue a career as a doctor on the front lines in France during World War I, and learns the true meaning of hope, love, and resilience in the darkest of times. When Eleanor Atherton graduates from medical school near the top of her class in 1917, she dreams of going overseas to help the wounded, but her ambition is thwarted at every turn. Eleanor's parents insist she must give up medicine, marry a respectable man, and assume her proper place. While women might serve as ambulance drivers or nurses at the front, they cannot be physicians—that work is too dangerous and frightening. Nevertheless, Eleanor is determined to make more of a contribution than sitting at home knitting for the troops. When an unexpected twist of fate sends Eleanor to the battlefields of France as the private doctor of a British peer, she seizes the opportunity for what it is—the chance to finally prove herself. But there's a war on, and a casualty clearing station close to the front lines is an unforgiving place. Facing skeptical commanders who question her skills, scores of wounded men needing care, underhanded efforts by her family to bring her back home, and a blossoming romance, Eleanor must decide if she's brave enough to break the rules, face her darkest fears, and take the chance to win the career—and the love—she's always wanted.

A daring young woman risks everything to pursue a career as a doctor on the front lines in France during World War I, and learns the true meaning of hope, love, and resilience in the darkest of times. When Eleanor Atherton graduates from medical school near the top of her class in 1917, she dreams of going overseas to help the wounded, but her ambition is thwarted at every turn. Eleanor's parents insist she must give up medicine, marry a respectable man, and assume her proper place. While women might serve as ambulance drivers or nurses at the front, they cannot be physicians--that work is too dangerous and frightening. Nevertheless, Eleanor is determined to make more of a contribution than sitting at home knitting for the troops. When an unexpected twist of fate sends Eleanor to the battlefields of France as the private doctor of a British peer, she seizes the opportunity for what it is--the chance to finally prove herself. But there's a war on, and a casualty clearing station close to the front lines is an unforgiving place. Facing skeptical commanders who question her skills, scores of wounded men needing care, underhanded efforts by her family to bring her back home, and a blossoming romance, Eleanor must decide if she's brave enough to break the rules, face her darkest fears, and take the chance to win the career--and the love--she's always wanted.

Candice DeLong has been called a real-life Clarice Starling and a female Donnie Brasco. She has been on the front lines of some of the FBIs most gripping and memorable cases, including being chosen as one of the three agents to carry out the manhunt for the Unabomber in Lincoln, Montana. She has tailed terrorists, gone undercover as a gangsters moll, and posed as the madam for a call-girl ring. Now for the first time she reveals the dangers and rewards of being a woman on the front lines of the worlds most powerful law enforcement agency. She traces the unusual career path that led her to crime fighting, and recounts the incredible obstacles she faced as a woman and as a fledgling agent. She takes readers step by step through the profiling process and shows how she helped solve a number of incredible cases. The story of her role as a lead investigator on the notorious Tylenol Murderer case is particularly compelling. Finally, she gives the true, insiders story behind the investigation that led to the arrest of the Unabomber including information that the media cant or wont reveal. A remarkable portrait of courage and grace under fire, Special Agent offers a missing chapter to the annals of law enforcement and a dramatic and often funny portrait of an extraordinary woman who has dedicated her heart and soul to the crusade against crime.

In this collection of essays woven with poems and folklore, Judith Ortiz Cofer tells the story of how she became a poet and writer and explores her love of words, her discovery of the magic of language, and her struggle to carve out time to practice her art. A native of Puerto Rico, Cofer came to the mainland as a child. Torn between two cultures and two languages, she learned early the power of words and how to wield them. She discovered her love for the subtleties, sounds, and rhythms of the written word when a Roman Catholic nun and teacher bent on changing traditions for the better gave her books of high literature to read, some of which were forbidden by the church. Later, as an adult, demands from her family and her profession made it difficult for Cofer to find time to devote to her art, but her need and determination to express herself led to solutions that can help all artists challenged with the limits of time. Cofer recalls the family cuentos, or stories, that inspire her and shows how they speak to all artists, all women, all people. She encourages her readers to insist on the right to be themselves and to pursue their passions. A book that entertains, instructs, and enthralls, Woman in Front of the Sun will be invaluable to students of poetry and creative nonfiction and will be a staple in every creative writing classroom as well as an inspiration to all those who write.

Experiences of a correspondent in Belgium during the European War of 1914.