Annie S. Swan's magazine.

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The world of Magnolia Le Guin, like that of countless farm women, was defined by and confined to home and family. Born in 1869 into the rural, white, agrarian society of Georgia's central piedmont, she raised eight children virtually on her own, yet never in her life ventured farther than thirty miles from her birthplace. Her situation, however extreme, was not unique in her day. What distinguished Le Guin was her love of writing, her need to write about being a wife and mother--despite a daunting workload and burden of responsibilities that left her with little free time or energy. In a plain, idiomatic style, these diaries detail some of the most trying, but nonetheless fulfilling, years of her life. At the same time, A Home-Concealed Woman (her own self-descriptive phrase) provides a firsthand view of the hardships of subsistence farming, the material culture of rural society, and the codes to which Le Guin as a white woman, a southerner, and an evangelical Christian adhered. The most striking feature of Le Guin's world is that it was confined almost entirely to the indoors, from the bedrooms where her children were born and where her parents lay ill and died to the stove room where the daily meals were cooked and cleared. Her husband's prominence in their small community and the size of their extended families meant that Le Guin hosted an endless flow of callers and overnight guests--more than one hundred in the summer of 1906 alone. Managing an already busy household under these conditions so occupied her time that she treasured every respite: "I was truly glad when I felt the sprinkling of the rain. I was so glad I couldn't content myself indoors washing dishes, sweeping floors, making beds, etc etc, so I just postponed those things and churning too awhile and betook myself out in the misty rain with a new brushbroom and swept a lot of this large yard and inhaled the sweet air scented with rain-settling dust." Less idyllic sentiments also fill Le Guin's diaries, for the anger and anxiety she could not publicly express found a voice in their pages: "I feel rebellious once in awhile at my lot--so much drudgery and so much company to cook for and in meantime my own affairs, my own children, my little baby--all going neglected." Though condescending outbursts about her hired help reveal Le Guin's racial attitudes, her endemic prejudice is tempered by her many expressions of genuine concern for individual blacks close to her family. As writer Ursula K. Le Guin suggests in her foreword, the diary may be the best suited literary form for approximating "the actual gait of people's lives." In Magnolia Le Guin's diary, prayerful entreaties for strength and guidance mingle with daily news about her family, providing a constant background against which major events such as births and deaths, holidays and harvests take place. The reader's admiration for Le Guin will grow as the details of her life emerge and accumulate.

At the forefront of a revolution in American motherhood, the second edition of WHAT'S A SMART WOMAN LIKE YOU DOING AT HOME? is an inspiring & affirming book that celebrates the challenges & triumphs of being a mother at home, & refutes stereotypes such as "supermom," "housewife" & "working mother." SMART WOMAN reveals what today's mothers are really feeling through thoughtful analyses of social trends, poignant essays & real life stories. Using quotes excerpted from many of the candid & unsolicited letters received, the authors expose the gap between what the media often says about mothers & what mothers say about themselves. The publisher, Mothers at Home, is a non-profit organization founded in 1984 to offer support to mothers across the country who consciously choose to devote their exceptional skills & good minds to nurturing their families. For nine years, Mothers at Home has published WELCOME HOME, a monthly journal with a readership of over 30,000. They continuously receive volumes of mail, hearing from thousands of women. In 1991, Mothers at Home published DISCOVERING MOTHERHOOD, a collection of essays written by mothers about the challenges & joys of motherhood. The first edition of SMART WOMAN, published in 1986, sold over 20,000 copies. Just revised, the authors have included updated statistics on who today's mothers at home really are. They offer public policy recommendations for creating a society that supports all mothers. Today, the choice to be at home may well be the most controversial one woman can make. What once seemed natural now invites open criticism. SMART WOMAN affirms the importance of nurturing & mothering, & speaks to the millions of mothers who have rejected some of the popular assumptions about their own careers & instead have chosen to put their children first without putting themselves last.

In A Woman's Place, Katelyn Beaty, insists it's time to reconsider women's work. She challenges us to explore new ways to live out the scriptural call to rule over creation - in the office, the home, in ministry, and beyond.

Lisa Manterfield was a sensible 32-year-old when she met The One—a man who sparked a passion for tango, an urge to break down closed doors, and a deep-rooted desire to reproduce. Five years later she was a baby addict, hiding her addiction, plotting a maternity ward heist, and threatening anything that got in her way, including her beloved husband and his pesky practicality. In this gritty, award-winning memoir, Manterfield traces her spiraling route from rational 21st-century woman to desperate mama-wannabe. She examines the siren song of motherhood, the insidious lure of the fertility industry, and the repercussions of being childless in a mom-centric society. But this isn’t just another infertility story with another miracle baby ending, nor is it a sad introspective of a childless woman; this is a story about love, desire, and choices—and ultimately about hope. It is the story of a woman who escapes her addiction, not with a baby, but with her sanity, her marriage, and her sense-of-self intact. 2012 Independent Publishers Book Awards winner.