Silence... The skald pauses her tale. Time passes in heartbeats. Every sound echoes, continues a fragment of the story. The crash of distant waves invokes the whale-road, long ships traveling its path, their sides covered with brightly painted shields. The creak of ropes reminds you of Jormungandr, the Midgard Serpent, the world wrapped in its scaly embrace. Faraway wolves howl and call, echoing along the path to Niflheim, Hel's realm of the dead. You listen... The skald gives you a knowing glance, then takes a drink of her mead before continuing. And then, her voice: low and sonorous, musical and rhythmic, begins once again to weave the tapestry, telling tales of heroism and horror, glory and loss. She sings of heroes and everyday folk, tricksters and tale-tellers, standing tall and facing gods and monsters. Vikings! For more than a decade, author Christine Morgan's Viking stories have delighted readers and critics, standing apart from the anthologies they appeared in. Now, Word Horde brings you The Wolf's Feast, a new collection of Christine Morgan's Vikings, from "The Viking in Yellow" to "Odin's Eagle" and beyond. These tales of adventure, fantasy, and horror will be sure to rouse your inner Viking.

AN INSTANT NEW YORK TIMES BESTSELLER! The first daughter is for the Throne. The second daughter is for the Wolf. An instant NYT bestseller and word-of-mouth sensation, this dark, romantic debut fantasy weaves the unforgettable tale of a young woman who must be sacrificed to the legendary Wolf of the Wood to save her kingdom. But not all legends are true, and the Wolf isn't the only danger lurking in the Wilderwood. As the only Second Daughter born in centuries, Red has one purpose—to be sacrificed to the Wolf in the Wood in the hope he'll return the world's captured gods. Red is almost relieved to go. Plagued by a dangerous power she can't control, at least she knows that in the Wilderwood, she can't hurt those she loves. Again. But the legends lie. The Wolf is a man, not a monster. Her magic is a calling, not a curse. And if she doesn't learn how to use it, the monsters the gods have become will swallow the Wilderwood—and her world—whole. "If you ever wished Beauty and the Beast had more eldritch forest monsters and political machinations, this is the romance for you."―Alix E. Harrow, author of The Ten Thousand Doors of January "A brilliant dark fantasy debut!" —Jodi Picoult, NYT bestselling author

“I am obsessed with this story!”—Erin Entrada Kelly, author of the Newbery Honor Book We Dream of Space “Boldly tells readers to take a closer look at the stories they’re told—not to mention at the wolves that might be lurking in the shadows. A clear-eyed, big-hearted fable of compassion, friendship, and love.”—Anne Ursu, author of The Real Boy “A lyrical tale of loss and survival, tradition and belief, in which tension and secrets build like a towering wave.”—Diane Magras, author of The Mad Wolf’s Daughter “A fable as polished and timeless as a fine wooden toy.”—Catherine Gilbert Murdock, author of the Newbery Honor Book The Book of Boy Shunned by his fearful village, a twelve-year-old apprentice embarks on a surprising quest to clear his name, with a mythic—and dangerous—wolf following closely at his heels. Jessica Vitalis’s debut is a gorgeous, voice-driven literary fantasy about family, fate, and long-held traditions. The Wolf’s Curse will engross readers of The Girl Who Drank the Moon and A Wish in the Dark. Gauge’s life has been cursed since the day he cried Wolf and was accused of witchcraft. The Great White Wolf brings only death, Gauge’s superstitious village believes. If Gauge can see the Wolf, then he must be in league with it. So instead of playing with friends in the streets or becoming his grandpapa’s partner in the carpentry shop, Gauge must hide and pretend he doesn’t exist. But then the Wolf comes for his grandpapa. And for the first time, Gauge is left all alone, with a bounty on his head and the Wolf at his heels. A young feather collector named Roux offers Gauge assistance, and he is eager for the help. But soon the two—both recently orphaned—are questioning everything they have ever believed about their village, about the Wolf, and about death itself. Narrated by the sly, crafty Wolf, Jessica Vitalis’s debut novel is a vivid and literary tale about family, friendship, belonging, and grief. The Wolf’s Curse will captivate readers of Laurel Snyder’s Orphan Island and Molly Knox Ostertag’s The Witch Boy.

A special foiled anniversary edition of the beloved children's classic! Join Mr Wolf as he created chaos in the kitchen in this funny, illustrated picture book from Jan Fearnley, perfect for Pancake Day or as a bedtime story all year round.

For the Greeks, the sharing of cooked meats was the fundamental communal act, so that to become vegetarian was a way of refusing society. It follows that the roasting or cooking of meat was a political act, as the division of portions asserted a social order. And the only proper manner of preparing meat for consumption, according to the Greeks, was blood sacrifice. The fundamental myth is that of Prometheus, who introduced sacrifice and, in the process, both joined us to and separated us from the gods—and ambiguous relation that recurs in marriage and in the growing of grain. Thus we can understand why the ascetic man refuses both women and meat, and why Greek women celebrated the festival of grain-giving Demeter with instruments of butchery. The ambiguity coded in the consumption of meat generated a mythology of the "other"—werewolves, Scythians, Ethiopians, and other "monsters." The study of the sacrificial consumption of meat thus leads into exotic territory and to unexpected findings. In The Cuisine of Sacrifice, the contributors—all scholars affiliated with the Center for Comparative Studies of Ancient Societies in Paris—apply methods from structural anthropology, comparative religion, and philology to a diversity of topics: the relation of political power to sacrificial practice; the Promethean myth as the foundation story of sacrificial practice; representations of sacrifice found on Greek vases; the technique and anatomy of sacrifice; the interaction of image, language, and ritual; the position of women in sacrificial custom and the female ritual of the Thesmophoria; the mythical status of wolves in Greece and their relation to the sacrifice of domesticated animals; the role and significance of food-related ritual in Homer and Hesiod; ancient Greek perceptions of Scythian sacrificial rites; and remnants of sacrificial ritual in modern Greek practices.

Daughter of House Hiloar War Wizard of Cormyr Renegade Only fools find themselves at Winterkeep after the first snowfall. The cold alone can kill, if you live long enough, and dangers far worse haunt the ruined keep in winter. But slavers stole her son. She would sacrifice everything to get him back. But in the uncaring, frozen north, will it be enough? About the Author Mark Sehestedt (no relation to Laurence Tureaud) was born in Portales, New Mexico. He grew up on a steady diet of Marvel comic books, Star Trek reruns, Star Wars, science-fiction, horror, and Mel Brooks movies. His first attempt at a book was “How Not to Get Captured by Monsters on Halloween Night,” which he wrote at age four while watching Scooby-Doo. It still hasn’t found a publisher. He now lives in the Pacific Northwest with his wife, six children, a dog, a bird, a gecko, and various unnamed spiders. Frostfell is his first novel. Film rights are still available.

The "Ysengrimus" is the first fully-fledged medieval beast-epic, and the poem in which Reynard the Fox makes his first appearance on the stage of world literature. It thus occupies a key position in the long and fertile tradition of medieval beast-literature, but it also claims attention as a masterpiece in its own right, the work of one of the most daring and original satirists of the Middle Ages. Despite its importance, the "Ysengrimus" has been comparatively neglected because of its linguistic difficulties. Jill Mann eases these difficulties by presenting an English translation alongside the Latin text, and accompanying it with a detailed commentary. A full- length introduction offers an original account of the poem which shows how literary structure and historical dimensions are fused into an original satiric vision of compelling power. This book will not only interest medieval Latin specialists, but will make this major text accessible to those working on the related vernacular traditions. Its analysis of the poem's allusions to contemporary persons and events will also be of considerable interest to historians of twelfth-century Flanders.