Thousands of readers who were delighted by the adventures and science content of Alice in Quantumland are in for another treat. This time physicist Robert Gilmore takes us on a journey with Dorothy, following the yellow building block road through the land of the Wizard of Quarks. Using characters and situations based on the Wizard of Oz story, we learn along the way about the fascinating world of particle physics. Classes of particles, from quarks to leptons are shown in an atomic garden, where atoms and molecules are produced. See how Dorothy, The Tin Geek, and the Cowardly Lion experience the bizarre world of subatomic particles.

First Snow White encounters one of the Little People, then one of the Even Smaller People, and finally one of the Truly Infinitesimal People. And no matter how diligently she searches, the only dwarves she can find are collapsed stars! Clearly, she's not at home in her well-known Brothers Grimm fairy tale, but instead in a strange new landscape that features quantum behavior, the wavelike properties of particles, and the Uncertainty Principle. She (and we) must have entered, in short, one of the worlds created by Robert Gilmore, physicist and fabulist.

In this cleverly conceived book, physicist Robert Gilmore makes accessible some complex concepts in quantum mechanics by sending Alice to Quantumland-a whole new Wonderland, smaller than an atom, where each attraction demonstrates a different aspect of quantum theory. Alice unusual encounters, enhanced by illustrations by Gilmore himself, make the Uncertainty Principle, wave functions, the Pauli Principle, and other elusive concepts easier to grasp.

From the first stage production of The Wizard of Oz in 1902, to the classic MGM film (1939), to the musicals The Wiz (1975) and Wicked (2003), L. Frank Baum's children's novel The Wonderful Wizard of Oz (1900) has served as the basis for some of the most popular musicals on stage and screen. In this book, musical theater scholar Ryan Bunch draws on his personal experience as an Oz fan to explore how a story that has been hailed as "the American fairy tale" serves as a guide for thinking about the art form of the American musical and how both reveal American identity to be a utopian performance. Show by show, Bunch highlights the forms and conventions of each musical work as practiced in its time and context-such as the turn-of-the-century extravaganza, the classical Hollywood film musical, the Black Broadway musical of the 1970s, and the twenty-first-century mega-musical. He then shows how the journey of each show teaches participants and audiences something about how to act American within contested frameworks of race, gender, sexuality, age, and embodiment. Bunch also explores home theatricals, make-believe play, school musicals, Oz-themed environments, and community events as sites where the performance of the American fairy tale brings home and utopia into contact through the conventions of the musical. Using close readings of the various Oz shows, personal reflections, and interviews with fans, audiences, and performers, Bunch demonstrates how adapted Oz musicals imply both inclusions and exclusions in the performance of an American utopia.

The Big Bang, the birth of the universe, was a singular event. All of the matter of the universe was concentrated at a single point, with temperatures so high that even the familiar protons and neutrons of atoms did not yet exist, but rather were replaced by a swirling maelstrom of energy, matter and antimatter. Exotic quarks and leptons flickered briefly into existence, before merging back into the energy sea.This book explains the fascinating world of quarks and leptons and the forces that govern their behavior. Told from an experimental physicist's perspective, it forgoes mathematical complexity, using instead particularly accessible figures and apt analogies. In addition to the story of quarks and leptons, which are regarded as well-accepted fact, the author (who is a leading researcher at one of the world's highest energy particle physics laboratories) also discusses mysteries at both the experimental and theoretical frontiers, before tying it all together with the exciting field of cosmology and indeed the birth of the universe itself.The text spans the tiny world of the quark to the depths of the universe with breathtaking clarity. The casual student of science will appreciate the careful distinction between what is known (quarks, leptons and antimatter), what is suspected (Higgs bosons, neutrino oscillations and the reason why the universe has so little antimatter) and what is merely dreamed (supersymmetry, superstrings and extra dimensions). Included is an unprecedented chapter explaining the accelerators and detectors of modern particle physics experiments. The chapter discussing the hunt for the Higgs boson — currently consuming the efforts of nearly 6000 physicists — reveals drama that only big-stakes science can give. Understanding the Universe leaves the reader with a deep appreciation of the fascinating particle realm and reverence for just how much it determines the rich beauty of our universe.Since the release of the first edition, the landscape has changed. The venerable Fermilab Tevatron has ceased operations after a quarter century of extraordinary performance, to be replaced by the CERN Large Hadron Collider, an accelerator with a design energy of seven times greater than the Tevatron and a collision rate of nearly a billion collisions per second. The next few years promise to be very exciting as scientists explore this new realm. This revised edition of Understanding the Universe will leave the reader with a deep appreciation of just why physicists are so excited.

Reality Outside the Square with Adremolin, the Last Wizard of Oz explores the making of the universe in a new and relatively real way—one that is different to the one that we have been using for at least the last two thousand years. The dimensions used in theories to explain the universe with are modelled confusingly in two ways. On the outside of matter, we have modelled the dimensions with ten singular space dimensions and one singular time dimension. On the inside of matter, the same dimensions combine and are rolled up, forming the space-time reality that is now called the eleven-dimensional multiverse. Yet this way of understanding reality has led to the wrong conclusions, and therefore we have been searching for way too long in the wrong direction and so missed out in a logical way to understand reality. Now author Adremolin seeks to describe reality with two none-dimensional, inversely directed singulars. One singular is called “no matter,” and is like yin, and the other singular is called “dark matter,” and is similar to yang. This way of describing reality solves all the confusing problems we have encountered here on earth in the description of reality for the last several millennia.