From the author of The Witch's Feast, this is the first fully illustrated, comprehensive introduction to the handicrafts of witchcraft. Through over 60 craft projects, learn all the techniques you need to create your personalized magical toolkit. Empower yourself as a self-sufficient witch, and become a master of the natural arts! This in-depth guide, accompanied by step-by-step images, will show you all the craft and design skills you need to make your own, personalized and fully adaptable magical toolkit. Melissa Madara, magical expert, herbalist and witch, shares 60+ unique projects and techniques, many of which revive spells from the history of witches past. Approachable for beginners and stimulating for established practitioners, the crafts are clearly explained through luscious photographs, detailed research, useful charts, and easy-to-follow instructions. Once you are directly in touch with the power of these crafts, understanding deeply the processes and the associations of magical ingredients, you can be inspired to create all your own unique formulations. Chapters include: Incense, including kyphi temple incense, which once billowed from the temples of ancient Egypt, to house blessing incense for cleansing any new home. Inks, including dragon's blood ink and botanical drawing charcoals. Oils, such as flying ointment or the world's first known chemist Tapputi's royal salve. Natural dyes for creating stunning eco-printed ritual gowns or a spring equinox altar tablecloth. Papers, like Japanese knotweed paper or autumn equinox corn husk paper. Powders essential for rituals and spells such as scrying powder and banishing salt. Candles of all shapes and types, including poured, dipped and molded. With all of this knowledge, you can create altars, rituals and spells that are highly specific, personal and in touch with your natural environment.

“This spellbinding fantasy begs for a cozy chair and several hours of uninterrupted reading time.” —The Washington Post When Ned and his identical twin brother tumble from their raft into a raging river, only Ned survives. Villagers are convinced the wrong boy lived. Across the forest that borders Ned’s village, Áine, the daughter of the Bandit King, is haunted by her mother’s last words: “The wrong boy will save your life, and you will save his.” When the Bandit King comes to steal the magic Ned’s mother, a witch, is meant to protect, Áine and Ned meet. Can they trust each other long enough to cross a dangerous enchanted forest and stop the war about to boil over between their two kingdoms? “Barnhill is a fantasist on the order of Neil Gaiman.” —Minneapolis Star Tribune “[The Witch’s Boy] should open young readers’ eyes to something that is all around them in the very world we live in: the magic of words.” —The New York Times “This is a book to treasure.” —Nerdy Book Club A Washington Post Best Book of 2014 A Publishers Weekly Best Book of 2014 A Kirkus Reviews Best Children’s Book of 2014 A Chicago Public Library “Best of the Best” 2014

Clover Harrison is a rare, triple affinity witch. After refusing an arranged marriage from her family, she went to Oregon to run her great aunt's potion shop and teahouse. There's a fearsome beast that all seers see in her future and Clover is driven to live her life to its fullest before she encounters the beast. Stanton Bruinwald is looking for his Ursa, the woman who will help him run his sleuth. Even though he's starting his search for her a year or two before most Alpha bears do, he feels the time is right. All he needs is some direction. Old friends and new come together in the third book of the T wisted Design Series.

Embracing the Witch and the Goddess is a detailed survey of present-day feminist witches in New Zealand. It examines the attraction of witchcraft for its practitioners, and explores witches' rituals, views and beliefs about how magic works. The book provides a detailed portrait of an undocumented section of the growing neo-pagan movement, and compares the special character of New Zealand witchcraft with its counterparts in the United States, Great Britain, and Australia. Kathryn Rountree traces the emergence and history of feminist witchcraft, and links witchcraft with the contemporary Goddess movement. She reviews scholarly approaches on the study of witchcraft and deals with the key debates which have engaged the movement's adherents and their critics, and ultimately presents what Mary Daly declared was missing from most historical and anthropological research on witchcraft: a 'Hag-identified vision'. Based on fieldwork amongst witch practitioners, Embracing the Witch and the Goddess is an important contribution to the emerging profile of present-day witchcraft and paganism.