The Witches Dance Halloween Classics for Easy Piano Letter Names Embedded In Noteheads for Quick and Easy Reading By SilverTonalities, this spooky collection of popular Classics will delight both young learners and adult enthusiasts seeking to add a touch of the macabre to their repertoire during this spooky season! PREVIEW, pages 1-2 THE GHOST UP THE CHIMNEY, Opus 81 Number 10 from the German Composer Theodore Kullak’s “Scenes from Childhood”, pages 3-6 FRIGHTENING, Opus 15 Number 11, from the German Romantic Composer Robert Schumann also entitled “Scenes from Childhood, pages 7-11 MARS “The Bringer of War”, from Gustav Holst’s famous Orchestral Suite “The Planets”, pages 12-14 THE WITCH, Opus 29 Number 20, from Peter Ilyich Tchaikovsky’s “Album for the Young”, pages 15-18 MOONLIGHT SONATA, First Movement “Adagio Sostenuto” by the German Composer, Ludwig van Beethoven, pages 19-23 GRANDMOTHER TELLS A GHOST STORY, Opus 81 Number 3 from Kullak’s “Scenes from Childhood”, pages 24-27 FUNERAL MARCH OF A MARIONETTE, by the French Composer, Charles Gounod. It is best known as the Theme Song for the popular Television Series “Alfred Hitchcock Presents”, pages 28-30 WITCHES DANCE, Opus 4 Number 2, often attributed to Kullak’s Nephew, Ernst Kullak, pages 31-34

Toccata and Fugue Halloween Classics for Easy Piano A Spooky Collection of Halloween Classics by SilverTonalities! Letter Names Embedded In Noteheads for Quick and Easy Reading Get ready for an exhilarating Musical journey that will make this Halloween unforgettable. For both young learners and adult enthusiasts this collection will add a macabre flair to your practice sessions! PREVIEW, pages 1-2 DANCE FOR THE FOLLOWERS OF THE NIGHT, from Henry Purcell’s Opera the “Fairy Queen”, pages 3-6 DANSE MACABRE, Opus 49 is a Tone Poem Composed in 1875 by the French Composer, Camille Saint Saens, pages 7-11 IN THE HALL OF THE MOUNTAIN KING, from Edvard Grieg’s “Peer Gynt” Suite, Opus 46, composed in 1875, pages 12-15 A NIGHT ON BALD MOUNTAIN, also knowns as A Night on “Bare Mountain”, was written in 1867 by the Russian Composer, Modeste Mussorgsky, pages 16-18 RIDE OF THE VALKYRIES, by Wilhelm Richard Wagner, from Act 3 of his Opera “Die Walkure”, pages 19-21 SORCERER’S APPRENTICE, from the 1897 Orchestral Work “L’apprenti sorcier” by the French Composer, Paul Dukas, pages 22-25 TOCCATA AND FUGUE in D Minor, BWV 565 was written in 1708 by the German Baroque Composer, Johann Sebastian Bach, pages 26-33 WITCHES DANCE, Opus 4 Number 2, “Hexen Tanzen” by the German Composer, Theodore Kullak, pages 34-37 FUNERAL MARCH, from the Piano Sonata Number 2 in B Flat Minor Opus 35 was written by the Polish Composer, Frederic Chopin between 1837 – 1839, pages 38-42

In the Hall of the Mountain King Halloween Classics for Easy Piano A delightful and whimsical collection of spooky Classics for Easy Piano, capturing both the playful spirit of Halloween and the rich history of Classical Music 8 Classical Arrangements for Beginner and Novice Pianists by SilverTonalities! From Bach to Mussorgsky, each piece brings a touch of eerie elegance to Halloween Festivities Preview, pages 1-2 Dance for the Followers of the Night from Purcell’s Fairy Queen, pages 3-6 Danse Macabre by Camille Saint Saens, pages 7-12 In the Hall of the Mountain King from Grieg’s Peer Gynt Suite, pages 13-16 A Night on Bald Mountain by Mussorgsky, pages 17-19 Ride of the Valkyries by Wagner, pages 20-22 Sorcerer’s Apprentice by Dukas, pages 23-26 Toccata and Fugue by Bach, pages 27-34 Witches Dance, Opus 4 Number 2 by Kullak, pages 35-38

Sarah Vida is a witch and a vampire hunter — and a loner. Christopher Ravena is a vampire trying to pass as a normal high school student who wants to know Sarah better. Drawn to him despite her better judgment, Sarah’s forced to admit that there’s room for gray in her otherwise black-and-white world of good versus evil — until she meets Nikolas, Christopher’s twin and one of the most hunted vampires in history.

Classics Alive Book 1 offers teachers and students a wide selection of literature to help pace musical and technical development evenly and with ease. The book presents 72 pieces of standard teaching literature by 12 composers----familiar and not so familiar---who wrote exceptionally well for the late-elementary/early-intermediate student. Studying these works will give students a solid foundation in the best literature available at their level, and will prepare them to proceed to more advanced music. The pieces are easy to learn, rewarding to play and sound great!

The essays in this volume boldly map the historically resonant intersections between Jewishness and queerness, between homophobia and anti-Semitism, and between queer theory and theorizations of Jewishness. With important essays by such well-known figures in queer and gender studies as Judith Butler, Daniel Boyarin, Marjorie Garber, Michael Moon, and Eve Sedgwick, this book is not so much interested in revealing—outing—"queer Jews" as it is in exploring the complex social arrangements and processes through which modern Jewish and homosexual identities emerged as traces of each other during the last two hundred years.