Epic, multi-layered, morally challenging and action-packed - The Wire is everything a TV programme should be and more. A cult hit in the US and Britain, it has thousands of committed fans willing to engage in endless debates. Once you've watched it, you'll be drawn in, too: Is Omar Little the coolest criminal since Robin Hood? Which series has the best theme tune? Will Bubbles survive Baltimore? Avon or Stringer? This book collects the thoughts of Guardian journalists and the readers of the Guardian's Wire Re-up blog and combines them with interviews with the show's creators and stars and the all important xxx ratings, to bring you a more than fitting eulogy that will follow the airing of the show's final season.

"An oral history of HBO"s The Wire"--

In this riveting, action-packed novel from award-winning author Will Hobbs, a teenage boy hoping to help his loved ones must fight for his life as he makes the dangerous journey across the Mexican border into the United States. When falling crop prices threaten his family with starvation, fifteen-year-old Victor Flores heads north in an attempt to "cross the wire" from Mexico into America so he can find work and help ease the finances at home. But with no coyote money to pay the smugglers who sneak illegal workers across the border, Victor struggles to survive as he jumps trains, stows away on trucks, and hikes grueling miles through the Arizona desert. Victor's passage is fraught with freezing cold, scorching heat, hunger, and dead ends. It's a gauntlet run by many attempting to cross the border, but few make it. Through Victor's desperate perseverance, Will Hobbs brings to life a story that is true for many, polarizing for some, but life-changing for all who read it. Acclaim for Crossing the Wire includes the following: New York Public Library Books for the Teen Age, Junior Library Guild Selection, Americas Awards Commended Title, Heartland Award, Southwest Book Award, and Notable Books for Global Society.

'. . . All in the game.' West Baltimore Traditional THE WIRE has been widely hailed as the greatest television series of all time. It portrays the war of attrition between Baltimore's hardened police force and its drug dealers, and the blurring of good and evil, justice and injustice, right and wrong that happens every day as men and women struggle against the institutions they are bound up in. Over its five series it has built up a detailed, rich and layered portrait of Baltimore: from its corner boys touting dope and its dock workers facing extinction, through the strained education system and tainted halls of power, to the crumbling media establishment. Rafael Alvarez - a reporter, essayist and staff writer for the show - brings the reader inside this world, detailing many of the real-life incidents and personalities that have inspired the show's storylines and characters. Packed with photographs and featuring an introduction by series creator and executive producer David Simon, as well as essays by acclaimed authors George Pelecanos, Ed Burns, Richard Price, Laura Lippman and Denis Lehane, it covers all fives series in glorious detail.

From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world. David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl. Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition—which includes a new introduction, an afterword, and photographs—revives this classic, riveting tale about the men who work on the dark side of the American experience.

After a mysterious source tips him off to two headline-grabbing stories, local reporter Chris Turley is happy to be doing quality journalistic work, until he finds out the lengths to which the source went to help him.

Many television critics, legions of fans, even the president of the United States, have cited The Wire as the best television series ever. In this sophisticated examination of the HBO serial drama that aired from 2002 until 2008, Linda Williams, a leading film scholar and authority on the interplay between film, melodrama, and issues of race, suggests what exactly it is that makes The Wire so good. She argues that while the series is a powerful exploration of urban dysfunction and institutional failure, its narrative power derives from its genre. The Wire is popular melodrama, not Greek tragedy, as critics and the series creator David Simon have claimed. Entertaining, addictive, funny, and despairing all at once, it is a serial melodrama grounded in observation of Baltimore's people and institutions: of cops and criminals, schools and blue-collar labor, local government and local journalism. The Wire transforms close observation into an unparalleled melodrama by juxtaposing the good and evil of individuals with the good and evil of institutions.