B.J. Hoff's unforgettable characters from A Distant Music reunite for an even more gripping, dramatic episode in The Mountain Song Legacy. When Maggie MacAuley returns to the small coal town of her childhood, she has no intention of staying. Her life is in Chicago now. There's nothing to keep her in Skingle Creek... ...nothing but the discovery that a man who has lived most of his life for the children of Skingle Creek is no longer the hero of Maggie's childhood but seems destined to become the love of her life. In Maggie's quest for independence, she finds her greatest strength in sacrifice...and in her struggle to heal her family, she finds her heart renewed by love.

A story of two sisters and their cousin.

There had been four Artefacts of Power, belonging to the four branches of the Magefolk. Now, millennia later, only the human Mages survived, and the Artefacts were lost. Until the coming of Aurian... Child of wizards, swordmistress, the headstrong Aurian had set her power against that of Miathan, the evil Archmage. Whilst he possessed the Cauldron of Rebirth, Aurian had recreated the Staff of Earth, the first of the three lost weapons, the only defence against Miathan's plans of conquest. Trapped in the Southern Lands, her powers reft by pregnancy, Aurian must rely upon the untried powers of the half-blood Mage Anvar as their odyssey takes them to the realm of the mysterious Xandim, to the peaktop city of the Skyfolk, and to the worlds beyond. But, Miathan's webs of deceit are only beginning to unfurl...

Though Morgon the Riddle-Master was reunited with his beloved Raederle, his purpose in life and the reason for the stars on his forehead remained a mystery. All around him, the realm shook with war as mysterious shape-changers battled against mankind. Without the missing High One, Morgon must assume responsibility for all his world.

Relates what happens to three American children, unwillingly transplanted to wales for one year, when one of them finds an ancient harp-uning key that takes him back to the time of the great sixth-century bard Taliesin.

Extravagantly opaque, willfully vaporous - Aphex Twin's Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise. Faithful to Brian Eno's definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, “ambient” has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.