The bestselling author of The Loneliness of the Long-Distance Runner takes his examination of British working-class rebellion into the 1960s. In his best-known works of fiction, British novelist Alan Sillitoe “powerfully depicted revolt against authority by the young and working class” (The Washington Post). Both The Loneliness of the Long-Distance Runner and Saturday Night and Sunday Morning were international bestsellers and made into acclaimed films. Following those acknowledged masterpieces, Sillitoe continued to explore rebellion against an oppressive society in three novels linked by anarchist antihero Frank Dawley. In these powerful novels, Sillitoe would continue to prove himself “one of the best English writers” (The New York Times) and “the most quietly eloquent of his cohort of postwar British novelists” (Jonathan Lethem). The Death of William Posters: Frank Dawley has finally quit his soul-crushing factory job in Nottingham, left his alienating marriage, burned his possessions, and sold his car. Now he is hitching a ride to wherever the road will take him. Haunting Frank’s physical and existential travels is a ubiquitous inscription painted on nearly every street corner in England: BILL POSTERS WILL BE PROSECUTED. Relentlessly hounded by authorities, whoever William Posters is, he becomes a symbol of the servile proletariat—exactly what Frank hopes to escape. He finds his way from England to Spain to Morocco—and into the beds of several married women along the way. Finally, in Algeria, he meets a revolutionary American, whom he joins in a high-stakes gunrunning mission. A Tree on Fire: Jewish dilettante Myra Bassingfield is returning to England from Gibraltar with her four-week-old son. The child’s father, Frank Dawley, has disappeared into the African desert, where he is fighting for Algerian independence against French troops. Greeting Myra is Frank’s friend, Albert Handley, an idealistic painter living in a chaotic home with a large family. But after Albert’s brother burns down the house, the Handley brood moves in with Myra in Buckinghamshire. By the time Frank finally returns to England, they have formed a commune—a domestic cell of protest that may just plant the seeds of a new revolution. The Flame of Life: Collective cohabitation soon reveals its downfalls within the commune that has set up camp at the home of wealthy Myra Bassingfield. Painter Albert Handley is pursuing a whirlwind existence of art, sex, and chaotic domestic life. Frank Dawley, returned from gunrunning in Algeria, has brought his wife and two kids from Nottingham to live in the Buckinghamshire kibbutz. And when a young Spanish anarchist arrives with assassination on her mind, her trunk full of notebooks may condemn Frank for a sin committed in the African desert. As the community begins to unravel, the very notion of revolution comes under scrutiny.

A sociopolitical misadventure from the award-winning, bestselling author of The Loneliness of the Long-Distance Runner Frank Dawley is a working-class escapee. After twelve years of spiritual nullification at a factory in Nottingham, five years in an alienating marriage, and two burdensome kids, Frank is finally free. He has quit his job, burned his possessions, and sold his car, and is hitching a ride to wherever the road will take him. Haunting Frank’s physical and existential travels is a ubiquitous inscription painted on nearly every street corner in England: BILL POSTERS WILL BE PROSECUTED. Who is this Bill Posters, who is so relentlessly hounded by the authorities? To Frank, Bill—or William—becomes a symbol of the servile proletariat, the “put-upon dreg” whose hollow ideologies have bombarded Frank throughout his entire life. As an act of resistance, Frank becomes determined to reject—even to kill—the William Posters that lives inside of him. Ribald misadventures ensue as Frank finds his way from England to Spain to Morocco to Algeria—and into the beds of several married women. En route, he meets a revolutionary American who ends up engaging him in a high-stakes gunrunning mission. The first volume in an epic trilogy, The Death of William Posters sends Frank headfirst into the truth of what he’s been running away from all along. This ebook features an illustrated biography of Alan Sillitoe including rare images from the author’s estate.

A portrait of individual and communal struggles to maintain authenticity and revolutionary fervor in 1960s England from award-winning, bestselling author Alan Sillitoe The final installment of the William Posters Trilogy revolves around the plights and foibles of the Handley family commune, which set up camp at the home of the wealthy Myra Bassingfield. There, painter Albert Handley is pursuing a whirlwind existence of art, sex, and chaotic domestic life. Of his seven children, four are giving him particular grief. His eldest son, Cuthbert, has been kicked out of theological college; his eldest daughter, Mandy, is pregnant by her unstable husband; and two of his younger sons, Richard and Adam, are pillaging army manuals for subversive and revolutionary ends. To top it all off, Myra’s lover, Frank Dawley, has returned from gunrunning in Algeria—and brought along his wife and two kids from Nottingham to live in the Buckinghamshire kibbutz. Collective cohabitation soon reveals its downfalls. And when a young Spanish anarchist arrives with assassination on her mind, her trunk full of notebooks may condemn Frank for a sin committed in the African desert. As the community hangs by a thread, the very notion of revolution comes under scrutiny, begging the question: Can the fire of life burn, even when its flame is no longer in sight? This ebook features an illustrated biography of Alan Sillitoe including rare images from the author’s estate.

This volume offers a broad and rich view of the tradition of Old French epic poetry, or chansons de geste, by providing an updated English translation of three central poems from the twelfth-century Guillaume d'Orange cycle.

The world s best, wittiest lowbrow designers reimagine movie posters for 150 cult films that are built into the DNA of any movie buff "Nightmare on Elm Street," "Psycho," "Vertigo," "Poltergeist," "Metropolis," "Ghostbusters," "Blue Velvet," "Blade Runner," "Star Wars," "Alien," "Mad Max," "Robocop," "Reservoir Dogs," "Jaws," " The Big Lebowski," "Rosemary's Baby," " Taxi Driver," "The Postman Always Rings Twice," and many more films are given new art by the likes of Grimb, Coop, O'Connell, Alderete, Hertz, Pullin, and more. Almost always better than the originals, these new visual takes on iconic movies will delight anyone with an interest in film. For the Hollywood aficionado this visual feast makes a perfect gift; while for graphic designers, both professional and students, this makes for a great source of ideas and inspiration."

From civil rights and Black Power to the New Left and gay liberation, the 1960s and 1970s saw a host of movements shake the status quo. The impact of feminism, anticolonial struggles, wildcat industrial strikes, and antiwar agitation were all felt globally. With social strictures and political structures challenged at every level, pulp and popular fiction could hardly remain unaffected. Feminist, gay, lesbian, Black and other previously marginalised authors broke into crime, thrillers, erotica, and other paperback genres previously dominated by conservative, straight, white males. For their part, pulp hacks struck back with bizarre takes on the revolutionary times, creating fiction that echoed the Nixonian backlash and the coming conservatism of Thatcherism and Reaganism. Sticking It to the Man tracks the ways in which the changing politics and culture of the 1950s, ’60s, and ’70s were reflected in pulp and popular fiction in the United States, the UK, and Australia. Featuring more than three hundred full-color covers, the book includes in-depth author interviews, illustrated biographies, articles, and reviews from more than two dozen popular culture critics and scholars. Among the works explored, celebrated, and analysed are books by street-level hustlers turned best-selling black writers Iceberg Slim, Nathan Heard, and Donald Goines; crime heavyweights Chester Himes, Ernest Tidyman and Brian Garfield; Yippies Anita Hoffman and Ed Sanders; best-selling authors such as Alice Walker, Patricia Nell Warren, and Rita Mae Brown; and myriad lesser-known novelists ripe for rediscovery. Contributors include: Gary Phillips, Woody Haut, Emory Holmes II, Michael Bronski, David Whish-Wilson, Susie Thomas, Bill Osgerby, Kinohi Nishikawa, Jenny Pausacker, Linda S. Watts, Scott Adlerberg, Maitland McDonagh, Devin McKinney, Andrew Nette, Danae Bosler, Michael A. Gonzales, Iain McIntyre, Nicolas Tredell, Brian Coffey, Molly Grattan, Brian Greene, Eric Beaumont, Bill Mohr, J. Kingston Pierce, Steve Aldous, David James Foster, and Alley Hector.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.