Known especially for his original system of metaphysics in a trilogy of books published between 1995 and 2008, and for his scholarship on Hegel, William Desmond has left his mark on the philosophy of religion, ethics, and aesthetics. The William Desmond Reader provides for the first time in a single book a point of entry into his original and constructive philosophy, including carefully chosen selections of his works that introduce the key ideas, perspectives, and contributions of his philosophy as a whole. Also featured is an original essay by Desmond himself reflecting synthetically on the topics covered, as well as an interview by Richard Kearney.

Career-spanning selections from the writings of William Desmond.

Engages two provocative contemporary philosophers of religion

Once regarded as a minor Socratic school, Cynicism is now admired as one of the more creative and influential philosophical movements in antiquity. First arising in the city-states of late classical Greece, Cynicism thrived through the Hellenistic and Roman periods, until the triumph of Christianity and the very end of pagan antiquity. In every age down to the present, its ideals of radical simplicity and freedom have alternately inspired and disturbed onlookers. This book offers a survey of Cynicism, its varied representatives and ideas, and the many contexts in which it operated. William Desmond introduces important ancient Cynics and their times, from Diogenes 'the Dog' in the fourth century BC to Sallustius in the fifth century AD. He details the Cynics' rejection of various traditional customs and the rebellious life-style for which they are notorious.The central chapters locate major Cynic themes (nature and the natural life, Fortune, self-sufficiency, cosmopolitanism) within the rich matrix of ideas debated by the ancient schools. The final chapter reviews some moments in the diverse legacy of Cynicism, from Jesus to Nietzsche.

This is the culmination of a systematic metaphysics written by a world-class philosopher, demonstrating the need for a renewal of metaphysics.

In William Desmond and Contemporary Theology, Christopher Simpson and Brendan Sammon coordinate, through a collection of scholarly essays, a timely exploration of William Desmond’s work on theology and metaphysics, bringing the disciplines of philosophy and theology together in new and vital ways. The book examines the contribution that Desmond’s metaphysics makes to contemporary theological discourse and to the renewal of metaphysics. A central issue for the contributors is the renewal of metaphysics within the post-metaphysical, or anti-metaphysical, context of late modernity. This volume not only capably demonstrates the viability of the metaphysical tradition but also illuminates its effectiveness and value in dealing with the many issues in contemporary theological conversation. William Desmond and Contemporary Theology presents Desmond’s contemporary, yet historically aware, continental metaphysics as able to provide revealing insights for the discussion of the relation between philosophy and theology. Simpson and Sammon argue, moreover, that Desmond’s contribution to linking these two fields makes his an important voice in the academic conversation. Students and scholars of Desmond, contemporary philosophy, theology, and literature will find much to provoke thought in this collection. Contributors: John R. Betz, Christopher R. Brewer, Patrick X. Gardner, Joseph K. Gordon, Renée Köhler-Ryan, D. Stephen Long, John Panteleimon Manoussakis, Cyril O’Regan, Brendan Thomas Sammon, D. C. Schindler, Christopher Ben Simpson, and Corey Benjamin Tutewiler.

Art and the Absolute restores Hegel's aesthetics to a place of central importance in the Hegelian system. In so doing, it brings Hegel into direct relation with the central thrust of contemporary philosophy. The book draws on the astonishing scope and depths of Hegel's Lectures on Aesthetics, exploring the multifaceted issue of art and the absolute. Why does Hegel ascribe absoluteness to art? What can such absoluteness mean? How does it relate to religion and philosophy? How does Hegel's view of art illuminate the contemporary absence of the absolute? Art and the Absolute argues that these aesthetic questions are not mere theoretical conundrums for abstract analysis. It argues that Hegel's understanding of art can provide an indispensable hermeneutic relevant to current controversies. Art and the Absolute explores the intricacies of Hegel's aesthetic thought, communicating its contemporary relevance. It shows how for Hegel art illuminates the other areas of significant human experience such as history, religion, politics, literature. Against traditional, closed views, the result is a challenge to re-read Hegel's aesthetic philosophy.