Peter Dettling first visited Canada’s internationally renowned Rocky Mountains national parks as a Swiss tourist in 1993. Immediately, he fell in love with the untouched wilderness, breathtaking landscapes, diverse flora and abundant animal life, all seemingly free from human intervention and manipulation. With wide-eyed exuberance, Dettling moved to the heart of the Canadian Rockies in 2003, working as an artist and nature photographer. For years he documented the beauty and splendour of life in the mountains of western Canada, selling his art and photography to countless tourists and locals. In time, however, he gained insight into the realities of nature’s growing struggle against developing tourism, ill-conceived transportation routes and questionable wildlife management practices. Through Dettling’s stunning photography and passionate narrative, The Will of the Land serves as an incredible artistic testament to the beauty of the natural world and the sometimes painful truth of hyperdevelopment in majestic landscapes, offering the reader a dynamic and broad vision of what national parks should stand for in our ever-changing world.

* 2022 Young Lions Fiction Award, Winner. * A BookBrowse "20 Best Books of 2022" * VCU Cabell First Novelist Award, Longlist. * An ABA "Indie Next List" pick for November 2021. * "A Best Book of 2021" —New York Public Library, Cosmopolitan, Independent Book Review * "October 2021 Must-Reads" —Debutiful, The Chicago Review of Books, The Millions In 1913, a Russian ballet incited a riot in Paris at the new Théâtre de Champs-Elysées. “Only a Russian could do that," says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.” A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians. I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is an Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent, who climbs atop a burned-out police bus at Independence Square and plays the piano. As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history. While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy. "Kalani Pickhart's timely debut novel, I Will Die In a Foreign Land, is about the 2014 Ukrainian revolution which provided a pretense for Russia to annex Crimea. The story follows the experiences of several characters whose lives intersect as the country's political situation deteriorates. There's a Ukrainian-American doctor, an old KGB spy, a former mine worker, and others, and these episodes are interspersed with folk songs, news reports and historical notes. The effect—kaleidoscopic but never confusing—provides an intimate sense of a country convulsing, mourning, and somehow surviving." —CBS News, "The Book Report: Recommendations from Washington Post critic Ron Charles" (Watch the full video on CBS News, February 6, 2022).

Dwight Young taught ancient Near Eastern Languages at Brandeis University for many years. More than 20 essays are presented by students and friends in his honor. Indexes of authors and scripture references complete the volume.

"This book presents an introduction to master screenprinter Lou Stovall by his son--part memoir, part history--that shows Lou Stovall's path as an artist while illuminating the golden age of art in DC in the 1960s and 1970s. It then presents a stunning series of prints and poems from his Of the Land series that showcase innovative screenprinting techniques. It finishes with an excerpt from Lou's autobiography, which gives readers a sense of his approach to art and life, which are intertwined. Stovall created The Workshop in 1968 as a small, active silkscreen workshop focused primarily on printing community posters. Under Stovall's leadership, Workshop, Inc. evolved into an internationally-respected printmaking facility and Stovall collaborated with Jacob Lawrence and Sam Gilliam, among others. His works are part of numerous collections, including the National Gallery of Art, Smithsonian Ameican Art Museum, and The Phillips Collection. Publication coincides with a Kreeger Museum exhibit and precedes a forthcoming exhibit at the University of Georgia (TBD)"--

Age range 6+ Mati pesters her grandmother and father for her own plot of land in the big field. When she does get it, she works hard. And then she hears that a company wants to make a coal mine in their village -- the enormous black pit that will eat up all their lands, like it has in the next village.

In the early twentieth century, two wealthy white sisters, cousins to a North Carolina governor, wrote identical wills that left their substantial homeplace to a black man and his daughter. Maggie Ross, whose sister Sallie died in 1909, was the richest woman in Union County, North Carolina. Upon Maggie's death in 1920, her will bequeathed her estate to Bob Ross--who had grown up in the sisters' household--and his daughter Mittie Bell Houston. Mittie had also grown up with the well-to-do women, who had shown their affection for her by building a house for her and her husband. This house, along with eight hundred acres, hundreds of dollars in cash, and two of the white family's three gold watches went to Bob Ross and Houston. As soon as the contents of the will became known, more than one hundred of Maggie Ross's scandalized cousins sued to break the will, claiming that its bequest to black people proved that Maggie Ross was mentally incompetent. Revealing the details of this case and of the lives of the people involved in it, Gene Stowe presents a story that sheds light on and complicates our understanding of the Jim Crow South. Stowe's account of this famous court battle shows how specific individuals, both white and black, labored against the status quo of white superiority and ultimately won. An evocative portrait of an entire generation's sins, Inherit the Land: Jim Crow Meets Miss Maggie's Will hints at the possibility for color-blind justice in small-town North Carolina.

Barely two centuries ago, most of the world's productive land still belonged either communally to traditional societies or to the higher powers of monarch or church. But that pattern, and the ways of life that went with it, were consigned to history as a result of the most creative - and, at the same time, destructive - cultural force in the modern era: the idea of individual, exclusive ownership of land. This notion laid waste to traditional communal civilisations, displacing entire peoples from their homelands, and brought into being a unique concept of individual freedom and a distinct form of representative government and democratic institutions. Other great civilizations, in Russia, China, and the Islamic world, evolved very different structures of land ownership, and thus very different forms of government and social responsibility.The seventeenth-century English surveyor William Petty was the first man to recognise the connection between private property and free-market capitalism; the American radical Wolf Ladejinsky redistributed land in Japan, Taiwan and South Korea after the Second World War to make possible the emergence of Asian tiger economies. Through the eyes of these remarkable individuals and many more, including Chinese emperors and German peasants, Andro Linklater here presents the evolution of land ownership to offer a radically new view of mankind's place on the planet.