This joyful and exuberant, yet ultimately touching, comedy focuses on three women at crossroads in their lives—the Wild sisters of Winedale, Virginia—Fanny and Willa and their frustratingly quirky sister-in-law, Johnnie Faye. This feisty and fun-loving trio has supported and cheered one another through life’s highs and lows through the years, including the early demise of two of their husbands. And they really need each other now as Fanny experiences a hilariously inappropriate reaction to her 60th birthday while Willa is so stressed out from her nursing job she resorts to vodka and speed-knitting to cope and Johnnie Faye, determined to put her year of fraught widowhood behind her, desperately tries to find a man—preferably a man with a house since hers is somewhere at the bottom of a Florida sinkhole. These women’s lives are further upended by the responsibility of caring for their free-spirited, ailing aunt and the realization that they are drowning under loads of family keepsakes and possessions nobody wants—especially them! With equal doses of hilarity and heart, these extraordinary women come up with delightful and surprisingly unorthodox ways to clear the clutter from their lives, their homes and their relationships so they can move their lives forward. Together they prove it’s never too late to take another one of life’s paths for a grand new adventure. This Jones Hope Wooten comedy is guaranteed to drive you wild with laughter—and motivate you to keep hounding the kids to please take that stack of quilts and Granny’s Christmas china!

Originally performed by its creators, this 1987 Edinburgh Fringe hit remains the second longest-running West End comedy in history and has been translated into over thirty languages. The Complete Works of William Shakespeare (abridged) is not so much a play as it is a vaudeville show in which three charismatic, wildly ambitious actors attempt to present all thirty-seven of Shakespeare's plays in a single performance. They have a rudimentary concept of the stories and have imperfectly memorized a smattering of famous lines. Backstage there's a meager assortment of costumes and props. Thus armed, the three brazenly launch into their task with an earnest focus and breakneck enthusiasm.

The original script of the award-winning off-Broadway play—“irresistibly entertaining [and] surprisingly moving” (Paul Rudnick). Alex More has a story to tell. A struggling actor in LA, he takes a job working in the Malibu basement of a beloved megastar. One day, the Lady Herself comes downstairs to play. It feels like real bonding in the basement—but will their relationship ever make it upstairs? A winner of the Lucille Lortel Award for Outstanding Solo Show, Buyer & Cellar is an outrageous comedy about the price of fame, the cost of things, and the oddest of odd jobs. “Jonathan Tolins has concocted an irresistible one-man play from the most peculiar of fictitious premises . . . This seriously funny slice of absurdist whimsy creates the illusion of a stage filled with multiple people, all of them with their own droll point of view.” —The New York Times “A gorgeous play: funny and beautifully observed and richly insightful.” —Moisés Kaufman “Tolins’s writing is smart, sharp, and hilarious—and he paints a vivid picture that even a perfectionist like Barbra would have to applaud.” —James Lapine

THE STORY: Set in Washington, D.C., AN AMERICAN DAUGHTER focuses on Dr. Lyssa Dent Hughes, a health care expert and forty-something daughter of a long-time Senator. When the President nominates Lyssa to a Cabinet post, an indiscretion from her past

In When Everything Beyond the Walls Is Wild, Lilace Mellin Guignard draws from emblematic moments and relationships in her own life to explore issues of gender, recreation, and environmental conservation. Born into a suburban family, Guignard wanted to get up close and personal with iconic American landscapes, but social pressures and cautionary tales told her that these spaces were not meant for her as a woman. Reflecting on the ways our culture socializes women to remain indoors, Guignard shares her own struggles with finding her place outdoors. Refusing to stay indoors and “safe,” Guignard drove cross-country with her dog, worked as a river guide, and set out to climb Mount Whitney. She recounts navigating outdoor interactions with male friends and strangers that range from wonderful to awkward to frightening. Now that she is settled with her own family, Guignard writes about how it is still more difficult for women than men to prioritize outdoor recreation time. These stories expose how cultural messages about women shape their experiences and interactions when backpacking, paddling, rock climbing, and bicycling. They broaden readers’ notions of what adventure is, what places are considered wild and worth our care, and what types of people enjoy the outdoors. Drawing upon the art of the memoir—and informed by analysis from women’s studies and ecological literature—Guignard makes an impassioned case for why women and marginalized members of society should have the opportunity to experience nature. The self-reliance and connection with the natural world that outdoor recreation fosters are qualities we all need in order to do the work required by the environmental challenges ahead.

Two performers portray numerous characters in this stage comedy of life in imaginary small-town Tuna, Texas ... "where the Lion's Club is too liberal and Patsy Cline never dies!"