"How can a complete stranger know you better than the people you've known your entire life?" Lance Hendricks is homeward bound, four hundred highway miles from the best night of his life. There's an epic graduation party brewing, his girlfriend will be there, and they've got a private bedroom with their names on it. When his '93 Buick breaks down in the middle of nowhere, Lance is sure he'll be back on the road in no time. After all, he's the high school valedictorian. First chair trumpet player. Scholarship winner. Nothing can stop Lance Hendricks. But afternoon turns to night, and Lance ends up stranded at the Trainsong Motel. The place feels ominous, even before there's a terrible car wreck outside his room. When Lance rushes out to help, the townies take notice. They call him Wildman, and an intriguing local girl asks him to join in their nighttime adventures. He begins to live up to his new name. As one day blurs into the next, Lance finds himself in a bar fight, jumping a train, avoiding the police. Drifting farther from home and closer to a girl who makes him feel a way he's never felt before—like himself. This debut novel by a remarkable new talent explores the relationship between identity and place, the power of being seen, and the speed at which a well-planned life can change forever.

Part autobiographical journal, part social-historical novel, Wild Man tracks Tobias Schneebaum's fascinating and almost epic life story, from his earliest contemplation of homoerotic desire through his life in Peru, Borneo, and beyond. A young man from New York, Schneebaum "disappeared" in 1955 on the eastern slopes of the Andes. He was, in actuality, living for more than a year among the remote Harakhambut people, discovering a way of being that was strange, primitive, and powerfully attractive to him. This longing to find the "wild man" in other cultures—and in himself—eventually led him on an odyssey through South America, India, Tibet, Africa, Borneo, New Guinea, and Southeast Asia. He lived among isolated forest peoples, including headhunters and cannibals, in regions where few, if any, white men had ever been.

Wild Man from Borneo offers the first comprehensive history of the human-orangutan encounter. Arguably the most humanlike of all the great apes, particularly in intelligence and behavior, the orangutan has been cherished, used, and abused ever since it was first brought to the attention of Europeans in the seventeenth century. The red ape has engaged the interest of scientists, philosophers, artists, and the public at large in a bewildering array of guises that have by no means been exclusively zoological or ecological. One reason for such a long-term engagement with a being found only on the islands of Borneo and Sumatra is that, like its fellow great apes, the orangutan stands on that most uncomfortable dividing line between human and animal, existing, for us, on what has been called “the dangerous edge of the garden of nature.” Beginning with the scientific discovery of the red ape more than three hundred years ago, this work goes on to examine the ways in which its human attributes have been both recognized and denied in science, philosophy, travel literature, popular science, literature, theatre, museums, and film. The authors offer a provocative analysis of the origin of the name “orangutan,” trace how the ape has been recruited to arguments on topics as diverse as slavery and rape, and outline the history of attempts to save the animal from extinction. Today, while human populations increase exponentially, that of the orangutan is in dangerous decline. The remaining “wild men of Borneo” are under increasing threat from mining interests, logging, human population expansion, and the widespread destruction of forests. The authors hope that this history will, by adding to our knowledge of this fascinating being, assist in some small way in their preservation.

One of the earliest great stories of English literature after ?Beowulf?, ?Sir Gawain? is the strange tale of a green knight on a green horse, who rudely interrupts King Arthur's Round Table festivities one Yuletide, challenging the knights to a wager. Simon Armitrage, one of Britain's leading poets, has produced an inventive and groundbreaking translation that " helps] liberate ?Gawain ?from academia" (?Sunday Telegraph?).

These essays trace the myth of the wild man from the Middle Ages to its disintegration into symbol in the periods following the discovery of America and encounter with real “wild men.” This is the first book to discuss the concept of wildness in the writings of the Enlightenment period in Western Europe and the first to attempt a broad, interdisciplinary approach to the subject of primitivism, not only from a strict “history of ideas” approach, but through discussions of individual works, both literary and political, and encompassing various subject matter from racism to the origins of language.Contributors: Richard Ashcraft; Ehrhard Bahr; John G. Burke; Earl Miner; Gary B. Nash; Stanley Robe; Geoffrey Symcox; Peter Thoralev; Hayden V. White, and the editors.

On September 4, 1971, the office of Lewis Fielding, a psychiatrist practicing in Los Angeles, was broken into. It looked like a run of the mill drug raid. A month later, a homeless man was charged with burglary and the case was considered closed. On June 17, 1972, five men were charged with breaking and entering at the headquarters of the Democratic National Committee in the Watergate Hotel in Washington, D.C. With these two burglaries, one seemingly innocuous while the other was more serious because of the venue, the scandal known as Watergate was born. As the tale of Richard Nixon and his Plumbers began to unfold, it was discovered that one of Lewis Fielding's patients was Daniel Ellsberg, the man who released the Pentagon Papers to the New York Times . Ellsberg was high on Nixon's list of enemies and he vowed to destroy him at all costs. In Wild Man , Tom Wells explores the life of Daniel Ellsberg to discover what makes an individual enact the most severe breach of government security ever to occur in the United States. As Wells follows Ellsberg from his early days as a piano prodigy to his years of great promise at Harvard, we see the development of a volatile, narcissistic loner with a voracious sexual appetite, a highly developed intelligence and, most importantly, the overwhelming need to take centre stage in the pageant known as America. In Wild Man , Tom Wells creates an unforgettable picture of Daniel Ellsberg, an American Everyman for the seventies who embodied the promise and paranoia of that uncertain time. This is a thrilling piece of biography that will stand as one of the great American portraits.