What do you think could be the worst thing that could happen to you if you were so hungry you stole a bun? In Victorian England, any theft at all could see you hung or sent to the other side of the world to a penal colony where you would be taught a lesson you would never forget. Your wickedness must be punished. Davy’s father dies and he and his family are destitute. In a moment of weakness, ten-year-old Davy steals a bun. Now his troubles really start. He is brutalized and bullied in the prison until his wild behaviour ensures that he is transported to the notorious Van Dieman’s Land. Once he is there, life just gets harder and he begins to earn his name of ‘The Wild Boy.’ Meanwhile, his sister, twelve-year-old Hannah has been left to find work and fend for the family. She takes work in service to the prison chaplain’s family where her ingenuity and courage ensure that she is on the same transportation ship as Davy. Can she save him from life as a convict in the harshest colony of all? Can she ever reunite their shattered family?

A mad heiress and a false fiancé... The younger son of an earl, Dominic Renbourne is offered an irresistible bribe by his arrogant, identical twin brother, Kyle, who is heir to the earldom. All he must do is take Kyle's place at Warfield Manor, where he is to politely court Lady Meriel Grahame, the orphaned and vastly wealthy heiress Kyle is pledged to marry. The deception need only take a few weeks and no one will be the wiser because the fey Lady Meriel lives in a world of her own. The last thing Dominic expects when he arrives is to be entranced by a silent sylph whose ethereal beauty is as stunning as her passionate love for Warfield's flowers and fields and creatures. Until now, Meriel has kept her distance from normal society, spending her days at one with nature and safe from the nightmare that nearly destroyed her as a child. She is content to live alone, until the handsome intruder begins to inspire dreams of the world beyond her sanctuary. He understands her as no one else ever has--and because she lives outside society's rules, she sees no need to restrain her desire for the man who is surely her destined mate. Though Dominic’s sense of duty helps him control his longing for his brother’s future bride, Meriel’s untamed spirit proves more powerful than he can resist. In her garden paradise, passion binds them body and soul despite the agonizing consequences. Can Meriel forgive Dominic's deceit once she learns he is not Kyle, and can Kyle forgive the betrayal of the brother who had once been closer than his own shadow? Then past and present collide in a dangerous cataclysm that may bring destruction--or lasting love and a hope for beginnings. “Putney writes with attention to historical detail as well as emotional depth.” —Library Journal “Putney's writing is clear as crystal and smooth as silk… [Her] strong points are her thoughtfulness and her well-drawn cast of compelling and very human characters.“ —Booklist The Bride Trilogy The Wild Child, #1 The China Bride, #2 The Bartered Bride, #3 Uncommon Vows (A medieval prequel to the Bride Trilogy)

"In Writing Never Arrives Naked, Penny van Toorn reveals the resourceful and often poignant ways that Indigenous Australians involved themselves in the colonisers' paper culture. The first Aboriginal readers were children stolen from the clans around Sydney Harbour. The first Aboriginal author was Bennelong - a stolen adult." "From the early years of colonisation, Aboriginal people used written texts to negotiate a changing world, to challenge their oppressors, protect country and kin, and occasionally for economic gain. Van Toorn argues that Aboriginal people were curious about books and papers, and in time began to integrate letters of the alphabet into their graphic traditions. During the 19th and 20th centuries, Aboriginal people played key roles in translating the Bible, and made their political views known in community and regional newspapers. They also sent numerous letters and petitions to political figures, including Queen Victoria."--BOOK JACKET.

Sensitive and sweeping, this is a history of the little-known lives of people with learning disabilities from the communities of eighteenth-century England, to the nineteenth-century asylum, to care in today’s society. Those They Called Idiots traces the little-known lives of people with learning disabilities from the communities of eighteenth-century England to the nineteenth-century asylum, to care in today’s society. Using evidence from civil and criminal courtrooms, joke books, slang dictionaries, novels, art, and caricature, it explores the explosive intermingling of ideas about intelligence and race, while bringing into sharp focus the lives of people often seen as the most marginalized in society.

Eureka: the unfinished revolution . . . history comes to life with Peter FitzSimons. In 1854, Victorian miners fought a deadly battle under the flag of the Southern Cross at the Eureka Stockade. Though brief and doomed to fail, the battle is legend in both our history and in the Australian mind. Henry Lawson wrote poems about it, its symbolic flag is still raised, and even the nineteenth-century visitor Mark Twain called it: " a strike for liberty". Was this rebellion a fledgling nation's first attempt to assert its independence under colonial rule? Or was it merely rabble-rousing by unruly miners determined not to pay their taxes. In his inimitable style, Peter FitzSimons gets into the hearts and minds of those on the battlefield, and those behind the scenes, bringing to life Australian legends on b

Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Winner of the 2009 Tasmania Book Prize Winner of the 2008 Colin Roderick Award Almost half of the convicts who came to Australia came to Van Diemen’s Land. There they found a land of bounty and a penal society, a kangaroo economy and a new way of life. In this book, James Boyce shows how the convicts were changed by the natural world they encountered. Escaping authority, they soon settled away from the towns, dressing in kangaroo skin and living off the land. Behind the official attempt to create a Little England was another story of adaptation, in which the poor, the exiled and the criminal made a new home in a strange land. This is their story, the story of Van Diemen’s Land. Shortlisted in the 2009 Prime Minister's Literary Awards, the 2009 NSW Premier's Literary Awards, the 2010 Adelaide Festival Awards for Literature, the 2008 Age Book of the Year Awards, the 2008 Victorian Premier's Literary Awards, the 2008 Queensland Premier's Literary Awards, the 2008 NSW Premier's History Awards and the 2008 Australian Book Industry Awards ‘A brilliant book and a must-read for anyone interested in how land shapes people.’ —Tim Flannery ‘The most significant colonial history since The Fatal Shore. In re-imagining Australia's past, it invents a new future.’ —Richard Flanagan ‘Like the best history, Van Diemen's Land is not an artfully constructed narrative with the (inevitably inadequate) evidence banished to endnotes, but a dialogue between historian and reader as they explore the fragile sources, and the silences, together.’ —Inga Clendinnen ‘The publication of Van Diemen's Land signals an entirely fresh approach to Australian history-writing ... This is a brilliant publication.’ —Alan Atkinson ‘A fresh and sparkling account.’ —Henry Reynolds James Boyce is the multiple award-winning author of Born Bad, 1835 and Van Diemen’s Land. He has a PhD from the University of Tasmania, where he is an honorary research associate of the School of Geography and Environmental Studies.