1916, in an alternative world. The independent Confederate States of America has gone to the aid of its old ally Britain, and become bogged down in the stalemate on the Western Front. At a Confederate airfield in France, a new pilot reports for duty: Lieutenant Amos Ninekiller, of the independent Cherokee Nation, comes to see how the white people wage war. He isn't going to like it...A dark antiwar comedy from the author of Journey to Fusang and The Ballad of Billy Badass and the Rose of Turkestan, now in print again in this new edition, specially revised and corrected by the author. The Wild Blue and the Gray is a tragicomic alternate look at the first great catastrophe of the twentieth century. Laughter is often the only way to shield ourselves from pain that would otherwise be intolerable. Sanders understands this well - and also that, the more things change, the more they sometimes look the same. - Harry Turtledove. God damn! I liked Sanders' new book! It pushes all the right buttons for me - a great protagonist, WWI fighter pilots, terrific background, and - mainly - a fine story with really clever twists. satisfying place to stop. The Wild Blue and the Gray is an absolutely captivating story by one of the hottest new talents in the business. Subtle, strong, gutsy, humorous - it's got it all. Watch this man. You won't regret it. - Roger Zelazny.

1916, in an alternative world. The independent Confederate States of America has gone to the aid of its old ally Britain, and become bogged down in the stalemate on the Western Front. At a Confederate airfield in France, a new pilot reports for duty: Lieutenant Amos Ninekiller, of the independent Cherokee Nation, come to see how the white people wage war. He isn't going to like it... A dark antiwar comedy from the author of JOURNEY TO FUSANG and THE BALLAD OF BILLY BADASS AND THE ROSE OF TURKESTAN, now in print again in this new edition, specially revised and corrected by the author."THE WILD BLUE AND THE GRAY is a tragicomic alternate look at the first great catastrophe of the twentieth century. Laughter is often the only way to shield ourselves from pain that would otherwise be intolerable. Sanders understands this well--and also that, the more things change, the more they sometimes look the same." --Harry Turtledove "God damn! I liked Sanders' new book! It pushes all the right buttons for me -- a great protagonist, WWI fighter pilots, terrific background, and -- mainly -- a fine story with really clever twists. It was one of those where I just wanted to keep going, though he did choose a satisfying place to stop. THE WILD BLUE AND THE GRAY is an absolutely captivating story by one of the hottest new talents in the business. Subtle, strong, gutsy, humorous -- it's got it all. Watch this man. You won't regret it." -- Roger Zelazny

An unusual collection of Civil War essays as seen through the lens of noted environmental scholars, this book's provocative historical commentary explores how nature--disease, climate, flora and fauna, etc.--affected the war and how the war shaped Americans' perceptions, understanding, and use of nature.

Ambrose Bierce didn't just write about the Civil War, he lived through it--on the battlefields and over the graves--and in doing so gave birth to a literary chronicle of men at war previously unseen in the American literary canon. The fact that some of these stories verged on the supernatural, others on factual reporting, and others on the fine line between humor and morbidity in no way detracts from their resonance to both the history of the war between the states and the imaginative historical literature in the tradition of Washington Irving. Shadows of Blue & Gray collects all of Bierce's Civil War stories (twenty-seven in total) with six of his memoir pieces on his own experiences on the front lines. This collection includes such classics as "An Occurrence at Owl Creek Bridge," "A Horseman in the Sky," "Parker Addison, Philosopher", and "A Bivouac of the Dead"; as well as lesser known stories and sketches such as "The Mockingbird" and "Two Military Executions" and memoirs of his experiences at Shiloh, Chickamauga, and Franklin. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

As many as 9,500 men of Hispanic heritage fought in the United States' Civil War. In Texas, the bitter conflict deeply divided the Tejanos -- Texans of Mexican heritage. An estimated 2,500 fought in the ranks of the Confederacy while 950, including some Mexican nationals, fought for the Stars and Stripes. This is the story of these Tejanos who participated in the Civil War.

At the end of the Civil War, Union general William Tecumseh Sherman was surprisingly more popular in the newly defeated South than he was in the North. Yet, only thirty years later, his name was synonymous with evil and destruction in the South, particularly as the creator and enactor of the “total war” policy. In Demon of the Lost Cause, Wesley Moody examines these perplexing contradictions and how they and others function in past and present myths about Sherman. Throughout this fascinating study of Sherman’s reputation, from his first public servant role as the major general for the state of California until his death in 1891, Moody explores why Sherman remains one of the most controversial figures in American history. Using contemporary newspaper accounts, Sherman’s letters and memoirs, as well as biographies of Sherman and histories of his times, Moody reveals that Sherman’s shifting reputation was formed by whoever controlled the message, whether it was the Lost Cause historians of the South, Sherman’s enemies in the North, or Sherman himself. With his famous “March to the Sea” in Georgia, the general became known for inventing a brutal warfare where the conflict is brought to the civilian population. In fact, many of Sherman’s actions were official tactics to be employed when dealing with guerrilla forces, yet Sherman never put an end to the talk of his innovative tactics and even added to the stories himself. Sherman knew he had enemies in the Union army and within the Republican elite who could and would jeopardize his position for their own gain. In fact, these were the same people who spread the word that Sherman was a Southern sympathizer following the war, helping to place the general in the South’s good graces. That all changed, however, when the Lost Cause historians began formulating revisions to the Civil War, as Sherman’s actions were the perfect explanation for why the South had lost. Demon of the Lost Cause reveals the machinations behind the Sherman myth and the reasons behind the acceptance of such myths, no matter who invented them. In the case of Sherman’s own mythmaking, Moody postulates that his motivation was to secure a military position to support his wife and children. For the other Sherman mythmakers, personal or political gain was typically the rationale behind the stories they told and believed. In tracing Sherman’s ever-changing reputation, Moody sheds light on current and past understanding of the Civil War through the lens of one of its most controversial figures.