Inspired by a story told to the author while on safari in 2015, The Wild Beast describes the creation of one of Africa's most unusual animals, the wildebeest. According to oral tradition, the Creator built this unique beast out of leftover parts from other magnificent animals found on the continent. Horns from buffalos and stripes meant for zebras. Tails from giraffes and bumps meant for camels. This creative retelling will introduce little ones to a story rich in both imagery and in lesson: Take what you need to live. Take no more. Waste nothing.

A wonderfully witty and utterly charming story about fear. Jack is lost in the forest—a forest that his mom has told him is full of ferocious wild beasts! But the creatures that Jack meets there seem perfectly friendly to him, even if they are a bit worried about the ferocious wild beasts he’s been telling them about . . . But then they hear a terrible roar . . . Who can it be? Award-winning author-illustrator Chris Wormell’s charming illustrations and delightfully clever text combine to make for perfect bedtime reading.

A vivid first-person study of a notorious equine ritual—from the perspective of the wild horses who are its targets Wild horses still roam the mountains of Galicia, Spain. But each year, in a ritual dating to the 1500s called rapa das bestas, villagers herd these “beasts” together and shave their manes and tails. Shaving the Beasts is a firsthand account of how the horses experience this traumatic rite, producing a profound revelation about the durability of sociality in the face of violent domination. John Hartigan Jr. constructs an engrossing, day-by-day narrative chronicling the complex, nuanced social lives of wild horses and the impact of their traumatic ritual shearing every summer. His story generates intimate, individual portraits of these creatures while analyzing the social practices—like grazing and grooming—that are the building blocks of equine society. Shaving the Beasts culminates in a searing portrayal of the inspiring resilience these creatures display as they endure and recover from rapa das bestas. Turning away from “thick” description to “thin,” Hartigan moves toward a more observational form of study, focusing on behaviors over interpretations. This vivid approach provides new and important contributions to the study of animal behavior. Ultimately, he comes away with profound, penetrating insights into multispecies interactions and a strong alternative to humancentric ethnographic practices.

Scientists rarely take ‘paranormal experiences’ seriously. Furthermore, in the recent past the concept of the ‘paranormal’ did not even exist in philosophy. William James, who extensively studied mediumistic phenomena, labelled them ‘wild beasts of the philosophical desert’. This book demonstrates that to important philosophers – from Kant to Derrida – controversial phenomena like telepathy and clairvoyance were serious topics. The authors of this collection have studied relevant texts that have hitherto received little attention, and illustrate how each of the philosophers in question thoughtfully interpreted exceptional experiences that seem to go beyond our understanding.

A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.