Tabitha Girard had her heart broken years ago by Connor Ford. He was preppy and handsome. She was a pool girl at his country club. Their affair should have been a summer fling. But it meant everything to Tabitha. Years later, Connor comes back into Tabitha's life--older, richer, and desperately unhappy. He married for money, a wealthy, neurotic, controlling woman whom he never loved. He has always loved Tabitha. When Connor's wife Nina takes her own life, he's free. He can finally be with Tabitha. Nina's home, Windswept, can be theirs. It seems to be a perfect ending to a fairy tale romance that began so many years ago. But then, Tabitha finds a diary. "I'm writing this to raise an alarm in the event of my untimely death," it begins. "If I die unexpectedly, it was foul play, and Connor was behind it. Connor--and her." Who is Connor Ford? Why did he marry Nina? Is Tabitha his true love, or a convenient affair? As the police investigate Nina's death, is she a convenient suspect? As Tabitha is drawn deeper into the dark glamour of a life she is ill-prepared for, it becomes clear to her that what a wife knows can kill her.

This biography illuminates the life and achievements of the remarkable woman scientist who revolutionized the concept of radiation risk. In the 1950s Alice Stewart began research that led to her discovery that fetal X rays double a child's risk of developing cancer. Two decades later---when she was in her seventies---she again astounded the scientific world with a study showing that the U.S. nuclear weapons industry is about twenty times more dangerous than safety regulations permit. This finding put her at the center of the international controversy over radiation risk. In 1990, the New York Times called Stewart "perhaps the Energy Department's most influential and feared scientific critic." The Woman Who Knew Too Much traces Stewart's life and career from her early childhood in Sheffield to her medical education at Cambridge to her research positions at Oxford University and the University of Birmingham. Gayle Greene is Professor of Women's Studies and Literature, Scripps College.

First published in 1988, The Women Who Knew Too Much remains a classic work in film theory and criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic Master of Suspense. This new edition features a new chapter which considers the last 15 years of Hitchcock criticism as it relates to the ideas in this landmark book.

In 1930s California, glamour and seduction spawn a multitude of sins in this New York Times bestseller from the author of Tightrope. At the exclusive Burning Cove Hotel on the coast of California, rookie reporter Irene Glasson finds herself staring down at a beautiful actress at the bottom of a pool.... The dead woman had something Irene wanted: a red-hot secret about an up-and-coming leading man—a scoop that may have gotten her killed. As Irene searches for the truth about the drowning, she’s drawn to a master of deception. Once a world-famous magician whose career was mysteriously cut short, Oliver Ward is now the owner of the Burning Cove Hotel. He can’t let scandal threaten his livelihood, even if it means trusting Irene, a woman who seems to have appeared in Los Angeles out of nowhere four months ago. With Oliver’s help, Irene soon learns that the glamorous paradise of Burning Cove hides dark and dangerous secrets. And that the past—always just out of sight—could drag them both under....

This is a powerful and inspirational story about a young baseball prodigy who, at the age of two, began sharing vivid memories of being a baseball player in the 1920s and 30s. Christian Haupt described historical facts about Lou Gehrig that he could not have possibly known at the time. Distraught by their son's uncanny revelations, his parents embarked on a sacred journey of discovery that shook their beliefs to the core and forever changed their views on life and death.

Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect on how feminist and queer approaches to Hitchcock studies may be brought into dialogue. A teaching guide and discussion questions by Ned Schantz help instructors and students to delve into this seminal work of feminist film theory.

Meg Langslow plays hostess to a gaggle of penguins and investigates a puzzling murder in the latest delightful mystery from the bestselling author of "No Nest for the Wicket." Martin's Press.