A rakish priest is attempting to reform the Wicked Witch of Kriegspiel. He's about to get far more than he bargained for... Witch Erin Green seeks freedom far from the controlling machinations of her uncle, a priest. Becoming a professor at the University of Kriegspiel was supposed to be her fresh start, but the Church of the Cloth is at it again. To encourage the compliance and regulation of witches the church will utilize pairing ceremonies to bind these free-spirited women in marriage to their priests. To make up for past misdeeds, Chancellor Ren Boaz steps in to help the beguiling new professor remain unwed. After all the hearts his rakish ways have left broken, will the Wicked Witch of Kriegspiel turn out to be Ren's just deserts? Or maybe just dessert? Fantasy Romance ◆ Magical Gaslamp/Victorian Setting ◆ Forced Proximity ◆ Mature Characters ◆ Steamy

Condemned to death for the bloodbaths of World War II, they served their sentence—on the killing fields of Vietnam. The fascinating, true story of the French Foreign Legion’s Nazi battalion WHAT THEY DID IN WORLD WAS II WAS HITORY’S BLOODIEST NIGHTMARE. The ashes of World War II were still cooling when France went to war in the jungles of Southeast Asia. In that struggle, its frontline troops were the misfits, criminals, and mercenaries of the French Foreign Legion. And among that international army of the desperate and the damned, none were so bloodstained as the fugitive veterans of the German S.S. WHAT THEY DID IN VIETNAM WAS ITS UGLIEST SECRET—UNTIL NOW. Loathed by the French, feared and hated by the Vietnamese, the Germans fought not for patriotism of glory but because fighting for France was better than hanging from its gallows. Here now is the untold story of the killer elite whose discipline, ferocity, and suicidal courage made them the weapon of last resort.

Difference between Gaming and Gambling-Universality and Antiquity of Gambling-Isis and Osiris-Games and Dice of the Egyptians-China and India-The Jews-Among the Greeks and Romans-Among Mahometans-Early Dicing-Dicing in England in the 13th and 14th Centuries-In the 17th Century-Celebrated Gamblers-Bourchier-Swiss Anecdote-Dicing in the 18th Century. Gaming is derived from the Saxon word Gamen, meaning joy, pleasure, sports, or gaming-and is so interpreted by Bailey, in his Dictionary of 1736; whilst Johnson gives Gamble-to play extravagantly for money, and this distinction is to be borne in mind in the perusal of this book; although the older term was in use until the invention of the later-as we see in Cotton's Compleat Gamester (1674), in which he gives the following excellent definition of the word: -"Gaming is an enchanting witchery, gotten between Idleness and Avarice: an itching disease, that makes some scratch the head, whilst others, as if they were bitten by a Tarantula, are laughing themselves to death; or, lastly, it is a paralytical distemper, which, seizing the arm, the man cannot chuse but shake his elbow.

The story of the life of a boy named Georgie living as a child in England and as a young man in India.

. When a leading presidential candidate feels comfortable proclaiming he'll destroy "the New World Order"--A code word for the supposed minority-led, worldwide conspiracy - it cannot be a moment too soon to learn the truth about the covert symbols, spreading zealotry, and deadly machinations of the armies of millennium rage

A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with problems of authenticity, identity, and originality. Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra: counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries—not to mention the very notion of the Real McCoy. Working through a range of theories on biological, mechanical, and electronic reproduction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of interest to anyone concerned with problems of authenticity, identity, and originality. Praise for the first edition “[T]he author... brings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments. I doubt that these cultural phenomena have ever been more comprehensively or more creatively chronicled.... [A] book that gets you to see the world anew, again.” —The New York Times “A sprightly and disconcerting piece of cultural history” —Terence Hawkes, London Review of Books “In The Culture of the Copy, [Schwartz] has written the perfect book: original and repetitive at once.” —Todd Gitlin, Los Angeles Times Book Review