"A familiar story holds that modernization radiates out from metropolitan origins. The whole machinery explores representations of people and places, objects and occasions, that reverse that trajectory, demonstrating how modernizing agents move in a contrary direction as well--from the country to city. In a crucial reversal, these figures aren't pulled by or into urban modernity so much as they bring alternate--and transformative--iterations of the modern to the urban world. This book upends the U.S. South's reputation as retrograde and unresponsive to modernity by showing how the effects of national and transnational exchange (particularly via the cotton trade), emergent technologies, and industrialization animate environments and bodies associated with, or performing, versions of the rural. To this end, it also searches out the shadow side of the cosmopolitan modern by investigating the rural sources--the laboring bodies and raw materials--that made such urban spaces possible. The whole machinery explores a range of canonical and noncanonical figures: Paul Laurence Dunbar, Frances E.W. Harper, W.E.B. Du Bois, Allen Tate, Don West, the authors of the Southern Tenant Farmers' Union pamphlet The Disinherited Speak, Charlie Poole, and Zora Neale Hurston among them. It uncovers signs of the rural modern in a variety of texts and media, including narrative fiction and poetry, as well as photographs, sound recordings, radio broadcasts, letters, newspaper reports, and magazine profiles. These readings convey diverse and individuated desires for escape or entrenchment, often in the same conflicted voice, ultimately creating multivalent expressions and experiences of rurality that are, in their way, as thoroughly modern as those of more widely canonized urban figures"--

A journey into the sub-microscopic world of molecular machines. Readers are first introduced to the types of molecules built by cells: proteins, nucleic acids, lipids, and polysaccharides. Then, in a series of distinctive illustrations, the reader is guided through the interior world of cells, exploring the ways in which molecules work in concert to perform the processes of living. Finally, the author shows us how vitamins, viruses, poisons, and drugs each have their effects on the molecules in our bodies. David Goodsell, author and illustrator, has prepared a fascinating introduction to biochemistry for the non-specialist. His book combines a lucid text with an abundance of drawings and computer graphics that present the world of cells and their components in a truly unique way.

A familiar story holds that modernization radiates outward from metropolitan origins. Expanding on Walter Benjamin’s notion of die Moderne, The Whole Machinery explores representations of people and places, objects and occasions, that reverse that trajectory, demonstrating how modernizing agents move in a contrary direction as well—from the country to the city. In a crucial reconsideration, these figures aren’t pulled by or into urban modernity so much as they bring alternate—and transformative—iterations of the modern to the urban world. Upending the U.S. South’s reputation as either retrograde or unresponsive to modernity, Benjamin S. Child shows how the effects of national and transnational exchange, emergent technologies, and industrialization animate environments and bodies associated with, or performing, versions of the rural. To this end, he also exposes the shadow side of the cosmopolitan modern by investigating the rural sources—the laboring bodies and raw materials—that made such urban spaces possible, thus taking a broader survey of landscapes created by the Atlantic world’s histories of uneven development. In this investigation of the rural modern that considers multiple media and forms of technology, Child’s sources range widely, encompassing a spectrum of texts and their networks of transmission, reception, and signification. These include novels, poems, and short stories but also radio broadcasts, sound recordings, political pamphlets, photographs, magazine articles, newspaper reports, and agricultural bulletins. Folding such expressive artifacts into his larger arguments, Child considers how they both reflect and form modern(ist) culture. The result is a geography of southern modernism that includes an unexpected combination of landmarks, both actual and imagined: Twisted Oak, Arkansas, and Tukabahchee County, Alabama; Manhattan, Manchester, and Moscow; Tuskegee and Gobbler’s Knob, North Carolina.

A mechanical robot with a computer brain is helped by the wizard Merlin to overcome the evil forces encroaching on the earth.

An updated edition that situates a landmark 1920s children's picture book in its historical and social context.

Just because you’re extremely cute, doesn’t mean you can’t operate a bulldozer! From author-illustrator David Gordon comes a fun, funny, and whimsical take on believing in yourself and telling bullies who’s boss! Karen and the other extremely cute animals just want to build sand castles. But the terribly mean bullies Skyler, Mike, and Trent keep knocking them down! So Karen and her friends get another idea. They’ll build something the bullies can’t knock down, something even bigger and better than a sand castle... It’s a good thing being excessively cute doesn’t prevent you from operating heavy machinery!