A study surveying the changing positions towards Asian migration in Australia, New Zealand, Canada, and the US between 1919 and 1978. The volume examines the foreign policy choices and relations of the four nations and how their desire to maintain policies of Asian exclusion shaped regional and inte

Sidney Lewis Gulick's 1905 masterpiece,The White Peril in the Far East: An Interpretation of the Significance of the Russo-Japanese War is a fascinating contemporary study of the most significant war of the early modern era. Japan's stunning victory over Russia was the first time that an Asian country had defeated a white European nation. Japan's victory was a clear signal to other Asians that they too could roll back the tide of Western imperialism. The republication of Gulick's book is part of an ongoing effort by this scholar to introduce modern readers to now long-forgotten out-of-print works by pioneer Japanologists. The Editor (Daniel Metraux) provides an introduction that places Gulick's work in the context of modern Japanese history.

Over the next decades more than twenty men were executed, though many were innocent of any serious crime." "As Jock McCulloch shows, the panics were complex events which encompassed such issues as miscegenation, prostitution, the management of venereal disease, the politics of concubinage, and the construction of whiteness."--BOOK JACKET.

Om 46th/72nd rekognosceringseskadrille som udforskede områderne omkring Nordpolen og for at finde den magnetiske nordpol. De fleste af disse rekognosceringer var klassificerede og det grid net som eskadrillen udviklede af hensyn til navigaionen over nordpolen muliggjorde flyvning over dette område.

The transition from President Donald J. Trump to President Joseph R. Biden Jr. stands as one of the most dangerous periods in American history. But as #1 internationally bestselling author Bob Woodward and acclaimed reporter Robert Costa reveal for the first time, it was far more than just a domestic political crisis. Woodward and Costa interviewed more than 200 people at the center of the turmoil, resulting in more than 6,000 pages of transcripts—and a spellbinding and definitive portrait of a nation on the brink. This classic study of Washington takes readers deep inside the Trump White House, the Biden White House, the 2020 campaign, and the Pentagon and Congress, with eyewitness accounts of what really happened. Intimate scenes are supplemented with never-before-seen material from secret orders, transcripts of confidential calls, diaries, emails, meeting notes and other personal and government records, making Peril an unparalleled history. It is also the first inside look at Biden’s presidency as he began his presidency facing the challenges of a lifetime: the continuing deadly pandemic and millions of Americans facing soul-crushing economic pain, all the while navigating a bitter and disabling partisan divide, a world rife with threats, and the hovering, dark shadow of the former president.

The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten. Leighten examines the circle of artists—Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others—for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society—and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism’s most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art.