"The American negroes are the only people in the history of the world. . . . that ever became free without any effort on their own." W. E. Woodward stated this in his biography of General Ulysses S. Grant. Nothing could be farther from the truth as will be seen in this history which will show that the African Americans fighting in the Civil War may have been the deciding factor in determining the outcome.

This book investigates the story of 600 Black men from across North America and the Caribbean, who, in 1917, went to war in a labour unit, No. 2 Construction Battalion. Regarded then by senior Command as morally infectious, a century later they have become central actors in a powerful cultural myth, celebrated in folk tales, poetry, drama and text. Black Soldiers in a White Man’s War examines critically that mythical narrative. Based on service records of the 600 volunteers and 35 courts-martial in the unit, it probes the lives of these soldiers, who laboured in the forests of France during 1917 and 1918. Black Soldiers in a White Man’s War will shock some, but, for the majority of readers, it will present a fresh, vibrant portrait of a group of young Black men, who at a time of international crisis volunteered to fight the King’s enemies. It will also open readers to experiences these men faced as they returned to a post-war racist society.

This book focuses upon the wartime experiences of black people, and to examine the war in the context of a complex and rapidly changing colonial society increasingly shaped, but not yet transformed, by mining capital.

Based on many years of research with regard to the Anglo-Boer War, this book is essential reading for anyone who would like to know more about the most devastating conflict that has thus far been waged between white people in Southern Africa. However, with due course, this war also involved more and more black, brown and, to some extent, Asian people.

During World War I, thousands of rural southern men, black and white, refused to serve in the military. Some failed to register for the draft, while others deserted after being inducted. In the countryside, armed bands of deserters defied local authorities; capturing them required the dispatch of federal troops into three southern states. Jeanette Keith traces southern draft resistance to several sources, including whites' long-term political opposition to militarism, southern blacks' reluctance to serve a nation that refused to respect their rights, the peace witness of southern churches, and, above all, anger at class bias in federal conscription policies. Keith shows how draft dodgers' success in avoiding service resulted from the failure of southern states to create effective mechanisms for identifying and classifying individuals. Lacking local-level data on draft evaders, the federal government used agencies of surveillance both to find reluctant conscripts and to squelch antiwar dissent in rural areas. Drawing upon rarely used local draft board reports, Selective Service archives, Bureau of Investigation reports, and southern political leaders' constituent files, Keith offers new insights into rural southern politics and society as well as the growing power of the nation-state in early twentieth-century America.

A leading voice for social justice reveals how he stopped arguing with white people who deny the ongoing legacy of racism—and offers a proven path forward for Black people and people of color based on the history of nonviolent struggle. “A moving personal journey that lends practical insight for expanding and strengthening the global antiracist movement.”—Patrisse Khan-Cullors, co-founder of Black Lives Matter, bestselling author of When They Call You a Terrorist When the rallying cry “Black Lives Matter” was heard across the world in 2013, Andre Henry was one of the millions for whom the movement caused a political awakening and a rupture in some of his closest relationships with white people. As he began using his artistic gifts to share his experiences and perspective, Henry was aggrieved to discover that many white Americans—people he called friends and family—were more interested in debating whether racism existed or whether Henry was being polite enough in the way he used his voice. In this personal and thought-provoking book, Henry explores how the historical divides between Black people and non-Black people are expressed through our most mundane interactions, and why this struggle won’t be resolved through civil discourse, diversity hires, interracial relationships, or education. What we need is a revolution, one that moves beyond symbolic progress to disrupt systems of racial violence and inequality in tangible, creative ways. Sharing stories from his own path to activism—from studying at seminary to becoming a student of nonviolent social change, from working as a praise leader to singing about social justice—and connecting those experiences to lessons from successful nonviolent struggles in America and around the world, Andre Henry calls on Black people and people of color to divest from whiteness and its false promises, trust what their lived experiences tell them, and practice hope as a discipline as they work for lasting change.

This book re-presents the poetry of Rudyard Kipling in the form of bold slogans, the better for us to reappraise the meaning and import of his words and his art. Each line or phrase is thrust at the reader in a manner that may be inspirational or controversial... it is for the modern consumer of this recontextualization to decide. They are words to provoke: to action. To inspire. To recite. To revile. To reconcile or reconsider the legacy and benefits of colonialism. Compiled and presented by sloganist Dick Robinson, three poems are included, complete and uncut: 'White Man's Burden', 'Fuzzy-Wuzzy' and 'If'.