"The White Ladies of Worcester" is an inspiring romantic story of a nun who enters a convent thinking her lover is dead and a knight who was told his lady had married another. As the nuns in the Nunnery of the White Ladies return from Vespers through the underground passage into the cloisters, an old lay-sister Mary Antony counts them every time by dropping one pea for each nun from her hand into a bag. However, one evening her count turns out differently – the nuns pass, all the peas drop into the bag, and then one more nun passes by, making the old lady think that there might be an intruder into the convent…

This collection examines the dynamic experimentation of contemporary women writers from North America, Australia, and the UK. Blurring the dichotomies of the popular and the literary, the fictional and the factual, the essays assembled here offer new approaches to reading contemporary women fiction writers' reconfigurations of history.

"The White Ladies of Worcester" is an inspiring romantic story of a nun who enters a convent thinking her lover is dead and a knight who was told his lady had married another. As the nuns in the Nunnery of the White Ladies return from Vespers through the underground passage into the cloisters, an old lay-sister Mary Antony counts them every time by dropping one pea for each nun from her hand into a bag. However, one evening her count turns out differently – the nuns pass, all the peas drop into the bag, and then one more nun passes by, making the old lady think that there might be an intruder into the convent…

This book presents a wide range of previously unpublished works by Radclyffe Hall. These new materials significantly broaden and complicate critical views of Hall's writings. They demonstrate the stylistic and thematic range of her work and cover diverse topics, including 'outsiderism', gender, sexuality, race, class, religion, the supernatural and the First World War. Together, these texts shed a new light on unrecognised or misunderstood aspects of Hall's intellectual world. The volume also contains a substantial introduction, which situates Hall's unpublished writings in the broader context of her life and work. Overall, the book invites a critical reassessment of Hall's place in early twentieth-century literature and culture and offers rich possibilities for teaching and future research. It will be of interest to scholars and undergraduate and postgraduate students in the fields of English literature, modernism, women's writing, and gender and sexuality studies, and to general readers.