This collection of thirteen essays, some not previously published, on Byron and Wordsworth, examine the interaction between the idea of originality the Romantics fostered and the means of production through which they expressed themselves.

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The White Doe of Rylstone; or, The Fate of the Nortons is a long narrative poem by William Wordsworth, written initially in 1807-08, but not finally revised and published until 1815. It is set during the Rising of the North in 1569, and combines historical and legendary subject-matter.

This original study is the first fully to acknowledge the impact of early grief on Wordsworth's poetry and to integrate it into a critical account of how his art developed from 1787 to 1813. Looks at the impact of grief on Wordsworth's great poetry. Explains the importance of the poet's great, unfinished epic 'The Recluse' to his work as a whole. Includes 20 illustrations from original notebooks. Contains the first annotated text of 'The White Doe of Rylstone'.

"Both Romanticists and feminists will welcome this original focus on Wordsworth's shifting attitude to gender, as well as the detailed and genuinely fresh reading of specific poems that it produces. This is the first full-length study to consider the role of the domestic in Wordsworth's poetry as well as the first to recognize the all-important role played in his later poetry by his relationship with his daughter Dora. It is an extremely important contribution to Wordsworth studies which challenges all the received wisdom concerning Wordsworth's poetic development and the role of gender in his writing."--Anne K. Mellor, author of "Romanticism and Gender" "An original contribution to romantic studies and one whose publication is most welcome. Its central thesis--that Wordsworth's relationships to the numerous women in his life are of crucial importance to the understanding of his poetry and politics--extends the concerns of earlier commentators in new and thoughtful ways. Steering a careful and compelling middle course between the apologists and the prosecutors, Page reconstructs Wordsworth's conflicted relationship to passion--sexual, political, and familial--as that relationship evolves over his long career."--Bradford K. Mudge, author of "Sara Coleridge: A Victorian Daughter"