How does a Jewish boy who spent the bulk of his childhood on the basketball courts of Brooklyn wind up teaching in one of the city's pioneering black studies departments? Naison's odyssey begins as Brooklyn public schools respond to a new wave of Black migrants and Caribbean immigrants, and established residents flee to virtually all-white parts of the city or suburbs. Already alienated by his parents' stance on race issues and their ambitions for him, he has started on a separate ideological path by the time he enters Columbia College. Once he embarks on a long-term interracial relationship, becomes a member of SDS, focuses his historical work on black activists, and organizes community groups in the Bronx, his immersion in the radical politics of the 1960s has emerged as the center of his life. Determined to keep his ties to the Black community, even when the New Left splits along racial lines, Naison joined the fledgling African American studies program at Fordham, remarkable then as now for its commitment to interracial education.This memoir offers more than a participant's account of the New Left's racial dynamics; it eloquently speaks to the ways in which political commitments emerge from and are infused with the personal choices we all make.

"You never know where we'll end up. There's so much possibility in life, you know?" Hallie said. Sean Norwhalt can read between the lines. He knows Hallie's just dumped him. He was a perfectly good summer boyfriend, but now she's off to college, and he's still got another year to go. Her pep talk about futures and "possibilities" isn't exactly comforting. Sean's pretty sure he's seen his future and its "possibilities," and they all look DISPOSABLE. Like the crappy rental his family moved into when his dad left. Like all the unwanted filthy old clothes he stuffs into the rag baler at his thrift-store job. Like everything good he's ever known. The only hopeful possibilities in Sean's life are the Marine Corps, where no one expected he'd go, and Neecie Albertson, whom he never expected to care about. Carrie Mesrobian follows her critically acclaimed debut, Sex & Violence, with another powerful and wrenching portrait of a teenage boy on the precipice of the new American future.

From the famed New Yorker illustrator comes one of the lost treasures of American comic strips.

Folan encourages readers to look beyond common generalizations and stereotypes about race and gender in interracial relationships. In Don’t Bring Home a White Boy, writer Karyn Langhorne Folan debunks the myths and common preconceptions about interracial relationships: Is a black woman who dates white men a traitor to her race? And is America’s history of black oppression a factor? Drawing on real-life testimonials, she boldly tackles this difficult subject with warmth, humor, and understanding, as she explores stereotypes of black female sexuality and white male perspectives on black female beauty. Folan goes beyond statistics and offers firsthand insights on her own interracial relationship and attempts to tap into a woman’s desire to have all that they deserve instead of restricting themselves, simply because they want a “good black man.” Frank, authoritative, and universally relevant, her message to women is to look beyond skin color, accept themselves for who they are, and seek a man who truly loves them, regardless of race.

Newbery Award-winning and New York Times bestselling author Matt de la Peña's Mexican WhiteBoy is a story of friendship, acceptance, and the struggle to find your identity in a world of definitions. Danny's tall and skinny. Even though he’s not built, his arms are long enough to give his pitch a power so fierce any college scout would sign him on the spot. Ninety-five mile an hour fastball, but the boy’s not even on a team. Every time he gets up on the mound he loses it. But at his private school, they don’t expect much else from him. Danny’ s brown. Half-Mexican brown. And growing up in San Diego that close to the border means everyone else knows exactly who he is before he even opens his mouth. Before they find out he can’t speak Spanish, and before they realize his mom has blond hair and blue eyes, they’ve got him pegged. But it works the other way too. And Danny’s convinced it’s his whiteness that sent his father back to Mexico. That’s why he’s spending the summer with his dad’s family. Only, to find himself, he may just have to face the demons he refuses to see--the demons that are right in front of his face. And open up to a friendship he never saw coming. Matt de la Peña's critically acclaimed novel is an intimate and moving story that offers hope to those who least expect it. "[A] first-rate exploration of self-identity."-SLJ "Unique in its gritty realism and honest portrayal of the complexities of life for inner-city teens...De la Peña poignantly conveys the message that, despite obstacles, you must believe in yourself and shape your own future."-The Horn Book Magazine "The baseball scenes...sizzle like Danny's fastball...Danny's struggle to find his place will speak strongly to all teens, but especially to those of mixed race."-Booklist "De la Peña blends sports and street together in a satisfying search for personal identity."-Kirkus Reviews "Mexican WhiteBoy...shows that no matter what obstacles you face, you can still reach your dreams with a positive attitude. This is more than a book about a baseball player--this is a book about life."-Curtis Granderson, New York Mets outfielder An ALA-YALSA Top Ten Best Book for Young Adults A Junior Library Guild Selection

They busted out of McAlester State Penitentiary--three escaped convicts going to ground in a world unprepared for anything like them.... Lamar Pye is prince of the Dirty White Boys. With a lion in his soul, he roars--for he is the meanest, deadliest animal on the loose.... Odell is Lamar's cousin, a hulking manchild with unfeeling eyes. He lives for daddy Lamar. Surely he will die for him.... Richard's survival hangs on a sketch: a crude drawing of a lion and a half-naked woman. For this Lamar has let Richard live... Armed to the teeth, Lamar and his boys have cut a path of terror across the Southwest, and pushed one good cop into a crisis of honor and conscience. Trooper Bud Pewtie should have died once at Lamar's hands. Now they're about to meet again. And this time, only one of them will walk away....

Prisoner of War: The Story of White Boy Rick and the War on Drugs is the true tale of the FBI¿s youngest recruit in the failed attempt to stop the flow of illegal narcotics. It is the War on Drugs as seen from the trenches of battles America lost. Richard J. Wershe, Jr. was a white kid who didn¿t do drugs, but he lived in a racially mixed neighborhood and he knew some bad people. Among them was a powerful and politically-connected black drug operation. Wershe¿s father was a business hustler willing to put his son¿s life at grave risk for FBI informant cash. Young Wershe did a good job as a drug spy for the FBI. Perhaps too good.The drug gang inadvertently killed a 13-year old boy. When Rick told the FBI about top-level police corruption in the homicide investigation, he became too hot. The FBI dropped him as an informant. Cast adrift, young Wershe made the bad decision to use the crime skills law enforcement had taught him. He tried to become a cocaine wholesaler, got caught and was sentenced to life in prison by age 18. His trial was a media sensation and reporters labeled him White Boy Rick, falsely accusing him of being a ¿drug lord¿ and drug ¿kingpin.¿ White Boy Rick became a Prisoner of the War on Drugs.As the book documents, the tragic tale of White Boy Rick Wershe is part of a lost ¿war¿ that mimics Prohibition¿with the same results.